My name is Ezequiel Martínez, and I am a sound designer and audio post-producer with over 16 years of experience in the audiovisual industry. Throughout my career, I have worked across diverse roles — from video editing and camera operation in streaming to production assistance and gaffer work — but my true specialization lies in sound and audio post-production. I have contributed to a wide range of projects, including films, television, advertising, and institutional productions. Some highlights of my work include audio post-production for the feature film Billinghurst (2023), the TV program Argentina 100% (2022–2023), and the documentary AVOMPLA (2021), as well as long-term collaborations with studios such as Frankee Studio and GP Media. Currently, I serve as Director of Audio Post-production at Tinta Sur Ltda., leading projects that demand both creativity and technical precision. What makes me stand out is my combination of technical expertise and artistic sensibility, along with a strong commitment to teamwork and quality. I approach every project with attention to detail, efficiency, and empathy, always striving to exceed expectations and deliver impactful soundscapes that enhance the storytelling experience.

Ezequiel Martinez

PRO

My name is Ezequiel Martínez, and I am a sound designer and audio post-producer with over 16 years of experience in the audiovisual industry. Throughout my career, I have worked across diverse roles — from video editing and camera operation in streaming to production assistance and gaffer work — but my true specialization lies in sound and audio post-production. I have contributed to a wide range of projects, including films, television, advertising, and institutional productions. Some highlights of my work include audio post-production for the feature film Billinghurst (2023), the TV program Argentina 100% (2022–2023), and the documentary AVOMPLA (2021), as well as long-term collaborations with studios such as Frankee Studio and GP Media. Currently, I serve as Director of Audio Post-production at Tinta Sur Ltda., leading projects that demand both creativity and technical precision. What makes me stand out is my combination of technical expertise and artistic sensibility, along with a strong commitment to teamwork and quality. I approach every project with attention to detail, efficiency, and empathy, always striving to exceed expectations and deliver impactful soundscapes that enhance the storytelling experience.

Available to hire

My name is Ezequiel Martínez, and I am a sound designer and audio post-producer with over 16 years of experience in the audiovisual industry. Throughout my career, I have worked across diverse roles — from video editing and camera operation in streaming to production assistance and gaffer work — but my true specialization lies in sound and audio post-production.

I have contributed to a wide range of projects, including films, television, advertising, and institutional productions. Some highlights of my work include audio post-production for the feature film Billinghurst (2023), the TV program Argentina 100% (2022–2023), and the documentary AVOMPLA (2021), as well as long-term collaborations with studios such as Frankee Studio and GP Media. Currently, I serve as Director of Audio Post-production at Tinta Sur Ltda., leading projects that demand both creativity and technical precision.

What makes me stand out is my combination of technical expertise and artistic sensibility, along with a strong commitment to teamwork and quality. I approach every project with attention to detail, efficiency, and empathy, always striving to exceed expectations and deliver impactful soundscapes that enhance the storytelling experience.

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Language

English
Advanced

Work Experience

Director de Postproducción de Audio at Tinta Sur LTDA
May 1, 2022 - October 1, 2025
Director de Postproducción de Audio, liderando la planificación y ejecución de la posproducción de audio para proyectos comerciales y documentales, asegurando calidad de mezcla y coherencia sonora.
Postproducción de audio at Frankee Studio
January 1, 2016 - Present
Trabajando en proyectos de posproducción de audio para publicidad y contenidos audiovisuales.
Postproducción de audio at GP Media
January 1, 2018 - September 16, 2025
Posproducción de audio para proyectos publicitarios.
Postproducción sonora, mezcla estéreo y 5.1 at AVOMPLA (Documental)
January 1, 2021 - Present
Postproducción sonora, mezcla en stereo y 5.1 para documental.
Postproducción sonora at Maldita Eva (Documental)
January 1, 2018 - September 16, 2025
Postproducción sonora para documental.
Postproducción sonora at Billinghurst (Ficción Largometraje)
December 31, 2022 - Present
Sound post-production for a feature film.
Postproducción sonora at Argentina 100% (Programa de TV)
January 1, 2023 - September 16, 2025
Posproducción sonora para programa de televisión.
Postproducción sonora at Off The Record (LN+)
January 1, 2017 - September 16, 2025
Posproducción sonora para producción televisiva.
Sonido Directo y Postproducción at Serenatas Memorables (Ministerio de Cultura)
January 1, 2022 - September 16, 2025
Trabajo de sonido directo y posproducción para proyecto cultural.
Postproducción sonora at Latinoamérica Piensa (CLACSO TV)
December 31, 2015 - September 15, 2025
Posproducción sonora para CLACSO TV.

Education

Licenciatura en Cinematografía y Nuevos Medios at IUPA
January 1, 2001 - January 1, 2005
Tecnicatura en Dirección y Producción para radio y TV at ISER
January 1, 2006 - January 1, 2008
Curso de Fotografía at SICA
January 1, 2005 - January 1, 2007
Curso 'El Musico en el Estudio. Producción y Grabación Musical' at TAMABA, Escuela de Música y Sonido
January 1, 2020 - January 1, 2020
Mastering Workshop at Estudio Camaron Brujo Musica
July 1, 2019 - July 30, 2019

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services, Other
    paper Maldita Eva

    “Maldita Eva” is a documentary film about Eva Landeck, an Argentine avant-garde filmmaker from the 1960s. The film was selected for the prestigious Buenos Aires International Independent Film Festival (BAFICI). For this project, I was responsible for the audio post-production.
    Here is the link to the film’s trailer.

    paper AVOMPLA

    “Avompla. Before Christmas,” directed by Adriana Lewczuk, reconstructs the attempted takeover by the People’s Revolutionary Army (ERP) of the Viejobueno Army battalion located in Monte Chingolo, through the voices of the neighborhood’s women and one of the militants who took part in the action.
    For this project, I carried out the audio post-production, including the stereo and 5.1 mixing.
    Here is the film’s trailer.

    paper Familia

    “Familia” is a horror short film that was selected for the prestigious Buenos Aires Rojo Sangre festival. In this project, I was in charge of sound direction, which included location sound recording, as well as the post-production and mixing of the film’s soundtrack.
    Here is the trailer form the film