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Editing isn’t just a job for me, it’s in my blood. A few years back, life threw me a curveball, and I stepped away from Hollywood to care for my ailing father in Ann Arbor, Michigan. My last credit in town was as lead editor on Marvel's Agents of S.H.I.E.L.D., where I started by editing the pilot. Now a few years later we’ve moved back to LA. I've cut for J.J. Abrams, Jerry Bruckheimer, Joss Whedon among others. I bring smart ideas and I work hard, that’s just me. I bring a collaborative and positive energy to the cutting room, whether virtual or in person. I've consistently built strong relationships with showrunners, writers, directors, and my post production teams. I'm used to fast paced projects with multiple action sequences, countless visual effects, and those tight deadlines that demand efficiency and clarity. My passion is making the audience feel something, delivering an emotional punch. That starts with great writing, sharpened by an exceptional cut. In metro Detroit, I found myself in the world of automotive advertising, it was a great experience. It's a different world from Hollywood, and I excelled in it. I bring a diverse skillset, experience across multiple genres, and a genuine passion for storytelling. Let's get cracking, I'd love to work with you.…Editing isn’t just a job for me, it’s in my blood. A few years back, life threw me a curveball, and I stepped away from Hollywood to care for my ailing father in Ann Arbor, Michigan. My last credit in town was as lead editor on Marvel's Agents of S.H.I.E.L.D., where I started by editing the pilot. Now a few years later we’ve moved back to LA. I've cut for J.J. Abrams, Jerry Bruckheimer, Joss Whedon among others. I bring smart ideas and I work hard, that’s just me. I bring a collaborative and positive energy to the cutting room, whether virtual or in person. I've consistently built strong relationships with showrunners, writers, directors, and my post production teams. I'm used to fast paced projects with multiple action sequences, countless visual effects, and those tight deadlines that demand efficiency and clarity. My passion is making the audience feel something, delivering an emotional punch. That starts with great writing, sharpened by an exceptional cut. In metro Detroit, I found myself in the world of automotive advertising, it was a great experience. It's a different world from Hollywood, and I excelled in it. I bring a diverse skillset, experience across multiple genres, and a genuine passion for storytelling. Let's get cracking, I'd love to work with you.

Joshua Charson

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Editing isn’t just a job for me, it’s in my blood. A few years back, life threw me a curveball, and I stepped away from Hollywood to care for my ailing father in Ann Arbor, Michigan. My last credit in town was as lead editor on Marvel's Agents of S.H.I.E.L.D., where I started by editing the pilot. Now a few years later we’ve moved back to LA. I've cut for J.J. Abrams, Jerry Bruckheimer, Joss Whedon among others. I bring smart ideas and I work hard, that’s just me. I bring a collaborative and positive energy to the cutting room, whether virtual or in person. I've consistently built strong relationships with showrunners, writers, directors, and my post production teams. I'm used to fast paced projects with multiple action sequences, countless visual effects, and those tight deadlines that demand efficiency and clarity. My passion is making the audience feel something, delivering an emotional punch. That starts with great writing, sharpened by an exceptional cut. In metro Detroit, I found myself in the world of automotive advertising, it was a great experience. It's a different world from Hollywood, and I excelled in it. I bring a diverse skillset, experience across multiple genres, and a genuine passion for storytelling. Let's get cracking, I'd love to work with you.…Editing isn’t just a job for me, it’s in my blood. A few years back, life threw me a curveball, and I stepped away from Hollywood to care for my ailing father in Ann Arbor, Michigan. My last credit in town was as lead editor on Marvel's Agents of S.H.I.E.L.D., where I started by editing the pilot. Now a few years later we’ve moved back to LA. I've cut for J.J. Abrams, Jerry Bruckheimer, Joss Whedon among others. I bring smart ideas and I work hard, that’s just me. I bring a collaborative and positive energy to the cutting room, whether virtual or in person. I've consistently built strong relationships with showrunners, writers, directors, and my post production teams. I'm used to fast paced projects with multiple action sequences, countless visual effects, and those tight deadlines that demand efficiency and clarity. My passion is making the audience feel something, delivering an emotional punch. That starts with great writing, sharpened by an exceptional cut. In metro Detroit, I found myself in the world of automotive advertising, it was a great experience. It's a different world from Hollywood, and I excelled in it. I bring a diverse skillset, experience across multiple genres, and a genuine passion for storytelling. Let's get cracking, I'd love to work with you.

Available to hire

Editing isn’t just a job for me, it’s in my blood. A few years back, life threw me a curveball, and I stepped away from Hollywood to care for my ailing father in Ann Arbor, Michigan. My last credit in town was as lead editor on Marvel’s Agents of S.H.I.E.L.D., where I started by editing the pilot. Now a few years later we’ve moved back to LA.

I’ve cut for J.J. Abrams, Jerry Bruckheimer, Joss Whedon among others. I bring smart ideas and I work hard, that’s just me. I bring a collaborative and positive energy to the cutting room, whether virtual or in
person. I’ve consistently built strong relationships with showrunners, writers, directors, and my post production teams. I’m used to fast paced projects with multiple action sequences, countless visual effects, and those tight deadlines that demand efficiency and clarity. My passion is making the audience feel something, delivering an emotional
punch. That starts with great writing, sharpened by an exceptional cut.

In metro Detroit, I found myself in the world of automotive advertising, it was a great experience. It’s a different world from Hollywood, and I excelled in it. I bring a diverse skillset, experience across multiple
genres, and a genuine passion for storytelling. Let’s get cracking, I’d love to work with you.