Stefano De Stefano
I’m a London-based audio editor and mix engineer with two years of professional post-production experience, working across dialogue, vocals, singing, podcasts, radio, and music.
About
I’m a London-based audio editor and mix engineer with two years of professional post-production experience, working across dialogue, vocals, singing, podcasts, radio, and music. I edit, restore, sync, and mix high-quality audio for a global audience, with a careful approach to versioning, QC, and meeting delivery specs under tight turnarounds.
I’m an expert in Pro Tools and iZotope RX, and I enjoy turning challenging recordings into polished, broadcast-ready results—whether that’s reducing noise, controlling plosives and sibilance, or balancing mixes to loudness targets like LUFS and true peak. I also have strong technical foundations from first-class degrees in music, sound, and technology, plus production and electronic music work through Guildhall and City, University of London.
- 5 years' experience
Skills· 13
Languages
- ItalianFluent
- EnglishFluent
Industry experience
- Media & Entertainment
- Education
- Professional Services
- Retail
Work experience· 4 roles
Supported studio and live audio/technical setup for the Electronic and Produced Music department. Assisted students with technical troubleshooting in studio and performance contexts, staying calm and effective under time pressure.
Edited, synced, cleaned, and restored music, singing, and dialogue for Cheryl Porter’s social media content and online singing courses. Managed high-volume turnaround across varied recording environments and overlapping deadlines, tracking versions and client changes. Built and maintained consistent Pro Tools session templates across a large catalogue. Restored dialogue and vocals in iZotope RX, including noise reduction, plosives control, and sibilance management, while matching takes using EQ and compression. Mixed to loudness targets (LUFS/true peak) and performed QC against fixed technical delivery specifications.
Realised sound design entirely in post, including foley, effects, atmospheres, and room tones cut to picture. Also created foley and sound design for a Hanna (2011) scene as a portfolio piece. Work received recognition at the Indie Online Film Award for Best Direction context for the referenced project.
Education
Certifications and awards
Testimonials · 5.0 from 1 review
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