James Wedlock

March 2021 - January 2022: Setting up and prepping sessions for mixing/mastering by producing rough mixes in Logic Pro X. Quality checking assets and fixing damaged audio using appropriate plug-ins. Dialogue editing and clearing up audio from studio or field recordings. Sound design creation and assisting Foley artists recording sessions. Assisting the team with general studio tasks and sharing knowledge where appropriate.

Composed music for multiple short films and at least one feature, collaborating with directors to align the score with narrative. Projects include M aiken (2023), A Happy Ending (2023), When The Clapping Stops (2022), Don't You Want Me, Baby? (2022), These Days (2022), Bounce (Feature), and Beyond the Border (2021). Nominated for the International PEER RABEN Award for Best Score.

Assist in overseeing contracts of 18 regional agencies across the UK hosting Arts Award training courses; plan and manage training courses in 3 UK regions; coordinate venue staff, caterers, trainers and dispatching resources to ensure successful sessions; work with a diverse panel of 34 experienced arts practitioners and assist with course administration; disseminate trainer/attendee feedback to improve qualifications and engagement; support Product Development by gathering and providing feedback to help build an online training platform / VLE for future training plans.