For nearly a decade, Brian has contributed to everything from AAA games, Marvel television shows, Grammy-nominated soundtracks like Stray Gods, BAFTA and Hugo award-winning indie games like Hades and films both large and small. He also manages a busy arranging and engraving schedule with ensembles like the London Symphony, the Colorado Symphony, the Los Angeles Philharmonic, the Brussels Philharmonic, the BBC Proms, the West Australian Symphony Orchestra, Orchestra Victoria and the Game Music Festival Orchestra in Warsaw, Poland. Most recently, Brian has shipped his first two video game titles as composer. One of those is Shujinkou, a 100+ hour epic JRPG boasting nearly seven hours of music six years in the making. As Lead Composer for this title, Brian was responsable for mantaining thematic cohesion, writing and producing over two of those hours and handling the majority of the audio implementation via FMOD. In spite of its very recent release and its status as a brand-new IP, Shujinkou and its score is already receiving critical acclaim. Metacritic-affiliated reviewer Andres Aquino from GFinity even proclaims it is: “… one of the most memorable soundtracks of the year, a massive compliment considering it’s up there with the likes of Hades 2 and Clair Obscur: Expedition 33.”…For nearly a decade, Brian has contributed to everything from AAA games, Marvel television shows, Grammy-nominated soundtracks like Stray Gods, BAFTA and Hugo award-winning indie games like Hades and films both large and small. He also manages a busy arranging and engraving schedule with ensembles like the London Symphony, the Colorado Symphony, the Los Angeles Philharmonic, the Brussels Philharmonic, the BBC Proms, the West Australian Symphony Orchestra, Orchestra Victoria and the Game Music Festival Orchestra in Warsaw, Poland. Most recently, Brian has shipped his first two video game titles as composer. One of those is Shujinkou, a 100+ hour epic JRPG boasting nearly seven hours of music six years in the making. As Lead Composer for this title, Brian was responsable for mantaining thematic cohesion, writing and producing over two of those hours and handling the majority of the audio implementation via FMOD. In spite of its very recent release and its status as a brand-new IP, Shujinkou and its score is already receiving critical acclaim. Metacritic-affiliated reviewer Andres Aquino from GFinity even proclaims it is: “… one of the most memorable soundtracks of the year, a massive compliment considering it’s up there with the likes of Hades 2 and Clair Obscur: Expedition 33.”WWWW…