Yang Li
Senior Film Director & Video Editor Documentaries, Brand Films, Social & Digital Content. I shape raw footage into compelling stories through cinematic imagery, thoughtful pacing and emotional depth.
About
Senior Film Director & Video Editor | 20+ Years | Documentaries, Brand Films, Social & Digital Content.
I shape raw footage into compelling stories through cinematic imagery, thoughtful pacing and emotional depth. My work spans long-form documentaries, branded films, educational videos, interviews, YouTube and short-form content.
I directed, filmed and edited behind-the-scenes documentaries about the 2008 Beijing Olympic Closing Ceremony and the 2010 Guangzhou Asian Games ceremonies, both broadcast on CCTV-5. My subsequent work includes documentaries following major international productions, alongside educational and industry-focused films for public-sector and training organisations in Canada.
I bring a director’s judgement to the edit and an editor’s eye to the camera. I find character, tension and meaning in unscripted material, building stories from extensive footage and capturing the details that make them memorable. My approach combines visual craft, narrative clarity and a feel for humour and human connection.
Working primarily in Adobe Premiere Pro and Audition, I offer story development, video editing, visual sequencing, colour correction, dialogue cleanup and sound editing, alongside cinematography and lighting for production projects.
Based in Nova Scotia, Canada, I’m available for remote editing projects and ongoing collaborations. Share your footage, brief or rough cut, and let’s discuss what your film needs.
- 19 years' experience
Skills· 21
Languages
- EnglishAdvanced
- ChineseFluent
Industry experience
- Media & Entertainment
- Education
- Non-Profit Organization
- Professional Services
- Government
- Financial Services
- Manufacturing
- Energy & Utilities
- Travel & Hospitality
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Work experience· 5 roles
• Direct, film and edit documentary, educational and promotional content supporting skilled trades awareness, career exploration and organisational programmes. • Serve as principal cinematographer, shaping each production’s visual language through camera placement, lens choice, composition, lighting and movement. • Film interviews and active workplaces, capturing expressive portraits, clear demonstrations and observational sequences that reveal both the technical detail and human experience of skilled work. • Edit interview-led and observational content, selecting and condensing material into clear narratives while preserving the contributor’s meaning, personality and natural voice. • Build visual sequences that extend the story beyond the spoken interview, using actions, reactions, environmental details and contextual footage to communicate ideas and create emotional engagement. • Refine structure, pacing, colour, dialogue, music and sound, collaborating with producers and programme staff through review and final delivery. • Lead cinematography and editing for This Is My Trade, a province-wide documentary series working towards coverage of 50+ designated trades, giving each occupation a distinctive human story within a consistent series identity.
• Co-founded a production studio creating documentary, branded, educational, event and digital content for public-sector, non-profit and business clients. • Serve as principal cinematographer across the studio’s film projects, establishing the visual approach and personally capturing interviews, workplace processes, performances and observational footage. • Combine expressive composition and purposeful lighting with an editor’s understanding of coverage, anticipating the close-ups, reactions, transitions and contextual images needed to construct complete scenes. • Edit both interview-led and observational films, developing narrative structure, condensing extensive material and balancing information, character, rhythm and emotional progression. • Integrate original footage, contributor-supplied material, music, sound and graphics into cohesive films, adapting the editorial treatment to documentary, learning, promotional and social formats. • Collaborate with producers and clients on creative development, filming and post-production, maintaining a consistent visual and editorial standard through final delivery. • Selected Projects (SCNS and NSAA engagements listed below include external production work delivered through Orhythm Media.) 1. Trade Places — Principal cinematography and editing contributions to a provincial diversity and inclusion learning initiative encompassing 15+ storylines and 30+ contributors, with film and audio material supporting curriculum development. 2. NSAA Mentorship Training Video Series — Filmed expert-led interviews and contributed editing to eight videos embedded in a mentorship curriculum, presenting professional knowledge in clear, structured learning content. 3. Nova Scotia Skills Competition Highlights — Captured simultaneous competition activities, participant interviews and decisive moments for annual event coverage, supporting a flagship highlights film and four promotional cutdowns. 4. StartUp Stories — Principal cinematographer for a five-part YWCA Halifax documentary series following women entrepreneurs, including newcomers. Captured interviews and business activities and contributed editing for films promoting the businesses and YWCA’s entrepreneurship programme. 5. Public Sector Innovation Show, Atlantic — Filmed interviews with senior public-sector leaders and subject-matter experts alongside event coverage, creating material for highlight films, expert-led content and digital communications.
• Co-founded a production company and led documentary direction, original writing, cinematography and editing for cultural, commercial and major international event projects. • Develop stories through sustained observation of rehearsals, creative discussions and technical preparations, identifying character, conflict and turning points within complex, unfolding productions. • Lead cinematography and camera coverage, personally capturing key scenes while directing additional coverage to build visually rich, coherent sequences. • Write original documentary narration that makes complex creative and technical processes accessible, combining clear explanation with understated humour, warmth and respect for professional craft. • Review and organise extensive unscripted footage, constructing long-form narratives through character development, thematic connections, scene progression and carefully judged pacing. • Develop a distinctive visual and editorial treatment for each film, using imagery, music, sound and purposeful endings to build emotional depth and a strong sense of place. • Selected Projects 1. Light Up the Future (2014) — Directed a three-part documentary following the creation of the Nanjing Youth Olympic Games Opening Ceremony over a year. Led story development, documentary writing, filming and editing, revealing the creative decisions, technical challenges and human effort behind the production. 2. Sail to the Future (2017) — Directed the behind-the-scenes documentary on the BRICS Xiamen Summit gala, shaping rehearsals, artistic collaboration and technical preparations into an accessible story about the people creating the performance. 3. Hangzhou Time (2018) — Directed an 80-minute, two-part documentary following Hangzhou’s Asian Games flag-handover performance. Led the documentary’s narrative and filmmaking across Hangzhou and Jakarta, connecting creative development, rehearsals and final execution. 4. Corporate & Consumer Brand Films (2012–2015) — Directed, filmed and edited corporate and branded content, including internal films for PKU Resources Group, documentary-style stories produced with iQIYI for CITIC Bank’s 25th anniversary, and a scripted Audi A1 online promotion tied to Meng Jinghui’s musical First Love. Adapted visual style, performance and editorial rhythm to different brands, audiences and communication goals. 5. Startup, Product & Technical Films (2012–2015) — Created brand and promotional films for businesses working in energy, nuclear safety and environmentally focused products. Translated unfamiliar technologies and business concepts into accessible visual stories, combining purposeful cinematography, clear narrative structure and polished editing for corporate presentations, promotional campaigns and trade-show use.
Education
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