I'm Joe Gill, a Senior Graphic Designer specializing in impactful designs for cultural and third-sector clients.
I’m Joe Gill, a Senior Graphic Designer specializing in impactful designs for cultural and third-sector clients. I lead design projects from concept to completion, ensuring alignment with client goals and brand guidelines. By collaborating closely with clients to gather insights and feedback, I ensure that the design reflects their vision and communicates the intended message.
Revela are at the forefront of transforming women’s health. They’re developing software that enables fast, non-invasive detection of endometriosis. Endometriosis affects one in ten women and is too often dismissed, with the average time for a diagnosis taking over eight years. Revela marks the start of real change.
Seagard take on the challenge of developing blue economics, with a mission to create a safe and livable future by leveraging its marine expertise. Seagard has developed a sophisticated offshore infrastructure surveillance software platform, designed to transform the way marine assets are monitored and protected. Designed and developed at JUMP
The Tyne Theatre & Opera House, a Grade I listed building, was founded as ‘a Theatre for the People’, an ethos that continues to define it today. I worked alongside the team at Tyne Theatre and Opera House to bring new life into their overall brand. Drawing inspiration from the venue’s Grade I listed architecture, I created a dynamic style where musical, comedy, and theatrical acts burst from ornate frames, echoing the elegance and heritage of the Theatre and Opera House.
The North East Freelance Network (NEFN) is a community-driven membership platform dedicated to supporting self-employed professionals in the North East of England. The brand identity uses a hybrid sans/serif typeface to symbolise diverse freelancers, complemented by Georgia Munro’s vibrant, playful illustrations celebrating their collaboration.
Wind Training Solutions (WTS) is dedicated to developing the next generation of engineers and helping to close the UK’s engineering skills gap on the path to Net Zero. WTS is committed to training people, not parts, and to opening doors that have stayed shut too long. Designed and developed at JUMP
I collaborated with Walker Subsea on the branding and launch of the Subsea A-Flux 300-2, the most powerful subsea motor/generator on the market. The branding needed to be as innovative and dynamic as the product itself, capturing the groundbreaking nature of a motor that is three times lighter than its competitors. Design by Everything
At Intimation, I primarily worked on global campaigns for AkzoNobel, overseeing projects from initial concept development through to final delivery for both American and European audiences.
I’ve worked as a freelancer for over a year, during which I led a major visual refresh for one of the UK’s oldest theatres. I’ve also collaborated with various design studios, contributing to both one-off projects and longer-term engagements, where I quickly adapted to new workflows and team dynamics.
I joined JUMP as a six-month Freelance Graphic Designer, where I led work on major campaigns for McDonald’s, Emirates, and Currys. My role also included mentoring junior team members and supporting their development.
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