I am an experienced independent screenwriter and filmmaker with a Bachelor’s degree in Dramatic Literature from Tehran University of Art and Architecture. I specialize in crafting feature-length and short screenplays that blend realism, surrealism, magical realism, and psychological fantasy. I also enjoy writing biographical novels and narrative nonfiction, bringing compelling real-life stories to life with emotional depth and strong narrative structure.
As an independent creator, I am passionate about managing all aspects of my film projects—from writing and directing to acting. My work includes notable feature screenplays like “A Semi-Hidden Name” and “Private Girls’ Dormitory,” as well as developing an international supernatural TV series concept.
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“A Home to Redefine Care”
📍 A biographical documentation project on the philosophy and journey of New Home Care – Australia
Written by [Author’s Name]
Before the year I stepped into the offices of New Home Care, the word “care” felt, to me, like a cliché.
Public health policies, ethical obligations, social work—grand concepts dressed in institutional language, sometimes empty of soul.
But in my very first conversation with the team, that illusion broke.
In a bright, humble room, no one said, “We provide care services.”
Instead, someone said:
“We help people live their lives—in their own homes.”
That single, simple sentence was the beginning of something different.
What happens at New Home Care goes far beyond services for the elderly or those in need.
Here, care is not a duty.
It is a conversation—between the individual and the community, between memory and future, between vulnerability and dignity.
In the early days, I set out to understand what made this team so devoted—not just committed—to a mission that many organizations treat as a checklist.
The answer came not in reports, but in stories.
A woman who walked again after surgery with the help of a kind-hearted nurse.
A man whose family lived across the ocean, but who never felt alone.
A mother who said, “My daughter lives abroad, but this team feels like my children.”
Here, they work with humans—not with files.
The success of New Home Care doesn’t lie in a formula or some advanced technology.
It lies in something far more radical:
The human lens.
In a world obsessed with efficiency, automation, and scalable systems, this company has chosen to slow time—
To listen.
To needs. To fears. To hopes.
And perhaps, that is the most revolutionary thing any organization can do today.
In the chapters to follow, I will explore the company’s origins, the cultural complexities of caregiving in a migrant-rich nation like Australia, and the quiet transformations within the people who make it all work.
But here—at this moment—I just want to confess something:
I came here to write about a company.
But now, I am writing about a belief in the human spirit.
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