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I’m a cutting-edge commercial editor with 10+ years crafting high-impact spots for global brands, integrating AI-driven tools like Adobe Firefly, Perplexity, and Luma Dream Machine to accelerate concept development and elevate visual storytelling. I thrive on collaborative, fast-paced environments and pride myself on delivering polished edits that meet tight deadlines while pushing creative boundaries. Based in Los Angeles, I work with agencies and brands across Apple, Kia, Activision, Chipotle, Beats by Dre, and more, providing strategic editorial direction, rapid turnarounds, and seamless post-production coordination to bring ambitious ideas to life.…I’m a cutting-edge commercial editor with 10+ years crafting high-impact spots for global brands, integrating AI-driven tools like Adobe Firefly, Perplexity, and Luma Dream Machine to accelerate concept development and elevate visual storytelling. I thrive on collaborative, fast-paced environments and pride myself on delivering polished edits that meet tight deadlines while pushing creative boundaries. Based in Los Angeles, I work with agencies and brands across Apple, Kia, Activision, Chipotle, Beats by Dre, and more, providing strategic editorial direction, rapid turnarounds, and seamless post-production coordination to bring ambitious ideas to life.

Benjamin Foushée

Video Editor, Music Editor, Sound Editor, +7

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I’m a cutting-edge commercial editor with 10+ years crafting high-impact spots for global brands, integrating AI-driven tools like Adobe Firefly, Perplexity, and Luma Dream Machine to accelerate concept development and elevate visual storytelling. I thrive on collaborative, fast-paced environments and pride myself on delivering polished edits that meet tight deadlines while pushing creative boundaries. Based in Los Angeles, I work with agencies and brands across Apple, Kia, Activision, Chipotle, Beats by Dre, and more, providing strategic editorial direction, rapid turnarounds, and seamless post-production coordination to bring ambitious ideas to life.…I’m a cutting-edge commercial editor with 10+ years crafting high-impact spots for global brands, integrating AI-driven tools like Adobe Firefly, Perplexity, and Luma Dream Machine to accelerate concept development and elevate visual storytelling. I thrive on collaborative, fast-paced environments and pride myself on delivering polished edits that meet tight deadlines while pushing creative boundaries. Based in Los Angeles, I work with agencies and brands across Apple, Kia, Activision, Chipotle, Beats by Dre, and more, providing strategic editorial direction, rapid turnarounds, and seamless post-production coordination to bring ambitious ideas to life.

Available to hire

I’m a cutting-edge commercial editor with 10+ years crafting high-impact spots for global brands, integrating AI-driven tools like Adobe Firefly, Perplexity, and Luma Dream Machine to accelerate concept development and elevate visual storytelling. I thrive on collaborative, fast-paced environments and pride myself on delivering polished edits that meet tight deadlines while pushing creative boundaries.

Based in Los Angeles, I work with agencies and brands across Apple, Kia, Activision, Chipotle, Beats by Dre, and more, providing strategic editorial direction, rapid turnarounds, and seamless post-production coordination to bring ambitious ideas to life.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

DaVinci Resolve Studio

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Language

English

Fluent

Spanish; Castilian

Intermediate

Work Experience

Editor at Freelance

January 1, 2011 - Present

Freelance editor providing high-end editorial services for global brands; edited and delivered spots for clients including Apple, Kia, Activision, Chipotle, and Beats by Dre; coordinated post-production workflows with editors, color and finishing houses to ensure timely delivery of polished cuts.

Editor

January 1, 2011 - Present

Editor responsible for high-impact spots for major brands, collaborating with teams across Apple, Fender, Farmers Insurance, Beats by Dre, and NBA-related campaigns; leveraged AI-driven tools (Adobe Firefly, Perplexity AI, Luma Dream Machine) to accelerate concept development and elevate storytelling.

Editor at BeGrizzle

January 1, 2011 - Present

Lead editor crafting high-impact spots for global brands; collaborated on campaigns for Apple, Fender, Farmers, Beats by Dre, NBA 2K, Zune, Xbox; integrated AI tools (Adobe Firefly, Perplexity AI, Luma Dream Machine) to accelerate concept development and elevate visual storytelling.

Editor at Various clients (editor) – long-form post-production work with multiple brands and projects

January 1, 2011 - November 17, 2025

Editor handling post-production for multiple clients across entertainment, gaming, and advertising. Responsibilities include footage liaison, organization of dailies, prepping for online/telecine/mix, and coordinating with post-production teams and clients.

Editor at Various clients (Apple @ BeGrizzlee; Fender @ Cartel; Farmers @ Finalcut; Bonekai, 7 Nation Army @ Beats by Dre; Injustice, Injustice 2, Mike’s Harder @ Battery; KIA, Apple, Activision, Chipotle @ Work; Apple @ Nomad; jordan @ Stardust; Farmers, Miller Li

January 1, 2011 - November 17, 2025

Editor with responsibilities including liaison between post-production supervisor, finishing houses, clients, graphic artists, mixers and editor; manager and organizer of selected footage; digitize and organize dailies; create postings for client viewing; prep for online, telecine and mix sessions; supervise online, telecine and mix sessions.

Editor at Apple

January 1, 2011 - November 17, 2025

Editor collaborating on projects for multiple clients including beGrizzlee, Fender, Farmers, Beats by Dre, Battery, Work, Nomad, Stardust, Cut&Run, NBA2K, RPS, Wolf&Crow, Woodshop, Lost Planet, and others.

Assistant Editor at Rex edit

December 31, 2005 - December 31, 2005

Assistant Editor for Rex edit, Venice, CA. Responsibilities included liaison between post-production supervisor, finishing houses, client, graphic artists, mixers and editor; manager and organizer of select footage; digitize and organize dailies; create postings for client viewing; prep for online, telecine and mix sessions; supervise online, telecine and mix sessions.

Assistant Editor at Freelance

January 1, 2005 - Present

Liaised between post-production supervisor, finish houses, clients, graphic artists, mixers, and editors; managed and organized footage, digitized and organized dailies; created postings for client viewing; prepared and supervised online, telecine, and mix sessions.

Freelance Assistant Editor at Freelance

January 1, 2005 - Present

Liaised between post-production supervisor, finishing houses, clients, graphic artists, mixers, and editors; managed and organized footage and dailies; created postings for client viewing; prepared and supervised online, telecine, and mix sessions.

Freelance Assistant Editor at Rex Editor

January 1, 2005 - Present

Liaised between post-production supervisors, finishing houses, clients, graphic artists, mixers, and editors; managed and organized shot footage; digitized and organized dailies; created posting for client viewing; prepared and supervised online, telecine, and mix sessions.

Assistant Editor (Freelance) at Freelance – Various clients

January 1, 2005 - November 17, 2025

Freelance assistant editor working on projects for Confused.com, Disney, Wal-Mart, Target, AT&T, Adidas, Apple, Activision, Nissan, Hyundai, Acura, Chevy, GM, McDonald’s, Ziploc, Neato, Toyota, Samsung, K-Swiss, Raley’s, Suzuki, and more. Responsibilities included on-line prep, dailies organization, and client postings across Final Cut, Cut & Run, RPS, MRP, Beast, and related workflows.

Freelance Assistant Editor at Confused.com, Disney, Wal-Mart

January 1, 2005 - November 17, 2025

Freelance assistant editor since 2005; managed Final Cut workflows for Confused.com, Disney and Wal‑Mart, and supported projects for Target, AT&T, Adidas, Apple, Activision, Nissan, Hyundai, Acura, Chevy, GM, McDonald’s, Ziploc, PacifiCare and others; digitized and organized dailies, prepped for online and mix sessions, and liaised with post-production supervisors and clients.

Freelance Assistant Editor at Various clients

January 1, 2005 - November 17, 2025

Freelance assistant editor for Confused.com, Disney, Wal-Mart (Finalcut); Target, AT&T, Adidas, Apple, Activision, Nissan, Hyundai, Acura, Chevy (Work); GM, McDonald’s, Ziploc (Beast); Neato, Toyota (Cut&Run); Samsung (No.6; Arcade); Carls Jr (Chrome); Best Buy, Old Navy, Netflix (Plus Productions); iPhone, HBO, Old Navy, Ford (RPS); Propel, Apple, Nike, Lincoln, Engage, Oil of Olay, Remax, Buick, PacifiCare, Union Bank, DC Shoes, Progressive (MRP); Best Buy (Filmcore); Southwest (Beast); Zune, Xbox (RPS); K-Swiss, Raley’s, Suzuki (Crush); Francesco Vezzoli project (Greg Harrison); Burger King, Hyundai (Redcar); Healthnet, Sprint, Hyundai, Dodge (Jigsaw); ING (whitehouse); NFL, Acura, Arden (Spotwelders).

Freelance Assistant Editor at Finalcut

January 1, 2005 - November 17, 2025

Freelance assistant editor working with Confused.com, Disney, Wal‑Mart, Target, AT&T, Adidas, Apple, Activision, Nissan, Hyundai, Acura, Chevy, Samsung, HBO, Ford, and others; coordinated with post-production teams and editors.

Assistant Editor at Rex Edit

December 31, 2004 - Present

Assisted senior editors, liaised with post-production supervisor, digitized and organized dailies, and prepared for online, telecine and mix sessions.

Assistant Editor at Rex Edit

December 31, 2001 - December 31, 2004

Venice, CA-based assistant editor coordinating between post-production supervisor, finishing houses, clients, graphic artists, mixers, and editors.