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Award-calibre post-production supervisor and editor with 20+ years shaping Turkish prime-time drama, combining strong story structure instincts with high-volume broadcast deadline leadership. Recently expanded into AI-native production pipelines—end-to-end from concept and screenplay through character-consistent generation, editing, finishing, and delivery. Founder and creator across AI-driven educational content, luxury brand advertising, and serialized drama—bridging traditional post-production craft with fully AI-enabled workflows and tooling to keep teams fast, consistent, and production-ready.…Award-calibre post-production supervisor and editor with 20+ years shaping Turkish prime-time drama, combining strong story structure instincts with high-volume broadcast deadline leadership. Recently expanded into AI-native production pipelines—end-to-end from concept and screenplay through character-consistent generation, editing, finishing, and delivery. Founder and creator across AI-driven educational content, luxury brand advertising, and serialized drama—bridging traditional post-production craft with fully AI-enabled workflows and tooling to keep teams fast, consistent, and production-ready.

Ömer Cebeci

Post Production Supervisor, Video Editor, Post-Production, +1

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Award-calibre post-production supervisor and editor with 20+ years shaping Turkish prime-time drama, combining strong story structure instincts with high-volume broadcast deadline leadership. Recently expanded into AI-native production pipelines—end-to-end from concept and screenplay through character-consistent generation, editing, finishing, and delivery. Founder and creator across AI-driven educational content, luxury brand advertising, and serialized drama—bridging traditional post-production craft with fully AI-enabled workflows and tooling to keep teams fast, consistent, and production-ready.…Award-calibre post-production supervisor and editor with 20+ years shaping Turkish prime-time drama, combining strong story structure instincts with high-volume broadcast deadline leadership. Recently expanded into AI-native production pipelines—end-to-end from concept and screenplay through character-consistent generation, editing, finishing, and delivery. Founder and creator across AI-driven educational content, luxury brand advertising, and serialized drama—bridging traditional post-production craft with fully AI-enabled workflows and tooling to keep teams fast, consistent, and production-ready.

Available to hire

Award-calibre post-production supervisor and editor with 20+ years shaping Turkish prime-time drama, combining strong story structure instincts with high-volume broadcast deadline leadership. Recently expanded into AI-native production pipelines—end-to-end from concept and screenplay through character-consistent generation, editing, finishing, and delivery.

Founder and creator across AI-driven educational content, luxury brand advertising, and serialized drama—bridging traditional post-production craft with fully AI-enabled workflows and tooling to keep teams fast, consistent, and production-ready.

Skills

Experience Level

Expert

Expert

Expert

Expert

Language

Turkish

Fluent

English

Advanced

Work Experience

Post-Production Supervisor / Editor (Kurgu Yönetmeni) at TIMSBI Productions (TIMS&B)

January 1, 2018 - Present

Editor (Kurgu Yönetmeni) of Eşref Rüya (2025–2026, Kanal D & Amazon Prime Video) supervising post-production and serving as chief editor on major Turkish international hits including Bir Zamanlar Çukurova and Maraşlı. Led editorial language, pace, and cross-department coordination (editing, color, sound, VFX) from set data to final master. Implemented AI-assisted workflows such as previz, temp VFX, and promo asset production. Oversaw delivery at series scale (47 feature-length episodes across two seasons).

Chief Editor (Kurgu Yönetmeni) at Leading Turkish Drama Productions (multiple)

January 1, 2007 - January 1, 2018

Chief editor across landmark series including Behzat Ç. Bir Ankara Polisiyesi (Seasons 1–3 + later), Paramparça (Seasons 1–3), Tatar Ramazan, Asi, Kasaba, and Kalp Ağrısı. Edited theatrical and TV features, including 46 Yok Olan (also music coordinator) and Kayıtdışı, plus trailer editing on Nadide Hayat. Built and mentored editorial teams to sustain 2+ hours of finished prime-time drama per week season after season.

Editor & Colorist at TV Films and Series

January 1, 2004 - January 1, 2007

Editor and color grader on 25+ television films and high-volume series work, including the long-running Memleket Hikayeleri anthology. Contributed to productions such as Yalnız Kalpler and Fikrimin İnce Gülü, forming the foundation of a two-decade editorial career.