I am a multidisciplinary Indian visual artist, curator and researcher based in Paris, France. I work across diverse analogue and digital media to create multisensory storytelling experiences, including mixed reality, drawing and painting, photography, poetry film, sculpture, audio art, performance, multilingual writing and visual poetry. My art practice centers on the South Asian post-colonial historic-cultural landscape, synesthetic multilingualism, and the identity of the female body of colour. I strive to foster intercultural dialogue through shared safe spaces. As a curator, I focus on post-digital realism and media ecology to support decolonial intercultural practices. My work has been shown across Europe and Asia, including at the 59th Venice Biennale, and I am a member of the activist artist group WE Collective. Website _Website not available. Sign in: https://www.twine.net/signup_ Instagram @bonobithi_art

Bonobithi Biswas

I am a multidisciplinary Indian visual artist, curator and researcher based in Paris, France. I work across diverse analogue and digital media to create multisensory storytelling experiences, including mixed reality, drawing and painting, photography, poetry film, sculpture, audio art, performance, multilingual writing and visual poetry. My art practice centers on the South Asian post-colonial historic-cultural landscape, synesthetic multilingualism, and the identity of the female body of colour. I strive to foster intercultural dialogue through shared safe spaces. As a curator, I focus on post-digital realism and media ecology to support decolonial intercultural practices. My work has been shown across Europe and Asia, including at the 59th Venice Biennale, and I am a member of the activist artist group WE Collective. Website _Website not available. Sign in: https://www.twine.net/signup_ Instagram @bonobithi_art

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I am a multidisciplinary Indian visual artist, curator and researcher based in Paris, France. I work across diverse analogue and digital media to create multisensory storytelling experiences, including mixed reality, drawing and painting, photography, poetry film, sculpture, audio art, performance, multilingual writing and visual poetry.

My art practice centers on the South Asian post-colonial historic-cultural landscape, synesthetic multilingualism, and the identity of the female body of colour. I strive to foster intercultural dialogue through shared safe spaces. As a curator, I focus on post-digital realism and media ecology to support decolonial intercultural practices. My work has been shown across Europe and Asia, including at the 59th Venice Biennale, and I am a member of the activist artist group WE Collective.

Website Website not available. Sign in: https://www.twine.net/signup
Instagram @bonobithi_art

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Language

English
Fluent
French
Intermediate
Bengali
Fluent
Hindi
Fluent
Marathi (Marāṭhī)
Intermediate

Work Experience

Artist in Residence at The Cut Arts Centre
July 16, 2024 - July 25, 2024
Summer Project Residency
Artist in Residence at Ketemu Project
April 1, 2023 - May 6, 2023
Residency, Bali, Indonesia
Artist in Residence at Art Ichol
March 15, 2023 - March 22, 2023
Residency, Madhya Pradesh, India
Artist in Residence at Kala Khoj
January 6, 2023 - March 1, 2023
Residency, Auroville, Puducherry, India
Intern at Royal Museum of Fine Arts Antwerp (KMSKA)
September 2, 2021 - September 30, 2022
Conservation Studio Internship
Curator at Adrienne Smiley, UK
December 15, 2024 - Present
Curatorial project: Below the Radar - Retrospective Adrienne Smiley
Curator at PCA Gallery, Paris, France
August 22, 2025 - September 27, 2025
10 Years of Creative Flow
Curator at PCA Gallery / Espace Usanii
April 1, 2024 - October 31, 2024
Floating Homelands: Psychogeography of Belonging
Creative Assistant at Paris College of Art/ Hayward Gallery Arts UK
September 1, 2024 - November 16, 2024
Projection mapping and sound installation of Paris City
Creative Assistant at Chloe Quenum, Paris. France
January 7, 2026 - Present
Video installation developer

Education

Master of Fine Arts (MFA) in Transdisciplinary New Media at Paris College of Art
January 1, 2025 - January 11, 2026
Diploma in Art History at London Art College
January 1, 2022 - January 1, 2022
Bachelor of Science (BSc) in Chemistry at St. Xavier’s College, Mumbai
January 1, 2021 - January 1, 2021

Qualifications

Statement Awards, Women’s Day Edition
March 8, 2025 - March 8, 2025

Industry Experience

Media & Entertainment, Education, Non-Profit Organization, Professional Services, Other
    uniE621 Portraits
    These are examples of portraits in oil, aquarelle, acrylic, pastel, gouache, pencil that I have created as commissions and personal works over the past five years. https://www.twine.net/signin oilpainting portraitpainting aquarellepainting gouachepainting pastelpainting pencildrawing
    uniE621 A Mid-War Bathroom Prayer
    Cinepoem, 2024 This cinepoem explores the female queer body of colour, situating it in current politics, drawing upon notions of identity and objectification. The female body becomes the easiest target in times of political strife and war. This artwork is the psychogeographical interpretation of a safe space for such a body. It is a hope to reclaim space, strength and room for vulnerability in these torn times. Photographs by Zoë Yalden. https://www.twine.net/signin film poetryfilm identity
    uniE621 ঘুমযাত্রী: Mothering a Homeland
    Sculpture, creative writing, performance, video, 2025 The poetry film explores myth-making and the inventive ritualisation of care through the lens of ecofeminism. It questions the sanctity of the “motherland”, a colonized female body. https://www.twine.net/signin film poetryfilm identity
    uniE621 Raga Yaman: Blue Hour Synesthesia
    Audioreactive immersive installation, 2025 The Ragamala tradition of cultural synesthesia dating back to the 15th century in the Indian subcontinent essentially brought together music, visuals and poetry. Each raga would be assigned with moods, seasons and hour of the day, and a work of art combining painting with descriptive poetry would be created as a synesthetic response. Raga Yaman is largely associated with the blue hour or hour of twilight, while the mood assigned typically with that of the viraha rasa, the melancholy of separation from the beloved haunting its notes as the world around is enveloped in a mist of blue. This work is situated at the meeting ground of individual, cultural and digital synesthesia in the context of ancient Indian classical music. The audio visualisation software Milkdrop 3.0 is used to create audio reactive abstract visuals that correspond to my personal synesthetic associations with the piece of music Raga Yaman by Ust. Vilayat Khan. The installation is immersive with continuous projection on three walls of a white cube space displaying live audio reactive visuals in a performance format. The audience is welcome to walk through and immerse in the piece, as well as interact with the software to generate visuals that respond to the score of Raga Yaman. https://www.twine.net/signin audiovisualart immersive installation
    uniE621 Rivers Have Flowed Where They Buried Us
    Virtual reality installation // VR film, creative writing, photography, performance, sculpture 2024-25 Combining virtual reality, creative writing, photography and performance, this immersive installation embodies a “lost” space from the psychogeographical exploration of the India-Bangladesh conflicted border historic landscape, its impact on transgenerational memory and trauma. It offers a multisensory experience of my personal and transgenerational experience with multiple migrations, border conflict and being “the other” in a space. The protagonist of this speculative universe, a boatwoman, acts as my avatar; you are guided by her/my voice. The aesthetic of this world combines greyscale with the colour purple, achieving a diffused dream-like effect, with layers of aquarelle textures and echoes, and surreal elements such as a hand-painted sky and cultural relics in the river sediment. In the VR film, the viewer/participant embody a character in a boat cruising down a fictitious river. The riverine landscape is a reference to the over fifty transboundary rivers shared between the two countries, a metaphor for the fluidity of culture, history and migrant movements across this forced artificial colonial border. This was the path of migration my family took during the India-Pakistan wars. The installation space is engulfed in a giant fishing net at the centre of which is placed a boat that the viewer/participant steps into to wear the headset and experience the VR film. The net carries various “relics” of this imagined universe, symbolising what has been dredged from the bottom of this flowing river of memories. This is combined with purple light and an ambient soundscape to further create an immersive atmosphere. As a performative aspect, I am physically in the space dressed as the boatwoman protagonist figure to welcome and introduce the viewer/participant to this fictionalised universe. The boatwoman is a symbol of Durga, the drowned goddess of strength, another co-cultural metaphor, a representation of the silenced female figure reclaiming space and power. https://www.twine.net/signin virtualreality installation immersive 3Dart sculpture