Post-Production Audio Engineer at Antioch Conservatory of Thespians Ministry

Ensure all ADR recording sessions run smoothly utilizing Pro Tools. Maintain audio quality by monitoring all audio to correct any issues. Edit and mix dialogue for film and shorts projects (Ripple Effect, No Room in the Inn).

A1 Audio Engineer at Antioch Christian Fellowship

Collaborate with Lead A/V Engineer and Pastor of Worship to produce high-quality sound for projects and events, ensuring proper mix of spoken/singing words and music from live instruments. Work seven days a week during mornings and evenings for events, classes, rehearsal and services. Document inventory, set up, and signal flow to guide audio team through troubleshooting of equipment and software issues to ensure livestream runs smoothly. Design and set up sound designs to elevate production value. Design and set up soundboards (SQ-7)/microphones to ensure optimal audio quality and coverage. Utilize knowledge of signal flow and system design to provide technical support. Configured and managed Dante network audio routing for multi-room live events.

Post-Production Audio Manager at Don’t Say Murder

Managed the Audio Post-Production team and recorded ADR dialogue. Ensured dialogue matched lip movements. Hired and led the Score Team in creating the score using sound effect libraries. Created sound effects and mixed SFX, Dialogue, and Score to appropriate levels.

Post-Production Audio Engineer at Antioch Conservatory of Thespians Ministry

Ensure all ADR recording sessions run smoothly utilizing Pro Tools. Maintain audio quality by monitoring all audio to correct issues in need of correction. Edit and mix dialogue for film and shorts projects (Ripple Effect, No Room in the Inn).

A1 Audio Engineer at Antioch Christian Fellowship

Collaborate with Lead A/V Engineer and Pastor of Worship to produce high-quality sound for projects and events ensuring the proper mix of spoken/singing words and music from live instruments. Available 7 days a week for events, classes, rehearsal and services. Document inventory, set up, and signal flow to guide audio team through troubleshooting of equipment and software issues to ensure livestream runs smoothly. Design and set up soundboards (SQ-7) / microphones to ensure optimal audio quality and coverage. Utilize knowledge of signal flow and system design to provide technical support. Configured and managed Dante network audio routing for multi-room live events.

Post-Production Audio Manager at Don’t Say Murder

Managed the Audio Post-Production team and recorded ADR dialogue. This involved ensuring that the dialogue matched the lip movements of the characters. Hired and led the Score Team in creating the score using sound effect libraries. Responsible for creating sound effects and mixing SFX, Dialogue, and Score to appropriate levels.

Post-Production Audio Engineer at Antioch Conservatory of Thespians Ministry

Ensure all ADR recording sessions run smoothly utilizing Pro Tools. Maintain audio quality by monitoring all audio to correct any audio issues in need of correction. Edit and mix dialogue for film and shorts projects (Ripple Effect, No Room in the Inn).

A1 Audio Engineer at Antioch Christian Fellowship

Communicate with Lead A/V Engineer and Pastor of Worship to produce high-quality sound for projects and events ensuring the proper mix of spoken/singing words and music from live instruments. Be ready to work 7 days a week during mornings and evenings for events, classes, rehearsal and services. Document inventory, set up, and signal flow to guide audio team through troubleshooting of equipment and software issues to ensure livestream runs smoothly. Collaborate to enhance the quality of broadcast mix by creating custom sound designs that elevate overall production value. Design and set up soundboards (SQ-7) / microphones to ensure optimal audio quality. Utilize knowledge of signal flow and system design to provide technical support. Configured and managed Dante network audio routing for multi-room live events.

Post-Production Audio Manager at Don’t Say Murder

Managed the Audio Post-Production team and recorded ADR dialogue. Hired and led the Score Team in creating the score using sound effect libraries. Responsible for creating sound effects and mixing SFX, Dialogue, and Score to appropriate levels.

Post-Production Audio Engineer at Antioch Conservatory of Thespians Ministry

Ensure ADR recording sessions run smoothly utilizing Pro Tools. Maintain audio quality by monitoring all audio to correct any issues. Edit and mix dialogue for film and shorts projects (Ripple Effect, No Room in the Inn).

A1 Audio Engineer at Antioch Christian Fellowship

Communicate with Lead A/V Engineer and Pastor of Worship to produce high-quality sound for projects and events, ensuring the proper mix of spoken/singing words and music from live instruments. Document inventory, set up, and signal flow to guide audio team through troubleshooting to ensure livestream runs smoothly. Collaborate to enhance the quality of broadcast mix by creating custom sound designs that elevate overall production value. Configure and manage Dante network audio routing for multi-room live events.

Post-Production Audio Manager at Don't Say Murder

Managed the Audio Post-Production team and recorded ADR dialogue. Hired and led the Score Team in creating the score using sound effect libraries. Responsible for creating sound effects and mixing SFX, Dialogue, and Score to appropriate levels.

Lead Audio Engineer at Antioch Christian Fellowship

Coordinate with the Lead A/V Engineer and Pastor to produce high-quality sound for projects and events, ensuring proper mix of spoken and singing words with live instrument music. Create audio post-production for YouTube videos and church theater projects. Develop custom sound designs to elevate broadcast quality and manage Audio Volunteers. Oversee all aspects of live sound for multiple events, including assigning coverage and workload. Design and set up sound systems and microphones (SQ-7) to ensure optimal audio quality and coverage. Apply signal flow and system design knowledge to provide technical support.

Post-Production Audio Manager at Don’t Say Murder

Managed the Audio Post-Production team, recorded ADR to match lip movements, and led the Score Team in creating musical score using sound libraries. Responsible for creating sound effects and mixing SFX, Dialogue, and Score to appropriate levels.