DoubleDagProductions.com for all work examples. I’m a post-production professional with over two decades of experience shaping story through editing. My work spans feature films, television, documentaries, commercials, comedy specials, branded content, and digital series — with a consistent focus on clarity, pacing, and emotional impact. Throughout my career, I’ve contributed to projects for organizations such as National Geographic, PBS, the Smithsonian, and the Culinary Institute of America, and have collaborated with artists including Rhiannon Giddens. I’m comfortable working in large-scale broadcast environments as well as smaller, fast-moving creative teams. Having the experience of being a small business owner, I’m also used to carrying projects independently from start to finish — managing the creative, technical, and practical sides of production while still valuing the collaboration that turns good material into strong storytelling. My core tools include Adobe Premiere Pro, After Effects, Photoshop, and DaVinci Resolve. I stay current with emerging workflows and AI-driven tools, but technology is always in service of the story. My strengths lie in narrative structure, rhythm, tone, and solving creative challenges in the edit — whether that means refining performance, tightening a sequence, or finding the clearest way to communicate an idea. I’m known for being steady under pressure, receptive to feedback, and committed to delivering thoughtful, polished work on schedule. At the center of everything I do is a simple goal: help create meaningful, well-crafted content with teams that care about the work.…DoubleDagProductions.com for all work examples. I’m a post-production professional with over two decades of experience shaping story through editing. My work spans feature films, television, documentaries, commercials, comedy specials, branded content, and digital series — with a consistent focus on clarity, pacing, and emotional impact. Throughout my career, I’ve contributed to projects for organizations such as National Geographic, PBS, the Smithsonian, and the Culinary Institute of America, and have collaborated with artists including Rhiannon Giddens. I’m comfortable working in large-scale broadcast environments as well as smaller, fast-moving creative teams. Having the experience of being a small business owner, I’m also used to carrying projects independently from start to finish — managing the creative, technical, and practical sides of production while still valuing the collaboration that turns good material into strong storytelling. My core tools include Adobe Premiere Pro, After Effects, Photoshop, and DaVinci Resolve. I stay current with emerging workflows and AI-driven tools, but technology is always in service of the story. My strengths lie in narrative structure, rhythm, tone, and solving creative challenges in the edit — whether that means refining performance, tightening a sequence, or finding the clearest way to communicate an idea. I’m known for being steady under pressure, receptive to feedback, and committed to delivering thoughtful, polished work on schedule. At the center of everything I do is a simple goal: help create meaningful, well-crafted content with teams that care about the work.WWWW…