With 5 years experience as a 3D designer at Airworks Inflatables, where I helped create stage decor for the likes of Metallica, Aerosmith, Beyoncé, and festivals like Electric Daisy Carnival. I decided to go on a new adventure by working as a freelance 2D/3D graphic artist. This career switch has made it possible to work both as a tattoo artist, which has brought me back in touch with my drawing and illustrative skills, and has given me the freedom to get back into 3D animation and more mixed media personal work.

Flora van der Linde

With 5 years experience as a 3D designer at Airworks Inflatables, where I helped create stage decor for the likes of Metallica, Aerosmith, Beyoncé, and festivals like Electric Daisy Carnival. I decided to go on a new adventure by working as a freelance 2D/3D graphic artist. This career switch has made it possible to work both as a tattoo artist, which has brought me back in touch with my drawing and illustrative skills, and has given me the freedom to get back into 3D animation and more mixed media personal work.

Available to hire

With 5 years experience as a 3D designer at Airworks Inflatables, where I helped create stage decor for the likes of Metallica, Aerosmith, Beyoncé, and festivals like Electric Daisy Carnival. I decided to go on a new adventure by working as a freelance 2D/3D graphic artist. This career switch has made it possible to work both as a tattoo artist, which has brought me back in touch with my drawing and illustrative skills, and has given me the freedom to get back into 3D animation and more mixed media personal work.

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Language

Dutch
Fluent
English
Fluent
French
Beginner

Work Experience

3D designer at Airworks
December 1, 2018 - November 1, 2023
As a 3D designer at Airworks, I helped design the patterning for the Inflatable stage decor, as well as created the hi-resolution models and textures to be rendered and projected on the prints to make the structures come alive. It was very technical and diverse in my tasks that I had to complete, as well as fun and amazing to work on something that goes from a small computer screen, to a 50 meter tall statue.
Freelance 3D/2D graphic designer at self employed
November 1, 2023 - Present
When I left Airworks Inflatables, it was mainly because I felt the need to find my way back to the world of animation and personal development. My work and skills needed more time and freedom than what I was able to do while employed, so I decided to spread out my wings and start on a journey of self exploration. It has been challenging and frustrating, but at the same time it has been freeing and motivating to let myself go where my creative mind wants to go. I have learned new software, dabbled more and more into animation, and was even able to start working as as a tattoo artist which has really stimulated my illustration skills again. I can only be excited for what new things I might be able to do in the future.
Tattoo Artist at House of Scarlet
June 1, 2025 - Present
Continuing my career as a tattoo artist at House of Scarlet has provided me more insights into the world of tattooing and being a self-promoting artist.
Tattoo Artist at Club Frou Frou Tattoo
March 1, 2025 - October 17, 2025
Working as a tattoo artist at Club Frou Frou and setting up my online presence has been challenging and rewarding. Establishing my workflow and exploring my own art style again has greatly improved my work.

Education

Bachelor at Breda University of Applied Sciences
January 1, 2014 - January 1, 2018

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services, Education, Gaming
    uniE608 Elf Self
    A self-portrait was a fun excuse to make myself into a sci-fi fantasy elf with bio-mechanical inner workings. Most of my animation shorts are a combination of confrontation of the real world and escapism.
    uniE608 Magical Hands and Mystical Crystals
    With this animation, I wanted a fun animation for my site header. Something that would feel eerie yet mystical and magical. I got back to a more traditional pipeline in creating this video as well, going hi-res to low-res on the hands as well as rigging it afterwards and animating. I tend to use shape keys for my small and quick animations because most of the movements in them do not require a lot of control. These hands however needed some more finesse.
    uniE608 Magical Hands and Mystical Crystals
    With this animation, I wanted a fun animation for my site header. Something that would feel eerie yet mystical and magical. I got back to a more traditional pipeline in creating this video as well, going hi-res to low-res on the hands as well as rigging it afterwards and animating. I tend to use shape keys for my small and quick animations because most of the movements in them do not require a lot of control. These hands however needed some more finesse.
    uniE608 Magical Hands and Mystical Crystals
    With this animation, I wanted a fun animation for my site header. Something that would feel eerie yet mystical and magical. I got back to a more traditional pipeline in creating this video as well, going hi-res to low-res on the hands as well as rigging it afterwards and animating. I tend to use shape keys for my small and quick animations because most of the movements in them do not require a lot of control. These hands however needed some more finesse.
    uniE608 Magical Hands and Mystical Crystals
    With this animation, I wanted a fun animation for my site header. Something that would feel eerie yet mystical and magical. I got back to a more traditional pipeline in creating this video as well, going hi-res to low-res on the hands as well as rigging it afterwards and animating. I tend to use shape keys for my small and quick animations because most of the movements in them do not require a lot of control. These hands however needed some more finesse.