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James is a Bedfordshire based composer who specialises in film score composition and production music. He can find inspiration for new works in almost all film scores, from orchestral blockbusters to intimate electro-acoustic dramas. Scores from Doctor Who and early 2000's Nintendo games were the early sparks that made James want to pursue a life of music composition. His early work comprised of writing tracks for fan-made Pokémon games before he started to lean towards Film and TV composition. In order to progress his knowledge around the subject, he attained a place at Leeds Conservatoire (formally Leeds College of Music) on their BA Film Music course. Having studied for three years, and achieving a first class degree, he worked on multiple independent short film projects and utilised clips from existing TV shows to develop his composition skills. James currently composes for film and regularly produces library music at Engrave Production Music. --- Film Credits: - A World War II Short Story, directed by Tam Lai (2021) - The Meaning of Daisey, directed by Max'ed Deeq (2022) - Haunted, directed by Giselle Turner (2022) - How To Cope With Serial Killing, directed by Giselle Turner (2022) - Frame of Mind, directed by Hannah McMenzie (2022) - Dodged, directed by Jay Armstrong (2022) - Tinseltown, directed by Jacob Stockton (2022) - No Matter What, directed by Christopher Thompson (2023) - The Mummy Murders, directed by Colin Bressler (2023)…James is a Bedfordshire based composer who specialises in film score composition and production music. He can find inspiration for new works in almost all film scores, from orchestral blockbusters to intimate electro-acoustic dramas. Scores from Doctor Who and early 2000's Nintendo games were the early sparks that made James want to pursue a life of music composition. His early work comprised of writing tracks for fan-made Pokémon games before he started to lean towards Film and TV composition. In order to progress his knowledge around the subject, he attained a place at Leeds Conservatoire (formally Leeds College of Music) on their BA Film Music course. Having studied for three years, and achieving a first class degree, he worked on multiple independent short film projects and utilised clips from existing TV shows to develop his composition skills. James currently composes for film and regularly produces library music at Engrave Production Music. --- Film Credits: - A World War II Short Story, directed by Tam Lai (2021) - The Meaning of Daisey, directed by Max'ed Deeq (2022) - Haunted, directed by Giselle Turner (2022) - How To Cope With Serial Killing, directed by Giselle Turner (2022) - Frame of Mind, directed by Hannah McMenzie (2022) - Dodged, directed by Jay Armstrong (2022) - Tinseltown, directed by Jacob Stockton (2022) - No Matter What, directed by Christopher Thompson (2023) - The Mummy Murders, directed by Colin Bressler (2023)

James Tearne

Composer, Film Composer, Music Composer, +2

5.0 (1 review)

James is a Bedfordshire based composer who specialises in film score composition and production music. He can find inspiration for new works in almost all film scores, from orchestral blockbusters to intimate electro-acoustic dramas. Scores from Doctor Who and early 2000's Nintendo games were the early sparks that made James want to pursue a life of music composition. His early work comprised of writing tracks for fan-made Pokémon games before he started to lean towards Film and TV composition. In order to progress his knowledge around the subject, he attained a place at Leeds Conservatoire (formally Leeds College of Music) on their BA Film Music course. Having studied for three years, and achieving a first class degree, he worked on multiple independent short film projects and utilised clips from existing TV shows to develop his composition skills. James currently composes for film and regularly produces library music at Engrave Production Music. --- Film Credits: - A World War II Short Story, directed by Tam Lai (2021) - The Meaning of Daisey, directed by Max'ed Deeq (2022) - Haunted, directed by Giselle Turner (2022) - How To Cope With Serial Killing, directed by Giselle Turner (2022) - Frame of Mind, directed by Hannah McMenzie (2022) - Dodged, directed by Jay Armstrong (2022) - Tinseltown, directed by Jacob Stockton (2022) - No Matter What, directed by Christopher Thompson (2023) - The Mummy Murders, directed by Colin Bressler (2023)…James is a Bedfordshire based composer who specialises in film score composition and production music. He can find inspiration for new works in almost all film scores, from orchestral blockbusters to intimate electro-acoustic dramas. Scores from Doctor Who and early 2000's Nintendo games were the early sparks that made James want to pursue a life of music composition. His early work comprised of writing tracks for fan-made Pokémon games before he started to lean towards Film and TV composition. In order to progress his knowledge around the subject, he attained a place at Leeds Conservatoire (formally Leeds College of Music) on their BA Film Music course. Having studied for three years, and achieving a first class degree, he worked on multiple independent short film projects and utilised clips from existing TV shows to develop his composition skills. James currently composes for film and regularly produces library music at Engrave Production Music. --- Film Credits: - A World War II Short Story, directed by Tam Lai (2021) - The Meaning of Daisey, directed by Max'ed Deeq (2022) - Haunted, directed by Giselle Turner (2022) - How To Cope With Serial Killing, directed by Giselle Turner (2022) - Frame of Mind, directed by Hannah McMenzie (2022) - Dodged, directed by Jay Armstrong (2022) - Tinseltown, directed by Jacob Stockton (2022) - No Matter What, directed by Christopher Thompson (2023) - The Mummy Murders, directed by Colin Bressler (2023)

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£125 per day (£15.63 per hour)

James is a Bedfordshire based composer who specialises in film score composition and production music. He can find inspiration for new works in almost all film scores, from orchestral blockbusters to intimate electro-acoustic dramas. Scores from Doctor Who and early 2000’s Nintendo games were the early sparks that made James want to pursue a life of music composition. His early work comprised of writing tracks for fan-made Pokémon games before he started to lean towards Film and TV composition. In order to progress his knowledge around the subject, he attained a place at Leeds Conservatoire (formally Leeds College of Music) on their BA Film Music course. Having studied for three years, and achieving a first class degree, he worked on multiple independent short film projects and utilised clips from existing TV shows to develop his composition skills. James currently composes for film and regularly produces library music at Engrave Production Music.

Film Credits: