I’m a video editor who’s been cutting across just about every format there is — commercials, documentaries, live events, and digital series. I’ve spent the last several years working in both Avid Media Composer and Adobe Premiere Pro, handling everything from rough cuts to online finishing, color, and delivery. I’m comfortable in DaVinci Resolve for grading, and I take pride in making sure every piece I touch feels broadcast-ready and built for its platform. My credits include everything from television and feature documentaries (Crisis on Campus, Wu-Tang: Of Mics and Men, Love After Lockup) to commercial and branded content (New Jersey Tourism, Fumosa Corporate Video, Big Time Boxing USA), and even live and digital projects like AAWA All Star Wrestling. I’ve cut for networks like TLC, OWN, HGTV, HBO Max, and Discovery, as well as independent studios and online platforms. I’m big on collaboration — I like working closely with producers and creative teams to shape the story, find the rhythm, and get the tone right. I’ve done plenty of remote editing through systems like Parsec and Frame.io, but I’m just as comfortable locking in at a studio when the project calls for it. What drives me is the craft — pacing, sound, tone, and texture. I don’t just assemble clips; I build moments. Whether it’s a thirty-second spot or a long-form feature, I aim to make it hit visually, emotionally, and rhythmically. Every project has its own pulse, and I love finding it.…I’m a video editor who’s been cutting across just about every format there is — commercials, documentaries, live events, and digital series. I’ve spent the last several years working in both Avid Media Composer and Adobe Premiere Pro, handling everything from rough cuts to online finishing, color, and delivery. I’m comfortable in DaVinci Resolve for grading, and I take pride in making sure every piece I touch feels broadcast-ready and built for its platform. My credits include everything from television and feature documentaries (Crisis on Campus, Wu-Tang: Of Mics and Men, Love After Lockup) to commercial and branded content (New Jersey Tourism, Fumosa Corporate Video, Big Time Boxing USA), and even live and digital projects like AAWA All Star Wrestling. I’ve cut for networks like TLC, OWN, HGTV, HBO Max, and Discovery, as well as independent studios and online platforms. I’m big on collaboration — I like working closely with producers and creative teams to shape the story, find the rhythm, and get the tone right. I’ve done plenty of remote editing through systems like Parsec and Frame.io, but I’m just as comfortable locking in at a studio when the project calls for it. What drives me is the craft — pacing, sound, tone, and texture. I don’t just assemble clips; I build moments. Whether it’s a thirty-second spot or a long-form feature, I aim to make it hit visually, emotionally, and rhythmically. Every project has its own pulse, and I love finding it.WWWW…