I’ve spent the last few years explaining why I would move to a sheep farm. One possible answer is: so I could write about life in the city.
The thing I can’t really tell people is how much I believe in the importance of storytelling, and that, the more we lose touch with it, the greater issues we face—or, rather, fail to face.
I got my MA in literature and linguistics at the University of Ghent, and most recently have been working as a short story judge at NYC Midnight.
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A spec script that tries to leverage the conventions of revenge plots to dig into a protagonist who refuses them. Although characters in action movies often appear to feel that bad people deserve to die, this particular criminal doesn’t deal well with double-mindedness.
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