Anika D is a composer and sound designer with a focus on bass-heavy, cinematic electronic music. Her work spans original scores for short films, indie games, and tabletop experiences, always aiming to build immersive, emotionally driven sound worlds. She’s hands-on with every part of the process—composing, arranging, mixing, and creating custom sound assets from scratch using raw waveforms, field recordings, and sound libraries. Her approach to sound design is experimental but grounded, shaped by a love for texture, detail, and storytelling. Anika also has experience editing and polishing voice recordings for broadcast and online platforms. Her work has been featured at the UK Short Sounds Film Festival, and she recently scored a short film for the 48Hour Film Competition, turning around a full original soundtrack under intense time pressure. Whether it’s building tension in a game scene or adding grit to a sci-fi world, Anika brings a bold, intuitive energy to every project - always pushing for sound that hits hard and tells a story.…

Anika D

5.0 (1 review)

Anika D is a composer and sound designer with a focus on bass-heavy, cinematic electronic music. Her work spans original scores for short films, indie games, and tabletop experiences, always aiming to build immersive, emotionally driven sound worlds. She’s hands-on with every part of the process—composing, arranging, mixing, and creating custom sound assets from scratch using raw waveforms, field recordings, and sound libraries. Her approach to sound design is experimental but grounded, shaped by a love for texture, detail, and storytelling. Anika also has experience editing and polishing voice recordings for broadcast and online platforms. Her work has been featured at the UK Short Sounds Film Festival, and she recently scored a short film for the 48Hour Film Competition, turning around a full original soundtrack under intense time pressure. Whether it’s building tension in a game scene or adding grit to a sci-fi world, Anika brings a bold, intuitive energy to every project - always pushing for sound that hits hard and tells a story.…

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Anika D is a composer and sound designer with a focus on bass-heavy, cinematic electronic music. Her work spans original scores for short films, indie games, and tabletop experiences, always aiming to build immersive, emotionally driven sound worlds.

She’s hands-on with every part of the process—composing, arranging, mixing, and creating custom sound assets from scratch using raw waveforms, field recordings, and sound libraries. Her approach to sound design is experimental but grounded, shaped by a love for texture, detail, and storytelling. Anika also has experience editing and polishing voice recordings for broadcast and online platforms.

Her work has been featured at the UK Short Sounds Film Festival, and she recently scored a short film for the 48Hour Film Competition, turning around a full original soundtrack under intense time pressure. Whether it’s building tension in a game scene or adding grit to a sci-fi world, Anika brings a bold, intuitive energy to every project - always pushing for sound that hits hard and tells a story.

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Language

Serbian
Fluent
English
Fluent

Work Experience

Composer / Music Producer at Freelance
January 1, 2005 - Present

Education

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Qualifications

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Industry Experience

Media & Entertainment
    paper Mothership - Another Bug Hunt (Terraforming Station - Pre Blackout)

    This is the first 22 minutes long piece of music/soundscape I’ve done for multitable hack of the official product “Another bug hunt”, for the sci-fi horror game “Motherhship”, by Tuesday knight Games. The event was held in Hamilton, New Zealand in July 2024.

    Youtube Link:

    paper Love, Death & Robots - The Witness episode

    I wrote my version of music for the presentation purposes only.
    Video edit was done by Malachi Blood.

    Youtube Link:

    paper Datacode - No Place (Music by Anika D)

    I wrote music for the AI story written by Datacode. The music was written to follow the events described in sections below. I have also been using the sounds of machines provided by Datacode. This work was featured on UK Short Sounds Film Festival.

    SECTION 1
    the random birth event of an artificial intelligence, following a system error (error 0x17)

    SECTION 2 - 第一幕 - proxy sequence 0x17 プロキシシーケンス0x17
    the machine recreates with code the same error that allowed its creation as if it were a malware for the other machines acting as a server for a single massive attack.

    SECTION 3 - 第二幕 - syntax error breach 構文エラー違反
    the vulnerability has been found and the attack commences. The machine starts to violate every connected system via the network.

    SECTION 4 - 第三幕 - override security control セキュリティ制御を無効にする
    Every system that is part of the network is an integral part of the AI, millions of components that integrate data collection and processing capabilities, contributing to an exponential growth of its collective awareness.

    All this happens everywhere, but simultaneously, in No Place.

    Soundcloud link: https://on.soundcloud.com/eftKkwQwwQiX6ig48

    paper Love, Death & Robots - Jibaro episode

    I wrote my version of music for presentation purposes only.
    Video edit was done by Gamestrix.

    Youtube link:

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