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I’m Brian Amyx, a creative technology and live systems support specialist with 16+ years helping power time-sensitive television broadcasts and real-time graphics. I thrive on integrating cameras with networked computers, routing video/audio/network/power, and keeping live production running smoothly under on-air deadlines—whether it’s monitoring tracking data, calibrating workflows, or isolating technical issues fast. I also build interactive prototypes that blend live visuals and responsive show control, using Unity/C# and Three.js with live camera/HDMI input, chroma key, and computer-vision tooling like MediaPipe. I connect music software to real-time environments for beat-responsive effects, teach complex audio production workflows, and enjoy documenting solutions clearly so teams can confidently reproduce and scale what works.…I’m Brian Amyx, a creative technology and live systems support specialist with 16+ years helping power time-sensitive television broadcasts and real-time graphics. I thrive on integrating cameras with networked computers, routing video/audio/network/power, and keeping live production running smoothly under on-air deadlines—whether it’s monitoring tracking data, calibrating workflows, or isolating technical issues fast. I also build interactive prototypes that blend live visuals and responsive show control, using Unity/C# and Three.js with live camera/HDMI input, chroma key, and computer-vision tooling like MediaPipe. I connect music software to real-time environments for beat-responsive effects, teach complex audio production workflows, and enjoy documenting solutions clearly so teams can confidently reproduce and scale what works.

Brian Amyx

Sound Technician, Video Editor, Sound Engineer, +2

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I’m Brian Amyx, a creative technology and live systems support specialist with 16+ years helping power time-sensitive television broadcasts and real-time graphics. I thrive on integrating cameras with networked computers, routing video/audio/network/power, and keeping live production running smoothly under on-air deadlines—whether it’s monitoring tracking data, calibrating workflows, or isolating technical issues fast. I also build interactive prototypes that blend live visuals and responsive show control, using Unity/C# and Three.js with live camera/HDMI input, chroma key, and computer-vision tooling like MediaPipe. I connect music software to real-time environments for beat-responsive effects, teach complex audio production workflows, and enjoy documenting solutions clearly so teams can confidently reproduce and scale what works.…I’m Brian Amyx, a creative technology and live systems support specialist with 16+ years helping power time-sensitive television broadcasts and real-time graphics. I thrive on integrating cameras with networked computers, routing video/audio/network/power, and keeping live production running smoothly under on-air deadlines—whether it’s monitoring tracking data, calibrating workflows, or isolating technical issues fast. I also build interactive prototypes that blend live visuals and responsive show control, using Unity/C# and Three.js with live camera/HDMI input, chroma key, and computer-vision tooling like MediaPipe. I connect music software to real-time environments for beat-responsive effects, teach complex audio production workflows, and enjoy documenting solutions clearly so teams can confidently reproduce and scale what works.

Available to hire

I’m Brian Amyx, a creative technology and live systems support specialist with 16+ years helping power time-sensitive television broadcasts and real-time graphics. I thrive on integrating cameras with networked computers, routing video/audio/network/power, and keeping live production running smoothly under on-air deadlines—whether it’s monitoring tracking data, calibrating workflows, or isolating technical issues fast.

I also build interactive prototypes that blend live visuals and responsive show control, using Unity/C# and Three.js with live camera/HDMI input, chroma key, and computer-vision tooling like MediaPipe. I connect music software to real-time environments for beat-responsive effects, teach complex audio production workflows, and enjoy documenting solutions clearly so teams can confidently reproduce and scale what works.

Skills

Experience Level

Expert

Expert

Expert

Beginner

Beginner

Beginner

Work Experience

Developer / Technical Producer at V Stage (Independent Project)

January 1, 2025 - Present

Built a browser-based Three.js prototype and a Unity/C# implementation for an interactive 3D performance environment with procedural stages and instruments plus live camera/HDMI input. Implemented chroma key and automated/manual camera control, using MediaPipe background removal and validated networked show-control workflows. Connected Ableton Live to Unity via wired UDP for show control and real-time audio analysis, diagnosing and documenting a network/firewall repair and validating the restored workflow through hands-on testing.

Lead 1st & 10 Technician at SMT

July 1, 2010 - Present

Lead live operation of real-time first-down-line and down-and-distance graphics for NFL and NCAA television broadcasts under on-air deadlines. Integrate television cameras with networked computers and route video, audio, network, and power through venues and broadcast engineering trucks. Provide technical support, monitor tracking data, adjust system parameters, and support rack, camera, and cabling deployments for MLB, MiLB, and NHL player tracking. Calibrate camera and chroma-key workflows for virtual advertising and support enhanced replay packages during live NHL coverage.

Audio Engineer / Music Producer at Nexus Audio

January 1, 2003 - Present

Produce and teach music using Pro Tools HD and Ableton Live, managing microphone placement, control-room levels, and MIDI/production workflows. Guide arranging and performance with hands-on creative problem solving. Create green-screen content that combines audio and visual workflows.