George Niauri Giorgi

Available to hire

Projects · 4

Recording, Mixing & Mastering

Abbadon is a Depressive Suicidal Black Metal band whose sound relies heavily on atmosphere, emotional weight, and sonic identity.
The project was recorded at Mammber Studios, where I was responsible for mixing and mastering, as well as shaping a distinctive and recognizable tonal character for the band.

A key focus of this work was developing a unique sonic signature—ensuring the band remains identifiable through tone alone, without compromising the raw and depressive essence of the genre. The final result preserves intensity and authenticity while maintaining clarity, balance, and depth.

Abbadon are highly creative, professional, and genuinely good people to work with.
It was a pleasure collaborating with them, and the project was delivered within a short timeframe without sacrificing quality or artistic intent.

https://www.twine.net/signin

  • Mastering Engineer
  • Mixing Engineer
  • Sound Designer
  • +1

Vismier is a creative identity developed as a personal branding project, focused on minimalism, atmosphere, and emotional depth.
The concept centers around translating mood, intention, and identity into a clear, refined presence — balancing mystery with authenticity.

This project involved shaping tone, messaging, and overall aesthetic to create a strong, cohesive profile suitable for modern social and creative platforms.
The goal was to communicate confidence, creativity, and depth without overexposure, allowing the audience to connect through energy rather than explanation.

  • Album Art Designer
  • Arranger
  • Composer
  • +7

Ruins of Faith – Tonal Director / Mixing & Mastering Engineer I was responsible for shaping the tonal identity of Ruins of Faith, collaborating closely with the band to achieve the precise sound and quality we envisioned. It was a true pleasure working with such a talented and energetic group. Together, we crafted a powerful sonic landscape—blending orchestral elements with chaotic drum arrangements, heavily distorted guitars, and intense harsh vocals. The result is an immersive and emotionally charged experience that captures the raw essence of the band's vision. music instrumental master soundtrack

  • Audio Engineer
  • Audio Mixer
  • Mastering Engineer
  • +4

Ruins of Faith – Tonal Director / Mixing & Mastering Engineer I was responsible for shaping the tonal identity of Ruins of Faith, collaborating closely with the band to achieve the precise sound and quality we envisioned. It was a true pleasure working with such a talented and energetic group. Together, we crafted a powerful sonic landscape—blending orchestral elements with chaotic drum arrangements, heavily distorted guitars, and intense harsh vocals. The result is an immersive and emotionally charged experience that captures the raw essence of the band's vision. music master instrumental soundtrack

  • Audio Mixer
  • Mixing Engineer
  • Music Editor
  • +2

Work experience· 6 roles

Audio Engineer / Foley Artist · Freelance / Foley StudioJan 2025 – Present · 1 yr 11 mos

Trained and worked in sound engineering and sound design fundamentals; recorded and mixed Foley and sound effects for media projects; handled recording sessions, editing, and post-production mixing; developed strong critical listening skills and creative sound design workflows.

Foley Recordist / Post-Production Sound Engineer · URMA AcademyJan 2025 – Present · 1 yr 11 mos

Film industry recording Foley artists for feature films and visual media. Selecting, testing, and sourcing the most realistic objects to match on-screen actions. Editing, cleaning, and organizing Foley recordings for post-production workflows. Syncing Foley sounds precisely to picture for maximum realism and impact. Enhancing realism and organic feel through detailed editing and sound placement. Contributing to sound design when required by the project. Collaborating with post-production teams to meet cinematic quality standards.

Audio Engineer · Proxy Live SolutionsJan 2023 – Jan 2024 · 1 yr 1 mo

Troubleshot and repaired audio and AV equipment under live-event conditions. Built, repaired, and customized audio cables using multiple wiring configurations (XLR, TR, TRS, balanced/unbalanced). Assisted with system setup, testing, and live operation to ensure stable, high-quality sound. Worked with digital and analog audio systems in fast-paced production environments.

Recording & Post-Production Studio Engineer · Freelance / Foley StudioJan 2020 – Present · 6 yrs 11 mos
Founder / Sound EngineerJan 2020 – Present · 6 yrs 11 mos
Founder / Sound Engineer · Mammber StudiosJan 2020 – Present · 6 yrs 11 mos

Education· 8

URM ACADEMY / Audinate / Self-taught · Caucasus University2018 – 2023

I’m a self-taught audio engineer with nearly 5 years of hands-on experience in mixing and mastering, backed by dedicated study through URM Academy and real-world projects. I’ve developed strong technical skills in both digital and analog environments, with a deep understanding of sound design, dynamics, and genre-specific mixing. I take pride in my growth, adaptability, and the precision I bring to every mix, always striving to push creative boundaries while respecting the artist’s vision.

Mixing & Mastering · URMA Academy2030 – 2026
Dante Audio Certification – Level 1 · Dante Audio Certification2030 – 2026
Mixing & Mastering · URMA Academy2030 – 2026

Certifications and awards· 15

Dante Certification2025
Building Acoustics & Noise Control2030 – 2026
Dante Audio Certification – Level 12030 – 2026
Building Acoustics & Noise Control2030 – 2026

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