Junior Animator at Bardel Entertainment

As a junior animator I worked on the following projects, focusing on increasing my skill, getting to know a professional pipeline, and working in a studio setting: ○ Teenage Mutant Ninja Turtles Seasons 4 and 5 (2015-2017) ○ Dinotrux (2017) ○ Monster High: Adventures of the Ghoul Squad (2017)

Intermediate Animator at Bardel Entertainment

As an Intermediate animator, I worked on the following projects, focusing again on increasing my skill, but at this point pushing acting and learning how to animate in various styles, from cartoony to more realistic. This is also when I started to move towards mentoring and helping my fellow animators, instead of just following their lead. ○ Dragons: Rescue Riders (2017-2018) ○ 44 Cats Seasons 1 and 2 (2018-2020)

Senior Animator at Bardel Entertainment

As a senior animator I was responsible for the more difficult or more important shots. I also focused on problem solving, and mentoring the more junior members of my team. During this time I also took part in Bardels mentorship program, as at first a mentor, and later a supervisor. I worked on the following projects: ○ Diary of a Wimpy Kid (2020) ○ Gen:Lock Season 2 (2021) ○ Diary of a Wimpy Kid: Rodrick Rules (2021)

Animation Supervisor at Bardel Entertainment

As a supervising animator I worked closely with the animation director and production to achieve a consistent style and quality to the show. I was responsible for a team of animators, reviewing their shots, helping them improve, and taking on a much more active role in mentorship. I was responsible for making decisions that benefited the team and project as a whole. I also took on a moderate quota of the hardest and most important shots in an episode, as well as worked on our animation library, and made scene setups. In addition I worked on development projects, and marketing material. I worked on the following projects: ○ Dragon Prince Seasons 4-7 (2021-2023) ○ Mermaid Magic (2023)

Senior Animator at Monster Puppy Productions

As a senior animator, I worked closely with with the animation supervisor to take on either important or technically challenging shots. I worked on the following production: o Barney's World