Hi, I’m William L. Hensel. I’m a versatile voice talent with decades of experience in narration, audiobook production, and accessible media. I’ve produced and narrated audio content for clients including the FCC, the Baltimore Ravens, and the Library of Congress Talking Book Program, and I’ve created online audio study guides and audiobooks for Audible. I also provide narration and on-demand audio solutions for diverse audiences.
I bring a strong background in broadcast engineering and military service to every project. I’m passionate about clear communication, high-fidelity audio, and making information accessible to visually impaired audiences, while collaborating closely with clients to deliver engaging and accurate productions.
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(From the book jacket)
With his dark good looks, muscular physique, heavy-lidded bedroom eyes, and easy smile, amateur boxer and Wall Street business man Jacob Krantz left Wall Street to cut a dashing figure on the silver screen for over five decades. Few knew that he was a Jewish man, when Paramount Pictures signed him in 1922, changed his name from Jacob Krantz to Ricardo Cortez, and widely publicized him as a “Latin lover” in the style of Rudolph Valentino, Antonio Moreno, and Ramon Navarro.
He worked in silent movies with top directors and stars, including The Next Corner (1924) with Lon Chaney, Cecil B. DeMille’s Feet of Clay (1924), The Pony Express (1925), Torrent (1926) with Greta Garbo, D. W. Griffith’s, The Sorrows of Satan (1926), Mockery (1927) with Lon Chaney, and Excess Baggage (1928) with William Hanes.
Within six years, chaos took hold of topsy turvy Hollywood as the industry converted from silent movies to talking pictures, yet Cortez successfully transitioned through Frank Capra’s The Younger Generation (1929), Montana Moon (1930) with Joan Crawford, as Sam Spade in the first film adaptation of Dashiell Hammett’s, The Maltese Falcon (1931), Wonder Bar (1934) with Al Jolson, The Big Shakedown (1934) with Bette Davis, Walking Dead (1936) with Boris Karloff, Charlie Chan in Reno (1939), and John Ford’s The Last Hurrah (1958).
Renowned for his professionalism, and for his ability to play a wide range of characters in all genres, Cortez appeared in more than a hundred films and was recognized as one of the movies’ premier heavies in a rogue’s gallery of sexy wastrels and troublemakers, to more nefarious gangsters and maniacal murderers. In 1934, one astute critic proclaimed him “the magnificent heel”.
Relive his dramatic story, from his poverty-stricken childhood to Wall Street and on through Hollywood triumphs, tragedies, and scandals. The author draws from rare material gathered from key libraries and studio archives, much of which has never been published.
This fast-paced and compelling read closes a significant gap in the historiography of the late Cold War U.S. Army and is crucial for understanding the current situation in the Middle East.
From the author’s introduction:
“My purpose is a narrative history of the 1st Infantry Division from 1970 through the Operation Desert Storm celebration held 4th of July 1991. This story is an account of the revolutionary changes in the late Cold War. The Army that overran Saddam Hussein’s Legions in four days was the product of important changes stimulated both by social changes and institutional reform. The 1st Infantry Division reflected benefits of those changes, despite its low priority for troops and material. The Division was not an elite formation, but rather excelled in the context of the Army as an institution.”
This book begins with a preface by Gordon R. Sullivan, General, USA, Retired. In twelve chapters, author Gregory Fontenot explains the history of the 1st infantry Division from 1970 to 1991. In doing so, his fast-paced narrative includes elements to expand the knowledge of non-military readers…
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