I’m a London-based mixing and mastering engineer with a BA (Hons) in Sound Technology from Kingston University, specialising in delivering polished, industry-ready tracks with a focus on immersive audio. My work spans music production, live sound, and education, giving me a well-rounded perspective on both the technical and creative sides of audio engineering.
I currently work freelance as a sound engineer and lighting technician at Bush Hall in Shepherd’s Bush, while also collaborating with local artists across South East London to mix and master their music to a professional standard. I am constantly working on new and exciting material from up-and-coming artists, staying closely connected to emerging sounds and trends while refining my craft through every project. Alongside this, I teach Year 13 students with learning difficulties at Music House Education, guiding them in using Ableton Live and helping them develop confidence in music production. This role has strengthened my communication skills and my ability to translate complex technical processes into clear, creative outcomes.
My experience includes composing, mixing, and mastering three original tracks for Apple TV’s Long Way Home, as well as contributing as part of the sound team for the WhatsOnStage Awards at the London Palladium. These projects have sharpened my attention to detail and my ability to work under pressure while maintaining a high level of sonic quality.
I am highly proficient in industry-standard DAWs and plugins, with a strong understanding of modern mixing workflows and delivery standards, including preparation for spatial and streaming platforms such as Apple Music. I also have the flexibility to travel with a portable mixing setup, allowing me to work on projects in a variety of environments while maintaining a consistent, professional standard.
Passionate about pushing creative boundaries, I thrive in remote environments and pride myself on clear communication, reliability, and consistently delivering work that meets and exceeds industry expectations. I am confident in my ability to contribute to Twine’s mission by producing high-quality, Atmos-ready mixes that stand out on today’s leading streaming platforms.
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