I’m a London-based, BAFTA-nominated and RTS Award-winning Production Sound Mixer and Audio Engineer, working across film, high-end television and documentary. With over 20 years’ experience recording and crafting live sound on set, I bring a deep understanding of dialogue capture, live recording environments and the technical detail required to deliver polished, professional audio that will work throughout the post-production process. Experienced in handling raw location audio, I remove noise, balance dialogue, manage audio from multiple sources and ensure precise sync to picture. Used to fast-moving productions, I am highly organized, detail-focused and comfortable working independently or remotely, delivering clearly labelled files with metadata, sound reports and polished audio ready for edit or mix.

Andy Paddon

I’m a London-based, BAFTA-nominated and RTS Award-winning Production Sound Mixer and Audio Engineer, working across film, high-end television and documentary. With over 20 years’ experience recording and crafting live sound on set, I bring a deep understanding of dialogue capture, live recording environments and the technical detail required to deliver polished, professional audio that will work throughout the post-production process. Experienced in handling raw location audio, I remove noise, balance dialogue, manage audio from multiple sources and ensure precise sync to picture. Used to fast-moving productions, I am highly organized, detail-focused and comfortable working independently or remotely, delivering clearly labelled files with metadata, sound reports and polished audio ready for edit or mix.

Available to hire

I’m a London-based, BAFTA-nominated and RTS Award-winning Production Sound Mixer and Audio Engineer, working across film, high-end television and documentary.

With over 20 years’ experience recording and crafting live sound on set, I bring a deep understanding of dialogue capture, live recording environments and the technical detail required to deliver polished, professional audio that will work throughout the post-production process. Experienced in handling raw location audio, I remove noise, balance dialogue, manage audio from multiple sources and ensure precise sync to picture. Used to fast-moving productions, I am highly organized, detail-focused and comfortable working independently or remotely, delivering clearly labelled files with metadata, sound reports and polished audio ready for edit or mix.

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Skills

Experience Level

Expert

Language

English
Fluent

Work Experience

Production Sound Mixer / Audio Engineer at Freelance / Various productions
January 1, 2004 - Present
Recorded high-quality dialogue and live audio across controlled and uncontrolled environments. Captured clean, consistent sound on fast-moving productions under tight schedules. Cleaned and prepared location audio for postproduction, including noise reduction and dialogue balancing. Managed multiple microphones and audio sources to maintain clarity and continuity across takes. Synced production audio accurately to picture. Delivered clearly labelled WAV files, sound reports and supporting documentation. Maintained technical standards suitable for broadcast, festival and streaming release. Worked efficiently with directors, producers and postproduction teams, both onsite and remotely. Responsible for synchronizing all cameras on multi-camera shoots.
Production Sound Mixer / Audio Engineer at Freelance
January 1, 2004 - Present
Recorded high-quality dialogue and live audio across controlled and uncontrolled environments; captured clean, consistent sound on fast-moving productions under tight schedules; cleaned and prepared location audio for post-production, including noise reduction and dialogue balancing; managed multiple microphones and audio sources to maintain clarity and continuity across takes; synced production audio accurately to picture; delivered clearly labelled WAV files, sound reports and supporting documentation; maintained technical standards suitable for broadcast, festival and streaming release; worked efficiently with directors, producers and post-production teams, both on-site and remotely; responsible for synchronizing all cameras on multi-camera shoots. Selected credits in film and television include Narnia (2026) – 2nd Unit dailies, Luther: Hawksmoor – 2nd Unit, Fantastic 4: First Steps – AP / 2nd Unit, Venom: The Last Dance – AP, Fantastic Beasts 3 – 2nd Unit, Project Hail Ma

Education

Sound Recording at National Film & Television School
January 1, 2003 - January 1, 2004
Sound Recording at National Film & Television School
January 1, 2003 - January 1, 2004

Qualifications

BAFTA nomination, Factual Sound
January 11, 2030 - April 23, 2026
Royal Television Society Award, Factual Sound
January 11, 2030 - April 23, 2026

Industry Experience

Media & Entertainment, Professional Services