I am a film and video editor with extensive experience in documentary filmmaking, having edited two feature documentaries, several short films, and worked as a second cam...
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I am a film and video editor with extensive experience in documentary filmmaking, having edited two feature documentaries, several short films, and worked as a second cam...
See MoreI'm a versatile and prolific composer, producer, and sound designer with more than a decade of experience creating music and sound for film, documentary, and media. I del...
See MoreI am a highly-organised television and podcast journalistic producer. I have over 20 years experience in broadcast news, and four years producing and hosting podcasts...
See More+12 years of professional experience in audio production spanning from film, podcast, video games, to music scoring and production. A founder of Your Podcast, a fully rem...
See MoreI'm a sound designer and mixer with over five years of experience working to picture. I thrive on creating immersive, cinematic soundscapes and have collaborated with cli...
See MoreFreelance video editor, podcast producer and journalist. Proven track record of delivering high quality video and audio content across the BBC, the Guardian, Sky News and...
See MoreHi, I’m Ella Cudjoe—a methodical and friendly graduate with hands-on experience in media production, editing, and volunteering. I’ve developed practical skills across con...
See MoreI bring a real music production background to composition and sound design. Bringing a fresh flavour to your picture, driving home the feeling and emotion you're looking ...
See MoreLondon based Tom Jarmey (aka Ocean Stirs and one half of Mother Of Pearls) blends a variety of influences from leftfield club music to delicate blends of classical and el...
See MoreThe mystery surrounding Lily Oakes as an artist bleeds into her music. Enigmatic, poised and stylish, an extension of her scant online presence and brooding, studied head...
See MoreHello, I’m Charlie Marbles, a freelance editor based in London who loves collaborating with fellow creatives to build solid, engaging stories whether for 360 VR, docs, on...
See MoreI’m Toby Griffin, a remote working freelance sound designer, engineer and composer with over 30 years experience, delivering award-winning sound for global advertising ag...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
£3,200 – £8,400
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for selecting, recording, and editing audio for various media productions, including films, television shows, and video games. Their primary tasks involve manipulating sound effects, dialogue, and music to create a cohesive auditory experience. They work closely with directors and producers to ensure that the sound complements the visual elements of the project. Sound Editors also manage audio post-production tasks, such as noise reduction, equalization, and mixing, to enhance the overall quality of the sound. Their expertise is crucial for delivering a polished final product that resonates with audiences.
Exceptional Sound Editors possess a unique blend of technical skills and creative vision. They have a deep understanding of sound design principles and are proficient in using industry-standard software. Strong communication skills are essential, as they need to collaborate effectively with directors and other creative professionals. Attention to detail is crucial for identifying subtle audio issues, while adaptability allows them to work across different genres and styles. Moreover, a passion for storytelling through sound can significantly enhance their ability to contribute meaningfully to a project.
Typical day rates for Sound Editors in United Kingdom vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your needs, start by reviewing their portfolio to assess their previous work and versatility. Look for candidates who have experience in your specific genre or project type. Reading client testimonials can provide insights into their professionalism and collaboration skills. During interviews, gauge their understanding of your project requirements and creative vision. A great Sound Editor will ask relevant questions and offer suggestions that align with your goals, demonstrating their commitment to the project. Trust your instincts about their compatibility with your team.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you assess their expertise, adaptability, and ability to meet your project's specific needs.
Hiring a Sound Editor in London, UK, begins with defining your project requirements, including the type of media, specific audio needs, and deadlines. Utilize platforms like Twine to access a diverse pool of talented Sound Editors. Create a job listing that outlines your expectations and budget. Once your listing is live, you can browse portfolios and invite suitable candidates for your project. Ensure to communicate clearly about your vision and any particular challenges involved in the project. This collaborative approach helps in finding the right Sound Editor who aligns with your creative goals.
Hiring a freelance Sound Editor typically offers more flexibility and direct communication, allowing for a more personalized collaboration. Freelancers often have lower overhead costs, which can translate into more competitive rates. In contrast, working with an agency provides access to a team of professionals, ensuring a wide range of expertise and resources. Agencies often manage project timelines and deliverables, which can be beneficial for larger projects. However, this may come at a higher cost. Ultimately, the choice depends on your project's scale and your preferred working style.
A well-crafted project brief for a Sound Editor should include the following elements:
This comprehensive brief will help attract the right candidates and set clear expectations.
Hiring on Twine is simple.
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