I’m a London-based mixing and mastering engineer with a BA (Hons) in Sound Technology from Kingston University, specialising in delivering polished, industry-ready tracks with a focus on immersive audio. My work spans music production, live sound, and education, giving me a well-rounded perspective on both the technical and creative sides of audio engineering. I currently work freelance as a sound engineer and lighting technician at Bush Hall in Shepherd’s Bush, while also collaborating with local artists across South East London to mix and master their music to a professional standard. I am constantly working on new and exciting material from up-and-coming artists, staying closely connected to emerging sounds and trends while refining my craft through every project. Alongside this, I teach Year 13 students with learning difficulties at Music House Education, guiding them in using Ableton Live and helping them develop confidence in music production. This role has strengthened my communication skills and my ability to translate complex technical processes into clear, creative outcomes. My experience includes composing, mixing, and mastering three original tracks for Apple TV’s Long Way Home, as well as contributing as part of the sound team for the WhatsOnStage Awards at the London Palladium. These projects have sharpened my attention to detail and my ability to work under pressure while maintaining a high level of sonic quality. I am highly proficient in industry-standard DAWs and plugins, with a strong understanding of modern mixing workflows and delivery standards, including preparation for spatial and streaming platforms such as Apple Music. I also have the flexibility to travel with a portable mixing setup, allowing me to work on projects in a variety of environments while maintaining a consistent, professional standard. Passionate about pushing creative boundaries, I thrive in remote environments and pride myself on clear communication, reliability, and consistently delivering work that meets and exceeds industry expectations. I am confident in my ability to contribute to Twine’s mission by producing high-quality, Atmos-ready mixes that stand out on today’s leading streaming platforms.

Jamie McGregor

I’m a London-based mixing and mastering engineer with a BA (Hons) in Sound Technology from Kingston University, specialising in delivering polished, industry-ready tracks with a focus on immersive audio. My work spans music production, live sound, and education, giving me a well-rounded perspective on both the technical and creative sides of audio engineering. I currently work freelance as a sound engineer and lighting technician at Bush Hall in Shepherd’s Bush, while also collaborating with local artists across South East London to mix and master their music to a professional standard. I am constantly working on new and exciting material from up-and-coming artists, staying closely connected to emerging sounds and trends while refining my craft through every project. Alongside this, I teach Year 13 students with learning difficulties at Music House Education, guiding them in using Ableton Live and helping them develop confidence in music production. This role has strengthened my communication skills and my ability to translate complex technical processes into clear, creative outcomes. My experience includes composing, mixing, and mastering three original tracks for Apple TV’s Long Way Home, as well as contributing as part of the sound team for the WhatsOnStage Awards at the London Palladium. These projects have sharpened my attention to detail and my ability to work under pressure while maintaining a high level of sonic quality. I am highly proficient in industry-standard DAWs and plugins, with a strong understanding of modern mixing workflows and delivery standards, including preparation for spatial and streaming platforms such as Apple Music. I also have the flexibility to travel with a portable mixing setup, allowing me to work on projects in a variety of environments while maintaining a consistent, professional standard. Passionate about pushing creative boundaries, I thrive in remote environments and pride myself on clear communication, reliability, and consistently delivering work that meets and exceeds industry expectations. I am confident in my ability to contribute to Twine’s mission by producing high-quality, Atmos-ready mixes that stand out on today’s leading streaming platforms.

Available to hire

I’m a London-based mixing and mastering engineer with a BA (Hons) in Sound Technology from Kingston University, specialising in delivering polished, industry-ready tracks with a focus on immersive audio. My work spans music production, live sound, and education, giving me a well-rounded perspective on both the technical and creative sides of audio engineering.

I currently work freelance as a sound engineer and lighting technician at Bush Hall in Shepherd’s Bush, while also collaborating with local artists across South East London to mix and master their music to a professional standard. I am constantly working on new and exciting material from up-and-coming artists, staying closely connected to emerging sounds and trends while refining my craft through every project. Alongside this, I teach Year 13 students with learning difficulties at Music House Education, guiding them in using Ableton Live and helping them develop confidence in music production. This role has strengthened my communication skills and my ability to translate complex technical processes into clear, creative outcomes.

My experience includes composing, mixing, and mastering three original tracks for Apple TV’s Long Way Home, as well as contributing as part of the sound team for the WhatsOnStage Awards at the London Palladium. These projects have sharpened my attention to detail and my ability to work under pressure while maintaining a high level of sonic quality.

I am highly proficient in industry-standard DAWs and plugins, with a strong understanding of modern mixing workflows and delivery standards, including preparation for spatial and streaming platforms such as Apple Music. I also have the flexibility to travel with a portable mixing setup, allowing me to work on projects in a variety of environments while maintaining a consistent, professional standard.

Passionate about pushing creative boundaries, I thrive in remote environments and pride myself on clear communication, reliability, and consistently delivering work that meets and exceeds industry expectations. I am confident in my ability to contribute to Twine’s mission by producing high-quality, Atmos-ready mixes that stand out on today’s leading streaming platforms.

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Language

Work Experience

Long Way Home Sound Engineer at Apple TV
October 15, 2024 - March 20, 2025
Producing music for 3 episodes of Long Way Home - streaming on Apple TV
Sound Engineer at Jmieonthebeat
July 20, 2023 - July 30, 2025
Producer for Stonerboyz Records - Mixing/mastering countless singles and ep's
Director’s Assistant at Film “Dune”
June 30, 2019 - July 30, 2025
Intern runner for movie ‘Dune’, specifically for the Second Assistant Director. Managing large numbers of extras and assisting on set, utilising communication skills and time management.
Runner and Researcher at London based TV production company Lion TV
September 30, 2017 - October 30, 2017
Location Runner on Channel 4 documentary '20 Kids and Counting' (received a credit). Provided in-office assistance by planning schedules overseas for further shoot dates.
Mixer / Producer at Long Way Home (Apple TV Series)
May 9, 2025 - May 9, 2025
Contracted to mix and produce three versatile cultural road-trip tracks for an Apple TV series; delivered final mixes and stems for inclusion in the soundtrack.

Education

BA (Hons) at Kingston University
January 1, 2023 - July 30, 2025
HND at Edinburgh College
January 1, 2022 - December 31, 2022
HND at Edinburgh College
January 1, 2021 - December 31, 2021
BA (Hons) at Kingston University
January 1, 2023 - December 31, 2023
HND at Edinburgh College
January 1, 2022 - December 31, 2022
HND at Edinburgh College
January 1, 2021 - December 31, 2021
National Certificate at SCQF
January 1, 2018 - December 31, 2018
National Progression Award at Radio Broadcasting
January 1, 2018 - December 31, 2018
AS Level at Media Studies
January 1, 2017 - December 31, 2017
GCSE at General Education
January 1, 2017 - December 31, 2017
BA (Hons) Music Technology at Kingston University
January 11, 2030 - January 1, 2023
HND 2 in Sound Production at Edinburgh College
January 11, 2030 - January 1, 2022
HND in Sound Production at Edinburgh College
January 11, 2030 - January 1, 2021

Qualifications

National Certificate
January 1, 2018 - December 31, 2018
National Progression Award
January 1, 2018 - December 31, 2018
BA Hons Degree Sound Technology
February 25, 2021 - July 30, 2025
Edinburgh College and last year finished in Kingston University
National Certificate Media (SCQF Level 6)
January 11, 2030 - January 1, 2018
National Progression Award Radio Broadcasting (SCQF Level 5)
January 11, 2030 - January 1, 2018
AS Level Media Studies
January 1, 2017 - January 1, 2017
GCSE English, Mathematics, Media (and 5 other GCSEs)
January 1, 2017 - January 1, 2017

Industry Experience

Media & Entertainment, Travel & Hospitality, Professional Services, Education