Hi, I’m Ben Pearson, an audio post-production specialist with extensive broadcast experience across scripted, non-scripted, animation, and online content. I’m skilled in Pro Tools, audio editing, sound design, VO recording, mixing, and mastering, delivering broadcast-ready work to a wide range of technical specifications. I thrive on collaboration, whether remotely or on-site, and pride myself on reliable deliverables, clear communication, and creative problem-solving in fast-paced environments.…

Ben Pearson

Hi, I’m Ben Pearson, an audio post-production specialist with extensive broadcast experience across scripted, non-scripted, animation, and online content. I’m skilled in Pro Tools, audio editing, sound design, VO recording, mixing, and mastering, delivering broadcast-ready work to a wide range of technical specifications. I thrive on collaboration, whether remotely or on-site, and pride myself on reliable deliverables, clear communication, and creative problem-solving in fast-paced environments.…

Available to hire

Hi, I’m Ben Pearson, an audio post-production specialist with extensive broadcast experience across scripted, non-scripted, animation, and online content. I’m skilled in Pro Tools, audio editing, sound design, VO recording, mixing, and mastering, delivering broadcast-ready work to a wide range of technical specifications.

I thrive on collaboration, whether remotely or on-site, and pride myself on reliable deliverables, clear communication, and creative problem-solving in fast-paced environments.

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Language

English
Fluent

Work Experience

Dubbing Mixer at Flix Post
October 15, 2025 - September 1, 2025
Dubbing Mixer, Sound Designer at Freelance
October 1, 2025 - Present
Dubbing Mixer at Flix Facilities
January 1, 2019 - Present
Dubbing mixer delivering broadcast-ready audio for a range of television and online content; responsibilities include dialogue editing, mix, and coordination with post teams.
Technical Operator at Flix Facilities
January 1, 2018 - January 1, 2019
Technical operator supporting post-production workflows, equipment operation, and facility support.
Voice Director at BBC
January 1, 2025 - Present
Voice direction for Talking Tom S1 (52x12 mins).
Voice Director at BBC
January 1, 2024 - January 1, 2024
Voice direction for Simon S5 (52x6 mins).
Voice Recording / Direction at Zinc - Channel 5
January 1, 2022 - January 1, 2025
Voice recording and direction for Bargain Loving Brits campaigns.
Voice Recording / Direction at Nickelodeon
January 1, 2020 - January 1, 2021
Abby Hatcher S2: Voice over records and voice direction (2020-2021).
Voice Director / Voice Over at Fourth Wall
January 1, 2020 - January 1, 2023
MILO S1: Voice over records and voice direction (2020-2023).
Voice Director / Voice Over at Tiny Pop
January 1, 2019 - January 1, 2021
Simon S3: Voice over records and voice direction (2019-2021).
Voice Over / Direction at BBC
January 1, 2022 - January 1, 2022
Daniel Tiger's Neighbourhood: Voice over records and voice direction (2022).
Voice Over / Direction at BBC
January 1, 2022 - January 1, 2022
Pinocchio and Friends S2: Voice over records and voice direction (2022).
Voice Over / Direction at BBC
January 1, 2021 - January 1, 2021
Cattle Hill at Christmas: Voice over records and voice direction (2021).

Education

MA MEDIA PRODUCTION : POST PRODUCTION FOR TELEVISION at University of Salford
July 1, 2016 - August 1, 2018
BSC PROFESSIONAL SOUND AND VIDEO TECHNOLOGY (1:1) at University of Salford
August 1, 2010 - August 1, 2012
MA in Media Production: Post Production for Television at Salford University
January 11, 2030 - January 1, 2018
BSc Professional Sound and Video Technology at Salford University
January 11, 2030 - January 1, 2012

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services
    uniE603 BBC Maestro – The Agatha Christie Writing Course
    I was responsible for restoring and mixing the rare archival recordings of Agatha Christie used throughout the BBC Maestro writing course. This involved delicately cleaning and enhancing decades-old dialogue to preserve her natural tone while achieving modern broadcast clarity. I also consulted with the production team on audio restoration strategy, ensuring the final sound design honoured the authenticity of Christie’s voice and the historical significance of the material.…