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Composer and classically trained musician known for crafting distinctive, emotionally resonant scores for film and digital media. His work blends a piano-centred, small-ensemble sensibility with a rich web of electronic and instrumental textures — a signature approach born from his training as a classical pianist and clarinettist, and honed through a graduate degree from the University of Chichester. James’s feature credits include Six Years Gone (2022), which premiered at the London Independent Film Festival, as well as The Killing Tree (2022), Mega Lightning (2022), and The Bigfoot Trap. Across horror, thriller, and genre cinema, he brings a tireless commitment to building a unique sonic identity for every project — whether that’s an intimate piano motif or a dark, layered electronic soundscape.…Composer and classically trained musician known for crafting distinctive, emotionally resonant scores for film and digital media. His work blends a piano-centred, small-ensemble sensibility with a rich web of electronic and instrumental textures — a signature approach born from his training as a classical pianist and clarinettist, and honed through a graduate degree from the University of Chichester. James’s feature credits include Six Years Gone (2022), which premiered at the London Independent Film Festival, as well as The Killing Tree (2022), Mega Lightning (2022), and The Bigfoot Trap. Across horror, thriller, and genre cinema, he brings a tireless commitment to building a unique sonic identity for every project — whether that’s an intimate piano motif or a dark, layered electronic soundscape.

James Cox

Composer, Film Composer, Game Composer, +1

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Composer and classically trained musician known for crafting distinctive, emotionally resonant scores for film and digital media. His work blends a piano-centred, small-ensemble sensibility with a rich web of electronic and instrumental textures — a signature approach born from his training as a classical pianist and clarinettist, and honed through a graduate degree from the University of Chichester. James’s feature credits include Six Years Gone (2022), which premiered at the London Independent Film Festival, as well as The Killing Tree (2022), Mega Lightning (2022), and The Bigfoot Trap. Across horror, thriller, and genre cinema, he brings a tireless commitment to building a unique sonic identity for every project — whether that’s an intimate piano motif or a dark, layered electronic soundscape.…Composer and classically trained musician known for crafting distinctive, emotionally resonant scores for film and digital media. His work blends a piano-centred, small-ensemble sensibility with a rich web of electronic and instrumental textures — a signature approach born from his training as a classical pianist and clarinettist, and honed through a graduate degree from the University of Chichester. James’s feature credits include Six Years Gone (2022), which premiered at the London Independent Film Festival, as well as The Killing Tree (2022), Mega Lightning (2022), and The Bigfoot Trap. Across horror, thriller, and genre cinema, he brings a tireless commitment to building a unique sonic identity for every project — whether that’s an intimate piano motif or a dark, layered electronic soundscape.

Available to hire

Composer and classically trained musician known for crafting distinctive, emotionally resonant scores for film and digital media. His work blends a piano-centred, small-ensemble sensibility with a rich web of electronic and instrumental textures — a signature approach born from his training as a classical pianist and clarinettist, and honed through a graduate degree from the University of Chichester.

James’s feature credits include Six Years Gone (2022), which premiered at the London Independent Film Festival, as well as The Killing Tree (2022), Mega Lightning (2022), and The Bigfoot Trap. Across horror, thriller, and genre cinema, he brings a tireless commitment to building a unique sonic identity for every project — whether that’s an intimate piano motif or a dark, layered electronic soundscape.