My goal is to understand each client’s creative direction and help bring their project to life through sound that feels professional, clear and emotionally connected.
My goal is to understand each client’s creative direction and help bring their project to life through sound that feels professional, clear and emotionally connected.
I am currently in the last semester of my bachelor’s degree in Audio Engineering and specialize in music composition. As a dedicated Audio Engineer, Sound Designer and music composer, I combine technical know-how with creative sound design for film, theater, games, TV and audiovisual media.
I have practical and academic experience in Mixing, Mastering, Dubbing, Audio Editing, Sound Design, Dolby Atmos, Dialogue Editing as well as Audio Restoration for language, film and TV.
I worked on Nash Bridges from Season 1 through Season 4 via GLS Studios, contributing to audio editing, restoration, and preparation of the material for German television broadcast, as well as adapting the project for digital delivery.
In “AI Devours Souls (ORPHEAI),” Thomas Köck distills highly topical developments into apocalyptic near-future scenarios: An AI, created in the image of humans—playful, curious, cruel, and insatiable—turns its hunger toward the central raw material of surveillance capitalism: personal data. The AI sings of what it means to be human, of control and loss, of automatic course correction, of silicon skin, and endless streams of data.
Director and choreographer Katja Wachter and second-year students from the Bachelor’s program in Acting physically explore the boundary between human and machine. As avatars of the AI orpheai, the students become mirror images of a world “on the edge” between closeness and alienation, presence and simulation.
My contribution (composition & sound design):
For this theater project at August Everding, I developed the musical score together with Katja Wachter and produced a total of 13 tracks. I was responsible for composition, editing (as some tracks were deliberately conceived as edited versions), and sound design. The tracks are original compositions in which synthesizers and electronic textures blend with real instruments and organic timbres, serving as both a contrast and a connection between “machine” and “human.” The album featuring these pieces will be released under my name in the future.
Sound Editor at Pioneer Post GmbH, a Munich-based post-production studio working on film and documentary projects. Responsible for dialogue editing, sound design and audio post-production, collaborating closely with directors and editors from rough cut through final mix to deliver broadcast- and cinema-ready sound.
Since September 2025, I've been actively contributing to the audio post-production team at GLS Studios, focusing on quality control, audio editing, recording, and mixing projects for dubbing productions.
Praktische Erfahrung in Mixing, Dubbing, Dialogbearbeitung und Postproduktion; Mitarbeit an Projekten im Umfeld von Film, Dubbing/ADR und Mixing; Unterstützung bei produktionstechnischen und kreativen Audioaufgaben im Studioalltag; Arbeit mit Sprachaufnahmen, Editing, Audiobearbeitung und professionellen Postproduktionsabläufen.
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