Music producer and sound technician with over 15 years of experience in audio post-production, mixing & mastering, sound design, and audiovisual editing. I have worked in film and music studios as well as live sound for major events in Spain and Italy. As a producer, my work has surpassed 5 million streams on digital platforms, and I have composed and mixed original scores for independent short films, crafting sonic landscapes that enhance visual storytelling. Proficient in Pro Tools, Ableton Live, Cubase, Premiere Pro, and DaVinci Resolve, I combine technical precision with a versatile artistic vision, adapting to projects in film, advertising, urban music, and experimental content. Currently expanding my expertise with AI applied to audiovisual production (RTVE), exploring new ways to merge technology and creativity in sound. 💡 My goal: to give every project a unique sonic identity, from an immersive film score to the perfectly polished mix of a single.

Jaime Botella Bellido

Music producer and sound technician with over 15 years of experience in audio post-production, mixing & mastering, sound design, and audiovisual editing. I have worked in film and music studios as well as live sound for major events in Spain and Italy. As a producer, my work has surpassed 5 million streams on digital platforms, and I have composed and mixed original scores for independent short films, crafting sonic landscapes that enhance visual storytelling. Proficient in Pro Tools, Ableton Live, Cubase, Premiere Pro, and DaVinci Resolve, I combine technical precision with a versatile artistic vision, adapting to projects in film, advertising, urban music, and experimental content. Currently expanding my expertise with AI applied to audiovisual production (RTVE), exploring new ways to merge technology and creativity in sound. 💡 My goal: to give every project a unique sonic identity, from an immersive film score to the perfectly polished mix of a single.

Available to hire

Music producer and sound technician with over 15 years of experience in audio post-production, mixing & mastering, sound design, and audiovisual editing. I have worked in film and music studios as well as live sound for major events in Spain and Italy.

As a producer, my work has surpassed 5 million streams on digital platforms, and I have composed and mixed original scores for independent short films, crafting sonic landscapes that enhance visual storytelling.

Proficient in Pro Tools, Ableton Live, Cubase, Premiere Pro, and DaVinci Resolve, I combine technical precision with a versatile artistic vision, adapting to projects in film, advertising, urban music, and experimental content.

Currently expanding my expertise with AI applied to audiovisual production (RTVE), exploring new ways to merge technology and creativity in sound.

💡 My goal: to give every project a unique sonic identity, from an immersive film score to the perfectly polished mix of a single.

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Language

English
Advanced
Spanish; Castilian
Fluent

Work Experience

Audio Engineer at Planta Baja Records
April 3, 2014 - August 10, 2020
Sound Technician, Music Producer, Audio editor,
ADR Editor (Post-production Sound Engineer) at Factoria de Ruidos
April 15, 2020 - September 30, 2020
Recording Engineer, Post-production Sound Engineer
Live Sound Engineer / FOH Engineer at Live Business Group LTD
April 20, 2022 - January 1, 2024
Sound and light technician for live shows
Live Sound Engineer / FOH Engineer at TUI Magic Life
May 1, 2024 - October 1, 2024
Sound and light technician for live shows

Education

Artificial Intelligence Applied to the Audiovisual Sector (3rd edition, in progress) at RTVE Institute, Online
May 14, 2025 - September 27, 2025
Higher Technician in Sound for Audiovisuals and Shows (FP2) at EUSA Nuevas Profesiones, Sevilla
September 13, 2016 - June 22, 2018
Dante Audinate Certification - Protocolos Software, Hardware y Network (Nivel 1) at Dante Audinate
February 24, 2020 - February 24, 2020
Mastering for Movies – Curso impartido por José Antonio Manovel at Factoria de Ruidos, Sevilla
April 1, 2021 - June 22, 2021

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services, Other, Computers & Electronics
    uniE608 ADR Editor for the movie "Hombre muerto no sabe vivir"
    ADR processing with corrective EQ and subtle compression to match production sound, integration of ambience using convolution reverb, and automation of volume and panning according to the scene.
    uniE608 Re-Recording Mixer Assistant for the documentary "Emilio Prados" (Arte Sonora Studios)
    Final mix integrating dialogue, music, effects, and foley, controlling levels, panning, dynamics, and spatial placement according to the storyboard and director’s guidance. Session organization and coordination with editors and sound supervisors.
    uniE608 Bloody Headlines OST (full)
    Style: Ambient / Analog-Digital Hybrid Score Role: Music Production, Mixing & Mastering Composed and produced the original score using Korg M50 and Dave Smith Mopho synthesizers. Edited, mixed, and mastered in Ableton Live, following the director’s guidelines to shape the musical style and narrative music soundtrack
    uniE603 Music for the movie “bloody headlines” (independent)
    Style: Ambient / Analog-Digital Hybrid Score Role: Music Production, Mixing & Mastering Composed and produced the original score using Korg M50 and Dave Smith Mopho synthesizer. Edited, mixed, and mastered in Ableton Live, following the director’s guidelines to shape the musical style and narrative. music instrumental soundtrack
    uniE603 Ergo Pro & Ill Pekeño “Splash Bros” (Altafonte)
    Created the instrumental production for the track, part of Ergo Pro’s acclaimed album Dolor en Efectivo, recognized as one of the strongest Spanish rap records of recent years. Used MPC 2500 and Ableton Live to craft a raw, classic boom bap sound. The track gained strong reception and was added to over 2,000 Spotify playlists. music beat instrumental
    uniE603 Franco Carter "Los Sepulcros" (full Album)
    Produced, mixed, and mastered the full album, combining sampling techniques (Roland SP-404, MPC 2500) with analog synthesis (Dave Smith Mopho). Post-production and final mixing/mastering were carried out in Ableton Live. The project was acclaimed by the Spanish underground scene, ranked Top 3 Hip-Hop Albums of 2025 by several media outlets, and added to over 1,500 Spotify playlists. music beat instrumental master
    uniE603 Soto Asa "Lo tiene" (+ 4M plays on Spotify)
    Style: Latin / Reggaeton Role: Music Production, Mixing & Mastering Produced, mixed, and mastered the track using FL Studio (production) and Cubase (mixing/mastering). combining acoustic instrumentation with digital synthesis. The song became a streaming success on Spotify, reaching a wide audience and being added to over 3,000 playlists.