I’m an audio engineer and music producer passionate about crafting immersive sonic experiences—whether that’s through precise studio production or dynamic live sound. Graduated with a BA (Hons) in Audio and Music Technology at the University of Plymouth, I’ve developed a strong foundation in recording, mixing, mastering, and digital sound design. My hands-on experience includes operating professional digital mixing consoles such as the Allen & Heath SQ5 and Yamaha QL5, recording and editing podcasts and conferences, and producing clean, balanced mixes in both live and studio settings. I’ve worked across a range of environments—from intimate university gigs to large-scale events like the Eden Sessions—collaborating with artists, event teams, and production crews to deliver high-quality results under pressure. I specialize in: Music Production & Composition — crafting original works and enhancing artist projects through thoughtful arrangement and sound design. Recording & Mixing — using Logic Pro X and Ableton and other DAWs to produce polished, professional mixes. Live Sound Engineering — setting up, routing, and operating live sound systems for concerts and events. Driven by creativity and precision, I’m always exploring new ways to blend technology and artistry to create music that connects with people.

Jacob Gogerly

I’m an audio engineer and music producer passionate about crafting immersive sonic experiences—whether that’s through precise studio production or dynamic live sound. Graduated with a BA (Hons) in Audio and Music Technology at the University of Plymouth, I’ve developed a strong foundation in recording, mixing, mastering, and digital sound design. My hands-on experience includes operating professional digital mixing consoles such as the Allen & Heath SQ5 and Yamaha QL5, recording and editing podcasts and conferences, and producing clean, balanced mixes in both live and studio settings. I’ve worked across a range of environments—from intimate university gigs to large-scale events like the Eden Sessions—collaborating with artists, event teams, and production crews to deliver high-quality results under pressure. I specialize in: Music Production & Composition — crafting original works and enhancing artist projects through thoughtful arrangement and sound design. Recording & Mixing — using Logic Pro X and Ableton and other DAWs to produce polished, professional mixes. Live Sound Engineering — setting up, routing, and operating live sound systems for concerts and events. Driven by creativity and precision, I’m always exploring new ways to blend technology and artistry to create music that connects with people.

Available to hire

I’m an audio engineer and music producer passionate about crafting immersive sonic experiences—whether that’s through precise studio production or dynamic live sound. Graduated with a BA (Hons) in Audio and Music Technology at the University of Plymouth, I’ve developed a strong foundation in recording, mixing, mastering, and digital sound design.
My hands-on experience includes operating professional digital mixing consoles such as the Allen & Heath SQ5 and Yamaha QL5, recording and editing podcasts and conferences, and producing clean, balanced mixes in both live and studio settings. I’ve worked across a range of environments—from intimate university gigs to large-scale events like the Eden Sessions—collaborating with artists, event teams, and production crews to deliver high-quality results under pressure.
I specialize in:
Music Production & Composition — crafting original works and enhancing artist projects through thoughtful arrangement and sound design.
Recording & Mixing — using Logic Pro X and Ableton and other DAWs to produce polished, professional mixes.
Live Sound Engineering — setting up, routing, and operating live sound systems for concerts and events.
Driven by creativity and precision, I’m always exploring new ways to blend technology and artistry to create music that connects with people.

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Experience Level

Expert
Expert

Language

English
Fluent

Work Experience

Events Technical Crew at University of Plymouth Student's Union
January 1, 2024 - Present
Set up stages and backline for live sound events, ensuring efficient signal routing and organized stage layouts. Included microphone placement, amplifiers, and monitors to optimize sound quality while minimizing feedback issues. Operated the Allen & Heath SQ5 digital mixing console, managing sound from soundcheck through to performance, including monitor mixing and live mix. Worked closely with artists to meet technical requirements and adapt to real-time sound challenges. Gained hands-on experience in live mix, events management, stage management, and professional audio workflows.
Live Sound Technical Crew at The House Stage
January 1, 2024 - May 1, 2025
Assisted in the setup of stage and backline for multiple bands, ensuring efficient signal routing and stage organization, including microphone and amplifier placement for best quality. Operated the Yamaha QL5 digital mixing console, handling sound checks, EQ adjustments, and monitor mixes to deliver clear, balanced audio for performers and audience. Collaborated with artists and other stage crew to meet technical requirements and adapt to real-time sound challenges. Maintained and troubleshooted audio equipment, ensuring seamless transitions between performances.
Audio Engineer Internship at University of Plymouth
December 31, 2023 - October 14, 2025
Recorded a large-scale medical conference using a portable recorder and shotgun microphone, ensuring high-quality speech capture in a dynamic environment. Managed on-site audio logistics, including microphone placement and real-time monitoring, to optimize clarity and minimize background noise. Edited and produced a podcast series from recorded conference material using Logic Pro X, applying noise reduction, EQ balancing, and transitions for professional output. Gained experience in field recording, post-production techniques, and content curation for digital distribution.
Stagehand at 24/7 Events
January 1, 2025 - Present
Assisted with stage setup and breakdown for large-scale live events such as Eden Sessions and Plymouth Summer Sessions, ensuring efficient and safe handling of backline, staging, and technical equipment. Supported sound and lighting crews by positioning microphones, cabling, and monitors, contributing to smooth soundchecks and live performances. Worked in fast-paced festival environments, adapting quickly to artist requirements and last-minute technical changes. Collaborated with touring crews, production managers, and local staff to deliver seamless event operations.

Education

A Levels at Borden Grammar School, Kent
January 11, 2030 - June 1, 2022

Qualifications

A Levels
January 11, 2030 - June 1, 2022
BSc in Audio and Music Technology
January 11, 2030 - January 1, 2025

Industry Experience

Media & Entertainment, Education, Professional Services, Other