I’m Stefani Angelova, a Junior Audio Editor and Audio Engineer based in London. I have hands-on experience in audiobook post-production, including dialogue editing, mixing, audio cleanup, noise reduction, and sound design—always focused on clarity, consistency, and broadcast-quality results. Alongside post-production work, I’ve built a strong foundation through studio recording and live sound engineering, supporting signal flow, microphone/mixer setup, and stage monitoring during performances. I enjoy collaborating remotely with clients and production teams, and I’m passionate about delivering high-quality audio for audiobooks, podcasts, film, music, and digital media.

Stefani Angelova

Pro

I’m Stefani Angelova, a Junior Audio Editor and Audio Engineer based in London. I have hands-on experience in audiobook post-production, including dialogue editing, mixing, audio cleanup, noise reduction, and sound design—always focused on clarity, consistency, and broadcast-quality results. Alongside post-production work, I’ve built a strong foundation through studio recording and live sound engineering, supporting signal flow, microphone/mixer setup, and stage monitoring during performances. I enjoy collaborating remotely with clients and production teams, and I’m passionate about delivering high-quality audio for audiobooks, podcasts, film, music, and digital media.

Available to hire

I’m Stefani Angelova, a Junior Audio Editor and Audio Engineer based in London. I have hands-on experience in audiobook post-production, including dialogue editing, mixing, audio cleanup, noise reduction, and sound design—always focused on clarity, consistency, and broadcast-quality results.

Alongside post-production work, I’ve built a strong foundation through studio recording and live sound engineering, supporting signal flow, microphone/mixer setup, and stage monitoring during performances. I enjoy collaborating remotely with clients and production teams, and I’m passionate about delivering high-quality audio for audiobooks, podcasts, film, music, and digital media.

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Language

Bulgarian
Fluent
English
Fluent
French
Advanced

Work Experience

Freelance Post-Production Editor for Audio Books at Freelance – Sofia, Bulgaria
January 1, 2024 - September 30, 2024
Editing and mixing audio recordings to remove background noise, crackles, and other unwanted sounds. Employ creative sound design techniques to bring stories to life, matching the mood and themes of narratives with different music. Comfortable working remotely and collaborating with clients and production teams.
Trainee Program in “Mixing” with Cubase at Sound Ninja Academy
February 1, 2023 - June 1, 2023
The Cubase Mixing course offers in-depth instruction on mixing techniques within the Cubase digital audio workstation.
Internship in Production and Technical Services Department (Sound Engineer) at BTV Media Group, Sofia
June 1, 2020 - August 1, 2020
Trainee in the Production and Technical Services Department, gaining basic knowledge and skills in building artistic sound balances, sound engineering, and use of specific equipment.
Live Sound Engineering Training at National Academy of Music, Prof. Pancho Vladigerov
October 1, 2018 - February 1, 2021
Assisted with live sound setup, signal flow, and audio system operation during concerts and performances; worked with microphones, mixers, speakers, and stage monitoring systems; gained practical understanding of live audio workflows and troubleshooting.

Education

MA Music Production at University of the Arts London (LCC)
September 1, 2024 - November 1, 2025
Bachelor’s Degree in Sound Engineering, Electronic/Computer Music at New Bulgarian University, Sofia, Bulgaria
October 1, 2021 - September 1, 2023
Sound Engineering, Sound and Media Design at National Academy of Music “Prof Pancho Vladigerov”, Sofia, Bulgaria
September 1, 2018 - February 1, 2021

Qualifications

Steinberg Cubase Certified
January 11, 2030 - November 28, 2025
Trainee Program in Mixing (Cubase) – Sound Ninja Academy
February 1, 2023 - June 1, 2023
Live Sound Engineering Training – National Academy of Music, Prof. Pancho Vladigerov
October 1, 2018 - February 1, 2021

Industry Experience

Media & Entertainment, Professional Services, Other, Education, Software & Internet
    A Clockwork Orange – Soundtrack Reimagining | Synth-Based Composition

    An unofficial creative reimagining of the soundtrack for A Clockwork Orange, developed as a music production and sound design exercise.
    I created an original synth-based composition inspired by the atmosphere and visual identity of the film, exploring how electronic sound, synthesis and musical texture could provide an alternative interpretation of the scene.

    VR Animation 270° Screen

    This immersive 270° VR project was created collaboratively by a team of four music producers and five animators, exploring the impact of climate change through sound and visual storytelling.

    I contributed to the development of the main creative concept, music production and sound design, performed and recorded parts on the Mellotron, and participated in the surround mixing of the final project.

    The collaboration gave me hands-on experience in multidisciplinary teamwork, creative audio production and mixing sound for an immersive visual environment.

    My contributions: Music Production · Sound Design · Mellotron Performance · Surround Mixing · Creative Concept Development

    Field Recording Composition | Experimental Electronic Sound Design

    An original experimental electronic composition created primarily from field recordings captured and processed by me.
    The project explores the transformation of everyday environmental sounds into musical and textural elements. I recorded the source material in different environments and then edited, cleaned, layered and processed the recordings to create the main sonic elements of the composition.
    The production involved field recording, audio editing, creative processing, sound design, arrangement and mixing. Rather than relying primarily on conventional instruments, I used recorded sounds as the foundation of the track, experimenting with their texture, rhythm and tonal qualities.
    This project reflects my interest in the relationship between sound design and music production and demonstrates my ability to take raw recorded material through the full creative process from recording and editing to a finished composition.