Hello, I'm Daryl Stevens, a multi-disciplinary designer and educator with over 30 years of experience creating logos, websites, publications, and visual campaigns for a wide range of clients. As the founder of Studio 202 and a senior lecturer at Clemson University, I blend hands-on studio practice with taught curriculum to help students and clients translate ideas into clear, impactful visuals. I value collaboration, curiosity, and practical problem solving. I enjoy merging traditional illustration with digital strategies—bridging print, web, and brand storytelling to deliver engaging experiences across print, video, and online media.

Hello, I'm Daryl Stevens, a multi-disciplinary designer and educator with over 30 years of experience creating logos, websites, publications, and visual campaigns for a wide range of clients. As the founder of Studio 202 and a senior lecturer at Clemson University, I blend hands-on studio practice with taught curriculum to help students and clients translate ideas into clear, impactful visuals. I value collaboration, curiosity, and practical problem solving. I enjoy merging traditional illustration with digital strategies—bridging print, web, and brand storytelling to deliver engaging experiences across print, video, and online media.

Available to hire

Hello, I’m Daryl Stevens, a multi-disciplinary designer and educator with over 30 years of experience creating logos, websites, publications, and visual campaigns for a wide range of clients. As the founder of Studio 202 and a senior lecturer at Clemson University, I blend hands-on studio practice with taught curriculum to help students and clients translate ideas into clear, impactful visuals.
I value collaboration, curiosity, and practical problem solving. I enjoy merging traditional illustration with digital strategies—bridging print, web, and brand storytelling to deliver engaging experiences across print, video, and online media.

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Language

English
Fluent

Work Experience

Senior Lecturer at Clemson University
January 1, 2018 - Present
Faculty in the Department of Graphic Communications at the Wilbur O. and Ann Powers College of Business teaching courses focusing on web design and development, graphic design and digital marketing.
Adjunct Instructor at West Virginia University
January 1, 2023 - Present
Online adjunct instructor teaching courses focusing on creative advertising and strategic design.
Adjunct Instructor at Belmont University
January 1, 2017 - January 1, 2018
Adjunct instructor teaching courses focusing on web design best practices and digital imaging technology.
Adjunct Instructor at Watkins College of Art
January 1, 2011 - January 1, 2017
Adjunct instructor teaching courses emphasizing creative problem solving and design.
Department Chair at O’More College of Design
January 1, 2014 - January 1, 2016
Interactive/Graphic Design Chair responsibilities, developed curriculum, advised students, scheduled courses, hired instructors, lectured and worked with administration to develop admission strategies.
Assistant Professor at O’More College of Design
January 1, 2011 - January 1, 2016
Full-time faculty Assistant Professor teaching various courses in Graphic Design and Interactive Design.
Adjunct Instructor at O’More College of Design
January 1, 2005 - January 1, 2013
Adjunct instructor teaching various courses in Graphic Design and Interactive Design.
Owner at STUDIO 202
January 1, 1992 - Present
Professional design practice with web design, graphic design, illustration and related services for corporate and individual clients; locations include Nashville, New York, and Park City.
Graphic Artist at Hammock Publishing
January 1, 1991 - January 1, 1992
Created logos, illustrations and information graphics for various publications.
Graphic Artist at Buntin Advertising
January 1, 1989 - January 1, 1991
Created presentations and worked on national ad campaigns for advertising clients.

Education

MFA Visual Arts—Graphic Design at Marywood University
January 1, 2016 - January 1, 2018
BFA Graphic Design at Middle Tennessee State University
January 1, 1992 - January 1, 1992

Qualifications

Add your qualifications or awards here.

Industry Experience

Education, Media & Entertainment, Professional Services, Software & Internet, Other
    paper Béla Fleck & The Flecktones

    The Overview: Studio 202 was commissioned to create the custom album illustration for the groundbreaking jazz-fusion ensemble Béla Fleck & The Flecktones. For the release of UFO TOFU, we developed a visual narrative that honored the band’s existing brand history while establishing a new, surrealist aesthetic for their latest work.

    The Challenge:
    Béla Fleck and his ensemble are known for their technical precision and boundary-pushing compositions. The creative challenge for UFO TOFU was twofold: the artwork needed to visually represent the eclectic, “out of this world” sound of the band, while also incorporating a specific element from the previous album’s cover COSMIC HIPPO. This requirement for “visual continuity” meant the design had to bridge the gap between two distinct releases without feeling repetitive or derivative.

    The Strategy:
    We adopted a “Legacy-Link” Illustration Strategy. By treating the album cover as a chapter in an ongoing visual story, we identified the core “anchor” element from the previous release and reimagined it within a new, expanded environment. The “UFO TOFU” concept (a palindrome) suggested a sense of symmetry and surrealism, which we reflected in the hand-crafted illustration. This approach ensured that long-time fans felt an immediate sense of familiarity, while new listeners were introduced to a bold, stand-alone piece of art.

    The Execution:
    Bespoke Conceptual Illustration: Created a vibrant, surrealist cover that balanced the “UFO” and “TOFU” themes through a hand-drawn, high-fidelity style.

    Brand Heritage Integration: Successfully integrated legacy elements into the new design, ensuring a seamless visual transition between CD releases.

    Production Management: Delivered final high-resolution assets optimized for the specific technical requirements of physical CD packaging and promotional print materials.

    Niche Market Alignment: Tailored the aesthetic to resonate with the sophisticated, “audiophile” demographic typical of the jazz-fusion and bluegrass-innovator communities.

    The Result:
    The UFO TOFU cover became an iconic piece of the Flecktones’ discography, praised for its playful yet intricate detail. By successfully managing the requirement for continuity, Studio 202 proved its ability to work within established brand constraints to deliver a result that feels both evolutional and revolutionary.

    View Project:
    https://www.twine.net/signin

    paper John Kay & Steppenwolf

    The Overview: Daryl Stevens provided comprehensive Creative Direction, Illustration, and Design for the legendary rock artist John Kay & Steppenwolf. Collaborating directly with John Kay, we developed the visual identity for the Feed the Fire album release, translating a raw, conceptual narrative into a cohesive suite of physical and promotional assets.

    The Challenge:
    For an artist with the legacy of Steppenwolf, the visual representation of a new release must honor decades of history while feeling contemporary and urgent. The “Feed the Fire” concept required a delicate balance: it needed to visualize the “inner fire”—the dualistic nature of the modern individual who balances the structure of a “9-5” career with the untamed, weekend release of the “inner wolf spirit.” The challenge was to create a visual metaphor that resonated with a global fan base across multiple mediums.

    The Strategy:
    We adopted a Narrative-Driven Illustration approach. Through direct collaboration with John Kay, we moved beyond standard rock-and-roll tropes to create a more psychological and visceral representation of the “inner fire.” By using a consistent visual language across the album, promotional materials, and apparel, we ensured that the “Feed the Fire” message was unmistakable, whether a fan was holding the physical CD or wearing the tour merchandise.

    The Execution:
    Studio 202 led the creative execution across all touchpoints of the release:

    Cover Art & Booklet Illustration: Designed and illustrated the primary cover and a complex accordion-fold booklet, ensuring the narrative unfolded visually as the fan interacted with the physical product.

    Apparel Design: Translated the core album art into high-impact designs for tour apparel, optimized for screen printing and fan engagement.

    Promotional Materials: Developed cohesive concert posters and marketing assets to drive awareness for the tour and release.

    Direct Stakeholder Collaboration: Managed the creative process from concept to final production in direct partnership with the artist, ensuring the final art met the highest standards of quality and vision.

    The Result:
    The Feed the Fire visual identity became a central element of the album’s success, providing fans with a tangible connection to John Kay’s lyrical themes. This project serves as a testament to Studio 202’s ability to manage large-scale creative projects for world-class artists, delivering high-fidelity art that stands the test of time.

    View Project:
    https://www.twine.net/signin

    paper Christ On Main

    Identity | Digital | Environment

    Christ on Main is more than a space; it is a Catholic community engagement center dedicated to the art of conversation, study, and spiritual direction. Located in the heart of downtown Greenville, it serves as an open door for those seeking a quiet moment of prayer or a deeper sense of belonging.
    The Challenge

    As a startup non-profit, Christ on Main needed more than just a logo—they needed a cohesive brand strategy that felt both traditional and modern. Studio 202 was tasked with building a visual identity that signaled “welcome” to the public while maintaining the reverence of its mission.
    Our Impact

    We partnered with the Christ on Main team to translate their vision into a multi-dimensional brand experience, moving from conceptual sketches to a fully realized presence in the community.

    Environmental Graphics: We brought the brand into the physical world, designing signage and interior graphics that guide visitors into a space of peace and hospitality.

    Complete Brand Development: We crafted a visual identity that bridges the gap between traditional faith and contemporary community engagement, ensuring consistency across all touchpoints.

    Web Design & Ecosystem: Developed a responsive, user-friendly home on the web using WordPress. The site serves as a digital front door for resources, event scheduling, and spiritual outreach.

    View Project:
    https://www.twine.net/signin

    paper Nearest Green Distillery

    The Overview: Daryl Stevens was commissioned to create the flagship promotional illustration for the inaugural Wheels & Whiskey event at the historic Nearest Green Distillery in Shelbyville, TN. As a premier event blending automotive culture with Tennessee heritage, the project required a high-impact visual that could serve as both a marketing tool and a collectible piece of art.

    The Challenge:
    For the inaugural exhibition, the distillery needed an image that communicated “Automotive Excellence” while remaining anchored in the specific brand environment of Uncle Nearest. The centerpiece of the illustration needed to be a precise, stylized representation of the owner’s personal Shelby Edition Mustang, rendered with the technical accuracy that car enthusiasts demand and the artistic flair Daryl Stevens is known for in national publications.

    The Strategy: Precision Meets Artistry
    Leveraging over 30 years of experience in digital media and advertising, the strategy was to move beyond a simple photograph. By utilizing custom digital illustration, Studio 202 could:

    Highlight the Subject: Every line of the owner’s Shelby Edition Mustang was hand-drawn to emphasize its aerodynamic silhouette and high-performance stance.

    Anchor the Location: The iconic green architecture of the Nearest Green Distillery was illustrated as the background, creating a proprietary scene that cannot be replicated with stock imagery.

    Balance the Palette: A custom color story was developed to bridge the vibrant “Shelby Green” of the vehicle with the atmospheric Tennessee sky, ensuring the poster “cut through the fog” of standard event advertisements.

    The Execution:
    Custom Digital Illustration: Drawing on a career that includes work for Major League Baseball and Sony PlayStation, Stevens utilized a “Heritage-Modern” vector style. This approach provides the clean, sharp edges required for large-scale poster printing while maintaining a hand-crafted, textured aesthetic.

    Typography & Layout: The poster architecture was designed to be highly scannable, prioritizing the event’s “Wheels & Whiskey” identity while framing the custom illustration as the hero of the composition.

    Technical Mastery: The final artwork was engineered to scale from digital social media assets to full-size collector posters without losing the fine details of the Shelby’s design or the distillery’s architecture.

    The Result:
    The inaugural Wheels & Whiskey poster became the visual face of the event, successfully establishing a “Goal-Driven” identity for the new exhibition. By blending creative artistry with the owner’s specific automotive vision, Daryl Stevens provided a bespoke asset that mirrors the premium quality of the Nearest Green Distillery itself.

    View Project:
    https://www.twine.net/signin

    paper Hatcher Family Dairy

    The Overview: Studio 202 was commissioned to develop the foundational brand identity for Hatcher Family Dairy at the company’s inception. Our mission was to transform a heritage family farm into a competitive, modern dairy brand capable of commanding premium shelf space and fostering deep community loyalty. This project has since become a benchmark for successful agribusiness branding in Middle Tennessee.

    The Challenge:
    The American family farm faces immense pressure to modernize without losing its “soul.” For the Hatchers, the challenge was to create a visual identity that communicated four generations of tradition while appearing sophisticated enough for high-end grocers and modern consumers. The branding needed to be versatile enough to live on everything from milk jugs and delivery trucks to digital platforms and apparel.

    The Strategy: “Heritage-Modern” Identity
    We developed a Brand Identity System that honored the farm’s history through a “Heritage-Modern” lens. The goal was to create a mark that felt “established” from day one. By combining classic agricultural iconography with clean, contemporary design principles, we provided the Hatchers with a visual language that projected both local authenticity and professional excellence.

    The Execution:
    Award-Winning Logo Design: Studio 202 created a logo that resonated with both consumers and the design community, earning a Local Gold ADDY and a Regional Silver ADDY for Best Logo/Branding.

    Packaging & Label Design: We designed the flagship milk labels, prioritizing clear brand hierarchy and a “premium-fresh” aesthetic that distinguishes the product in a crowded retail dairy case.

    Digital Presence: Developed an intuitive, story-driven website that serves as a hub for the farm’s history, product locations, and home delivery services.

    System-Wide Rollout: Ensured brand consistency across all touchpoints, including environmental signage and apparel, creating a cohesive “Farm-to-Table” experience.

    The Result:
    Since its launch, Hatcher Family Dairy has grown into a beloved regional powerhouse, featured on national television and found in the area’s top retailers. The identity system created by Studio 202 has provided the visual backbone for this growth, proving that strategic design is a vital component of modern agricultural sustainability.

    paper Dudley Newman Feuerzeig LLP

    The Overview: As the largest law firm in the U.S. Virgin Islands, Dudley Newman Feuerzeig LLP (DNF) represents a sophisticated, multi-national client base. Studio 202 was commissioned to lead a total digital transformation—replacing an outdated web presence with a high-performance platform that serves as a primary tool for business development, recruitment, and client due diligence.

    The Challenge:
    With over 15 distinct practice areas—ranging from Admiralty and Maritime Law to Banking and Complex Litigation—DNF required a site structure that could organize vast amounts of information without overwhelming the user. The firm needed to project institutional authority to global corporations while remaining accessible to local stakeholders. The technical challenge was to build a system that was easy for the firm’s administrative team to manage while maintaining world-class security and speed.

    The Strategy: “Professional Authority” Architecture

    Our approach centered on Information Architecture (IA). We recognized that a law firm’s website is judged by how quickly a user can verify expertise. We implemented a “cross-linked” data structure:

    Practice-to-Partner Mapping: Every practice area page is dynamically linked to the specific attorneys who lead them.

    Geographic Siloing: Dedicated sections for their St. Thomas and St. Croix offices to aid in local search and physical navigation.

    Authority Signals: A clean, high-contrast visual language that uses classic typography and professional textures to mirror the firm’s prestige.

    The Execution:
    Custom Attorney Directory: We developed a bespoke, searchable database for the firm’s deep roster of legal talent, allowing clients to filter by expertise, location, and seniority.

    Practice Area Optimization: Each of the 15+ practice areas was given a dedicated landing page designed with a specific SEO strategy to capture international legal inquiries.

    Mobile-First Professionalism: Understanding that corporate counsel often conducts due diligence on the move, we engineered a responsive experience that maintains a “boardroom” feel on any device.

    Managed Technical Infrastructure: Deployed on a high-security, managed WordPress environment with global CDN delivery to ensure the site loads instantly for clients in London, New York, or the Caribbean.

    The Result:
    The new DNF platform successfully repositioned the firm as a modern, digitally forward-thinking leader. The site has streamlined the firm’s recruitment process and serves as a high-conversion gateway for new business inquiries. By treating the project as a Digital Headquarters rather than a marketing site, Studio 202 provided DNF with a scalable asset that will serve the firm for years to come.

    View Website:
    https://www.twine.net/signin

    paper Sony PlayStation | Ape Escape 3: Product Launch

    The Overview:
    Daryl Stevens partnered with the world-renowned agency TBWA\Chiat\Day\LA to execute a high-impact digital launch for Sony PlayStation’s Ape Escape 3. We provided a comprehensive suite of custom illustrations and interactive assets to bring the “Monkeytown: A Primate Paradise” digital experience to life.

    The Challenge:
    For a major video game release, the promotional website cannot simply be a static information page; it must be an extension of the game’s universe. Sony needed a digital destination that captured the chaotic, playful energy of the Ape Escape brand while maintaining high performance for a massive global audience. The challenge was to create a high volume of bespoke assets that were optimized for complex, interactive web animations.

    The Strategy:
    We adopted a “Motion-First” illustration strategy. Recognizing that the website’s success relied on user engagement, we designed every element with its future movement in mind. By creating layered, modular graphics, we provided the development team with the flexibility needed to build an immersive, “living” environment that reflected the game’s core mechanics.

    The Execution:
    Working in close collaboration with the creative team at TBWA\Chiat\Day, Studio 202 delivered over 20 distinct interactive elements.

    Strategic Collaboration:
    Integrated into a high-level agency workflow to meet the rigorous standards and deadlines of a global product launch.

    Bespoke Illustration:
    Created the entire visual language for “Monkeytown,” ensuring brand consistency with the PlayStation title.

    Interactive Asset Design:
    Engineered graphics specifically for advanced web animation, allowing for a seamless, tactile user experience.

    View Project:
    https://www.twine.net/signin