Available to hire
I am a Post Production Specialist and Audio Engineer dedicated to creating immersive and captivating sound for documentary, film, and television projects. I love shaping sonic experiences that align with the story and the producer’s vision.
I thrive under pressure, lead dubbing and Atmos projects, perform ADR and audio restoration, and enjoy mentoring new engineers to deliver high-quality sound on deadline.
Experience Level
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Intermediate
Language
Spanish; Castilian
Fluent
English
Advanced
Catalan; Valencian
Intermediate
Work Experience
Post Production Sound Editor at Freelance
December 31, 2025 - July 22, 2025Editing and mixing audio for the documentary “The Story of Art in Alaska.”
Post Production Specialist at TelevisaUnivision
December 31, 2024 - July 22, 2025Led the Dubbing Department for Vix+ Projects in Mexico including several multi-season series and documentaries. Tasks included editing and mixing audio in Stereo, 5.1, 7.1, and Dolby Atmos formats; ADR recording and editing; audio restoration such as de-clicking, de-noising, de-humming, and reverberation removal; managing project schedules; and training new engineers in post-production processes.
Audio Assistant at Peek - Paax
December 31, 2019 - July 22, 2025Performed foley recording, editing, and mixing; ADR recording and editing; and mixing media for audiovisual productions.
Post Production Sound Editor at Self-employed / Freelance
January 1, 2025 - PresentEditing, mixing and dubbing for the documentary “The Story of Art in Alaska”. Tasks included audio restoration (de-clicking/crackling, de-noising, de-humming, de-essing, reverberation removal, audio repairing), and delivering stereo, 5.1, 7.1 and Dolby Atmos mixes. Also performed ADR edit and lip-sync matching; collaborated with directors and post teams to achieve immersive sound design.
Post Production Specialist at TelevisaUnivision
January 1, 2022 - December 31, 2024Leader of the Dubbing Department for Vix+ Projects in Mexico. Responsibilities included quality control of translation accuracy, ADR edit / lip-sync match, and delivering dubbed versions; editing and mixing for Stereo, 5.1, 7.1, and Dolby Atmos; recording and editing ADR for recorded shows; audio restoration; project management and scheduling; post production training for new engineers for both Dubbing and Atmos mix projects.
Education
B.E. Digital Music Production at Instituto de Estudios Superiores del Tecnológico de Monterrey
August 4, 2014 - December 13, 2019Bachelor of Engineering (BE) at Instituto Tecnológico y de Estudios Superiores de Monterrey (ITESM Puebla)
January 1, 2014 - December 31, 2019Bachelor of Engineering (BE) in Digital Musical Production at ITESM Puebla (Instituto Tecnológico y de Estudios Superiores de Monterrey)
January 1, 2014 - January 1, 2019Qualifications
ProTools 110
February 10, 2025 - November 15, 2019Pro Tools 101
January 11, 2030 - July 22, 2025Pro Tools 110
January 11, 2030 - July 22, 2025Dolby Atmos for Broadcast and HE
January 11, 2030 - July 22, 2025Digital Audio Editing: Music Production (Tratamiento de Audio Digital Esencial: Producción Musical)
January 11, 2030 - July 22, 2025Pro Tools 101
January 11, 2030 - March 5, 2026Pro Tools 110
January 11, 2030 - March 5, 2026Dolby Atmos for Broadcast and HE
January 11, 2030 - March 5, 2026Industry Experience
Telecommunications, Media & Entertainment, Software & Internet
Experience Level
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Intermediate
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