I'm a pro voice actor with a Pro Home Studio setup. I've been doing this for a while! I'm a good listener to what a client really wants. That's what counts. I work on big-name projects, like those for Microsoft and The Home Depot, but startups and non-profits are equally important. It's not only commercials. Most of my work is in company/business, web, medical, educational, eLearning, automotive, and more, all of which are equally important. But at the end of the session (did you think I was going to say "end of the day"), it's about client expectations. EVERY project is equally important. Folks say I'm easy and fun to work with, but I take it all very seriously. I return calls and emails promptly. As a matter of fact, I check emails "after hours" to see if there is something the client wants to pass along. I get projects done within their deadline and still shoot for UNDER 24 HOURS. If my schedule permits, I'll get it done even quicker to help them with their schedule. I like getting a script ahead of time, when possible (even if updates are expected), to get a sense of how to bring it to life. If the client's approach changes along the way, it's not a problem at all. It's not about knocking out a quick read. It's about how I reach the goal the client wants to achieve. Your project isn't just about a job. It's a REAL RELATIONSHIP. I want to be considered for the next project... and the next project... You get the point. Did I mention the equipment? I should. My wife is sick of hearing about it. A -60dB soundproof booth, Sennheiser 416 mic, high-end Focusrite processing, current Adobe Audition software with precision adjustments to give you a clean read you can adjust, or I can help you with, along with Source Connect, Zoom, Skype, and more connection options.…

Dean James

Pro

I'm a pro voice actor with a Pro Home Studio setup. I've been doing this for a while! I'm a good listener to what a client really wants. That's what counts. I work on big-name projects, like those for Microsoft and The Home Depot, but startups and non-profits are equally important. It's not only commercials. Most of my work is in company/business, web, medical, educational, eLearning, automotive, and more, all of which are equally important. But at the end of the session (did you think I was going to say "end of the day"), it's about client expectations. EVERY project is equally important. Folks say I'm easy and fun to work with, but I take it all very seriously. I return calls and emails promptly. As a matter of fact, I check emails "after hours" to see if there is something the client wants to pass along. I get projects done within their deadline and still shoot for UNDER 24 HOURS. If my schedule permits, I'll get it done even quicker to help them with their schedule. I like getting a script ahead of time, when possible (even if updates are expected), to get a sense of how to bring it to life. If the client's approach changes along the way, it's not a problem at all. It's not about knocking out a quick read. It's about how I reach the goal the client wants to achieve. Your project isn't just about a job. It's a REAL RELATIONSHIP. I want to be considered for the next project... and the next project... You get the point. Did I mention the equipment? I should. My wife is sick of hearing about it. A -60dB soundproof booth, Sennheiser 416 mic, high-end Focusrite processing, current Adobe Audition software with precision adjustments to give you a clean read you can adjust, or I can help you with, along with Source Connect, Zoom, Skype, and more connection options.…

Available to hire

I’m a pro voice actor with a Pro Home Studio setup. I’ve been doing this for a while! I’m a good listener to what a client really wants. That’s what counts. I work on big-name projects, like those for Microsoft and The Home Depot, but startups and non-profits are equally important.

It’s not only commercials. Most of my work is in company/business, web, medical, educational, eLearning, automotive, and more, all of which are equally important. But at the end of the session (did you think I was going to say “end of the day”), it’s about client expectations. EVERY project is equally important.

Folks say I’m easy and fun to work with, but I take it all very seriously. I return calls and emails promptly. As a matter of fact, I check emails “after hours” to see if there is something the client wants to pass along. I get projects done within their deadline and still shoot for UNDER 24 HOURS. If my schedule permits, I’ll get it done even quicker to help them with their schedule.

I like getting a script ahead of time, when possible (even if updates are expected), to get a sense of how to bring it to life. If the client’s approach changes along the way, it’s not a problem at all. It’s not about knocking out a quick read. It’s about how I reach the goal the client wants to achieve.

Your project isn’t just about a job. It’s a REAL RELATIONSHIP. I want to be considered for the next project… and the next project… You get the point.

Did I mention the equipment? I should. My wife is sick of hearing about it. A -60dB soundproof booth, Sennheiser 416 mic, high-end Focusrite processing, current Adobe Audition software with precision adjustments to give you a clean read you can adjust, or I can help you with, along with Source Connect, Zoom, Skype, and more connection options.

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Experience Level

Expert
Expert
Expert
Intermediate

Language

English
Fluent

Work Experience

President, Marketing - Professional Voice Artist at ALL BUT SIX
January 1, 2015 - Present
Owner, marketer and voice talent for national and international voice talent businesses. Led marketing initiatives and completed voice projects for clients including Microsoft, The Home Depot, Whirlpool, Boston University, Ambit Energy, Myriad Genetics, Oklahoma Parks and Recreation, Williams & Williams Real Estate (national), Cobbs Bread (nationally in Canada), Bravad Health, Mid Iowa Cooperative, National Bank, and Northland Internet.
Operations Manager / Program Director at ALL BUT SIX
January 1, 2003 - January 1, 2006
Oversaw marketing, programming and promotional operations of Entravision stations KZZA-FM, KZMP-FM, KTCY-FM and KBOC-FM in the Dallas-Fort Worth market. Created external multi-channel marketing strategy incorporating billboard, direct mail, broadcast television and street outreach, advertising and branding. Administered personnel and operational demands, from hiring and on-air talent contract negotiations to programming/promotion budget oversight and sales/marketing strategy. Liaised with cross-functional teams to coordinate and implement streamlined campaigns aligned with company goals.
President at ALL BUT SIX
January 1, 2003 - January 1, 2016
Owner, franchisee and programming consultant for a national photography and events franchise, serving corporate, organizational and institutional customers, including major businesses, schools and sports leagues. Advised broadcast outlets, directing project strategy in formats and programming. Managed 30-40 event specialists, overseeing recruitment, hiring, training and retention strategies. Liaised with and represented corporate franchise network, facilitating growth, sales-focused initiatives and process improvement endeavors. Ensured adherence to organizational policies and industry best practices. Oversaw operational and fiscal affairs, including budget, bookkeeping, payroll, special reports and required filings.
Operations Manager / Program Director at ABC, INC. / ABC DISNEY
January 1, 1993 - January 1, 2002
Led innovation, insights and research for KSCS-FM, a leading country music station in the market. Directed day-to-day programming activities, including oversight of seven-figure budget, market research and special projects. Participated in planning, vendor search and development of innovative initiatives, such as network and nest marketing. Derived and applied market research insights to drive market penetration, ratings targets and budget goals; hired, coached and developed on-air talent, collaborating with Legal on contract negotiations. Key Accomplishments: Initiated strategies securing status as #1 country format leader for adults 25-54 and others; top market leadership across several demographics.

Education

Industrial Technology and Business at University of Massachusetts - Lowell
September 1, 1975 - May 20, 1977

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services, Education
    Dean James Voice Artist - General Demo

    Pro Voice Artist with over 25 years of experience around the world.
    Multiple Reads - Commercial, Automotive, Political, Promotional, Public Service

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