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EarWeevilAudio

Available to hire

EarWeevil Audio is a post-production company that specializes in audio editing, mixing, mastering, and restoration services that are great for a wide variety of projects, big or small.

About

EarWeevil Audio is a post-production company that specializes in audio editing, mixing, mastering, and restoration services that are great for a wide variety of projects, big or small. Our staff brings years of experience that includes live studio production with NPR affiliates, live and studio mixing with local Detroit area music groups, editing/restoration for academic fieldwork and lectures at Eastern Michigan University and Johns Hopkins University, podcast production, analog-to-digital restorations, undercover/legal recordings for transcription, contract work and more.

We specialize in audio services and techniques that benefit musicians, podcasters, independent film, home recordings, audio books, or any circumstance that requires a cleaner template and professional sound. Using industry leading programs such as Adobe Audition, Adobe Premiere Pro, ProTools, Cubase, and iZotope RX, we hone your audio to eliminate imperfections, brighten your sparkle, and round out your warmth, for a full bodied sonic experience.

  • Joined April 2024

Industry experience

  • Non-Profit Organization
  • Media & Entertainment
  • Manufacturing

Projects · 6

A fairly common issue, especially with podcasts recorded remotely, is digital slurring or lag during speech due to internet connection difficulties. In many instances this can ruin an interview, or otherwise make it an unpleasant listening experience. By carefully blending syllables, or in some cases, building words using syllables of other utterances, we can clean up otherwise distracting dialogue and produce a better product.

  • Audio Mixer
  • Sound Editor

Here is an example of analog-to-digital restoration techniques. The original recording came from 4-track Reel-to-Reel tape, with vocals recorded by mic stereo left and guitar recorded on mic stereo right. Warping occurred on the guitar track, but thankfully the vocal mic picked up a good amount of the guitar. Through diminishing/removing the vocals digitally and remixing as a number of tracks, we were able to bring a great deal of clarity to the guitar track and create a more pleasant listening experience.

  • Audio Mixer
  • Sound Editor

This 1964 demo recording was captured by a single area mic for the full band. Rebalancing the frequencies within a track to help separate the instruments can bring out a buried bass, brighten up cymbals and snares, or boost a vocalist sandwiched between keys and guitars.

  • Audio Mixer
  • Sound Editor

This example comes from language learner cassettes, provided by an educator putting together materials to teach the endangered North American language of Odawa. Originally recorded in the early 1980's, the cassette tapes suffered physical degradation, creating noise interference. We used a variety of filters and frequency targeting to remove that noise interference , while maintaining the integrity of the speaker's voice and background music.

  • Audio Mixer
  • Sound Editor

Background noise is common in remote and home recordings, but it doesn't have to show up in your final product. By precisely targeting specific frequencies, we can remove distracting background noises without affecting the rest of the track. This sample comes from lecture work done with Johns Hopkins University's Center for Teaching and Learning.

  • Audio Mixer
  • Sound Editor

Podcast editing, mixing, mastering and restoration services. Check out The Vets Unleashed podcast at thevetsunleashed.com or @thevetsunleashed on Instagram for latest episodes! podcast editing mixing mastering restoration postproduction

  • Audio Mixer
  • Sound Editor
  • Video Editor

Education

B.A. Audio Production · Eastern Michigan University2008
M.A. Linguistics · Eastern Michigan University2013

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