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I’m Vic Parker, a colourist with a 20-year career grading for major corporate brands and long-form projects, working across commercials, promos, shorts and feature documentaries. I’ve had the great opportunity to collaborate with directors and cinematographers including John Mathieson, Darius Khondji, Danny Boyle and Sam Mendes, while delivering consistent, high-quality colour for a wide range of looks and storytelling styles. I joined VTR in 2000, trained on non-linear film-to-video grading systems, then moved through Glassworks and Prime Focus, building my expertise on Baselight along the way (including time in Mumbai). Since 2013, I’ve been directing part of Raised by Wolves, where I’ve led grading work for a broad set of productions—from entertainment and marketing work to art installations—while also offering a fully attended London facility, an at-home atelier for remote projects, and worldwide freelance support.…I’m Vic Parker, a colourist with a 20-year career grading for major corporate brands and long-form projects, working across commercials, promos, shorts and feature documentaries. I’ve had the great opportunity to collaborate with directors and cinematographers including John Mathieson, Darius Khondji, Danny Boyle and Sam Mendes, while delivering consistent, high-quality colour for a wide range of looks and storytelling styles. I joined VTR in 2000, trained on non-linear film-to-video grading systems, then moved through Glassworks and Prime Focus, building my expertise on Baselight along the way (including time in Mumbai). Since 2013, I’ve been directing part of Raised by Wolves, where I’ve led grading work for a broad set of productions—from entertainment and marketing work to art installations—while also offering a fully attended London facility, an at-home atelier for remote projects, and worldwide freelance support.

Vic Parker

Colourist, Post-Production, Creative Director

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I’m Vic Parker, a colourist with a 20-year career grading for major corporate brands and long-form projects, working across commercials, promos, shorts and feature documentaries. I’ve had the great opportunity to collaborate with directors and cinematographers including John Mathieson, Darius Khondji, Danny Boyle and Sam Mendes, while delivering consistent, high-quality colour for a wide range of looks and storytelling styles. I joined VTR in 2000, trained on non-linear film-to-video grading systems, then moved through Glassworks and Prime Focus, building my expertise on Baselight along the way (including time in Mumbai). Since 2013, I’ve been directing part of Raised by Wolves, where I’ve led grading work for a broad set of productions—from entertainment and marketing work to art installations—while also offering a fully attended London facility, an at-home atelier for remote projects, and worldwide freelance support.…I’m Vic Parker, a colourist with a 20-year career grading for major corporate brands and long-form projects, working across commercials, promos, shorts and feature documentaries. I’ve had the great opportunity to collaborate with directors and cinematographers including John Mathieson, Darius Khondji, Danny Boyle and Sam Mendes, while delivering consistent, high-quality colour for a wide range of looks and storytelling styles. I joined VTR in 2000, trained on non-linear film-to-video grading systems, then moved through Glassworks and Prime Focus, building my expertise on Baselight along the way (including time in Mumbai). Since 2013, I’ve been directing part of Raised by Wolves, where I’ve led grading work for a broad set of productions—from entertainment and marketing work to art installations—while also offering a fully attended London facility, an at-home atelier for remote projects, and worldwide freelance support.

Available to hire

I’m Vic Parker, a colourist with a 20-year career grading for major corporate brands and long-form projects, working across commercials, promos, shorts and feature documentaries. I’ve had the great opportunity to collaborate with directors and cinematographers including John Mathieson, Darius Khondji, Danny Boyle and Sam Mendes, while delivering consistent, high-quality colour for a wide range of looks and storytelling styles.

I joined VTR in 2000, trained on non-linear film-to-video grading systems, then moved through Glassworks and Prime Focus, building my expertise on Baselight along the way (including time in Mumbai). Since 2013, I’ve been directing part of Raised by Wolves, where I’ve led grading work for a broad set of productions—from entertainment and marketing work to art installations—while also offering a fully attended London facility, an at-home atelier for remote projects, and worldwide freelance support.

Skills

DaVinci Resolve Studio

Adobe Photoshop

Experience Level

DaVinci Resolve Studio

Expert

Adobe Photoshop

Intermediate

Work Experience

Director (Part of VFX Studio) at Raised by Wolves

January 1, 2013 - Present

Director of part of the Raised by Wolves VFX studio. Leads colour grading work across feature-length projects and art installations (e.g., Chapman Brothers & Cornelia Parker) as well as commercials, promos and shorts, with increasing involvement in long-form work. Provides both attended facility support in central London and remote/at-home atelier workflows for projects worldwide.

Colourist / Trainee at VTR

January 1, 2000 - Present

Joined VTR in 2000 and trained on non-linear film-to-video Pandora Pogle grading systems using 2k/4k Spirit & Ursa scanners. Built foundational grading experience on scanning and non-linear colour workflows.