Award-winning music producer, composer, and orchestrator based in Los Angeles with 18+ years of experience across artist projects, cinematic productions, and modern comme...
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Award-winning music producer, composer, and orchestrator based in Los Angeles with 18+ years of experience across artist projects, cinematic productions, and modern comme...
See MoreI'm a senior editor and producer with 25+ years delivering high-volume video across broadcast, streaming, and digital platforms. I lead hands-on editing and set quality b...
See MoreBrian Howrey (B. K. Howrey when the composer hat is on) was born and raised in Houston, Texas and studied music and theatre at Dartmouth College and the California Insti...
See MoreI'm a storyteller who specializes in editing trailers, commercials, promotional content, and digital content for social media. I'd love to hear more about your project an...
See MoreHi, I'm Maui Holcomb, a sound editor and mixer based in North Hollywood, CA. I own a Pro Tools HDX editing system and run Pro Tools Ultimate with a suite of plug-ins, inc...
See MoreHi, I'm James T. Rieder, a seasoned audio post-production professional specializing in sound design, dialog editing, original music, and sound effects for independent fil...
See MoreI'm an accomplished video editor with a robust portfolio featuring long-form, story-driven TV shows, and short-form vertical reels and everything in between. I work on a...
See MoreI help artists, filmmakers, and brands create professional audio that connects. Based in LA, I deliver high-quality music production, mixing, mastering, and custom sound ...
See MoreZac Greenberg is a composer, sound designer, and multi instrumentalist. Greenberg works in a variety of fields including film and tv, experiential and VR, stage and perfo...
See MoreHi! My name is Santiago Amézquita, and I am a composer and sound designer for film, TV, video games, and media. I am based in Los Angeles, and I enjoy creating music that...
See MoreRoss Wallace Chait is a composer and performer from Los Angeles. He has composed for television, theater, commercials, and film. After graduating from Oberlin College i...
See MoreCreativity, attention to detail, and a collaborative spirit: these are a few of the qualities that make me a great editor and colleague. With nearly 20 years' experien...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
$5,000 – $13,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is a skilled professional responsible for manipulating and enhancing audio elements in film, television, and other media. They work with dialogue, sound effects, and music to create a cohesive audio experience. Their tasks include:
Ultimately, Sound Editors play a crucial role in shaping the auditory aspects of a project, ensuring that the final product engages audiences effectively.
Exceptional Sound Editors possess a unique blend of technical skills and creative intuition. Key qualities include:
These traits help distinguish top-tier Sound Editors, allowing them to deliver high-quality audio experiences that elevate projects and resonate with audiences.
Typical day rates for Sound Editors in United States vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your project, evaluate candidates based on their portfolios, which should showcase a range of styles and skills. Look for testimonials or reviews from previous clients that highlight their professionalism and creativity. Additionally, assess their ability to communicate effectively and understand your vision during initial discussions. A strong candidate will ask insightful questions about your project and demonstrate enthusiasm for the work. Finally, consider conducting a small test project or interview to gauge their compatibility with your needs and working style.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you gauge the candidate's expertise, communication style, and fit for your specific project requirements.
Hiring a Sound Editor in Los Angeles begins with identifying your project needs. Start by defining the scope of work, including the type of project, required skills, and budget. Utilize platforms like Twine to post your job, outlining details such as deadlines and specific audio requirements. Next, browse through portfolios of vetted Sound Editors to assess their previous work and expertise. Engage in conversations with candidates to gauge their understanding of your project and their creative approach. Finally, select a Sound Editor who aligns with your vision and has a proven track record in the industry.
Hiring a freelance Sound Editor offers flexibility and often lower costs compared to working with an agency. Freelancers typically provide personalized attention and can adapt quickly to project changes. However, agencies may offer a broader range of services, including a team of specialists to manage different aspects of sound design. They often have established processes and accountability, which can be beneficial for larger projects. Ultimately, the choice depends on your project's complexity, budget, and desired level of collaboration.
A well-crafted project brief or job description for a Sound Editor should include the following elements:
By providing clear and comprehensive information, you'll attract the right candidates who can meet your project's needs and expectations.
Hiring on Twine is simple.
Post your project and meet your expert within 24 hours. Over 45,000+ high growth companies that trust Twine.