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I'm a versatile sound designer and editor based in London (UK) with experience across film, TV , video games and long-form narrative content. My work spans dialogue editing, ADR supervision and editing, effects editing and design, foley recording and editing, and mixing. I am comfortable working on large scale projects, working independently or as part of a remote team to meet clear creative goals and technical requirements. I am organised, proactive and can work to tight schedules if needed. Ultimately, I put the creative direction of the work first, and prioritise performance and emotional impact, and enjoy developing a unique sonic palette that supports the artistic intentions of each project.…I'm a versatile sound designer and editor based in London (UK) with experience across film, TV , video games and long-form narrative content. My work spans dialogue editing, ADR supervision and editing, effects editing and design, foley recording and editing, and mixing. I am comfortable working on large scale projects, working independently or as part of a remote team to meet clear creative goals and technical requirements. I am organised, proactive and can work to tight schedules if needed. Ultimately, I put the creative direction of the work first, and prioritise performance and emotional impact, and enjoy developing a unique sonic palette that supports the artistic intentions of each project.

Adam Douglas Jones

PRO

Sound Editor, Sound Designer, Mixing Engineer, +2

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I'm a versatile sound designer and editor based in London (UK) with experience across film, TV , video games and long-form narrative content. My work spans dialogue editing, ADR supervision and editing, effects editing and design, foley recording and editing, and mixing. I am comfortable working on large scale projects, working independently or as part of a remote team to meet clear creative goals and technical requirements. I am organised, proactive and can work to tight schedules if needed. Ultimately, I put the creative direction of the work first, and prioritise performance and emotional impact, and enjoy developing a unique sonic palette that supports the artistic intentions of each project.…I'm a versatile sound designer and editor based in London (UK) with experience across film, TV , video games and long-form narrative content. My work spans dialogue editing, ADR supervision and editing, effects editing and design, foley recording and editing, and mixing. I am comfortable working on large scale projects, working independently or as part of a remote team to meet clear creative goals and technical requirements. I am organised, proactive and can work to tight schedules if needed. Ultimately, I put the creative direction of the work first, and prioritise performance and emotional impact, and enjoy developing a unique sonic palette that supports the artistic intentions of each project.

Available to hire

London, United Kingdom

I’m a versatile sound designer and editor based in London (UK) with experience across film, TV , video games and long-form narrative content. My work spans dialogue editing, ADR supervision and editing, effects editing and design, foley recording and editing, and mixing.

I am comfortable working on large scale projects, working independently or as part of a remote team to meet clear creative goals and technical requirements. I am organised, proactive and can work to tight schedules if needed.

Ultimately, I put the creative direction of the work first, and prioritise performance and emotional impact, and enjoy developing a unique sonic palette that supports the artistic intentions of each project.

Skills

Experience Level

Expert

Intermediate

Intermediate

Intermediate

Beginner

Language

English

Fluent

Work Experience

Sound Editor at Freelance

January 1, 2018 - Present

Collaborated with major post facilities on feature and episodic dialogue and sound effects editorial; prepared and conformed editorial sessions, organised assets, and ensured sessions met technical and delivery specifications prior to mix; performed detailed technical QC of edit sessions and deliverables, checking sync, session organisation, naming conventions, and spec compliance prior to mix; supervised, engineered and assisted ADR and VO sessions with global talent and production teams.

Dialogue and Sound Editor at Calm

October 1, 2021 - August 1, 2022

Edited and mixed long-form narrative content with a focus on dialogue clarity, pacing, tone, and subtle audio cues guiding listener experience; assembled and cleaned recorded sessions, designed ambiences/SFX, and delivered to broadcast spec; acted as in-studio technician for voice-over recording sessions, bridging between producer, engineer, and talent.

Sound Editor at Hackenbacker - Molinare

October 1, 2019 - September 1, 2020

Worked in all areas of sound editing for a variety of high-end TV dramas to cut my teeth, moving quickly onto flagship shows; supported editorial and mix by preparing and maintaining clean, organised sessions under broadcast deadlines; developed efficient workflows under tight deadlines while maintaining renown quality standards.

Assistant Sound Editor at Sky Studios

January 1, 2024 - Present

Assisted on The Day of the Jackal across two episodes, supporting dialogue, fx, and overall editorial workflow.

Dialogue Editor at Sugar Studios

January 1, 2025 - Present

Selected credits include World Breaker (Dialogue Editor and ADR Supervisor), Pig Hill (Dialogue Editor), Glamping (Dialogue Editor) and Parasomnia (ADR Editor); performed additional dialogue, ADR and FX editorial credits on multiple features.

Dialogue Editor at Sugar Studios

January 1, 2025 - Present

Pig Hill (Dialogue Editor).

Dialogue Editor at Sugar Studios

January 1, 2025 - Present

Glamping (Dialogue Editor).

ADR Editor at Sugar Studios

January 1, 2025 - Present

Parasomnia (ADR Editor).

Sound Editor at Arrow Media

January 1, 2025 - Present

Cecil (Sound Editor) for 2025 documentary project.