Hi, I'm Julie! I am an Emmy-nominated, multi-award-winning motion designer, illustrator, and art director currently working at the AFP. Before joining the AFP, I worked with Peter Anderson Studio in London, where I produced motion titles and in-show graphics. I also practiced as an animator for the publishing house Beta Publisher in Paris. My specialty is animation for documentaries, short films, movies, series, and other formats strongly focused on storytelling. What I love most is telling stories and visually translating them, whether they are fictional or nonfictional. In nearly 7 years, I had the chance to see my illustrations exhibited in museums and galleries in London (Mall Gallery, Trinity Buoy Wharf), Paris (Les Arches Citoyennes), and Cincinnati (Manifest Creative Research Gallery and Drawing Center), and to be published in books and magazines. As a motion designer, I worked for the AFP, Arte, BBC, ITV, Netflix, RTBF, and Apple TV.

Julie Pereira

PRO

Hi, I'm Julie! I am an Emmy-nominated, multi-award-winning motion designer, illustrator, and art director currently working at the AFP. Before joining the AFP, I worked with Peter Anderson Studio in London, where I produced motion titles and in-show graphics. I also practiced as an animator for the publishing house Beta Publisher in Paris. My specialty is animation for documentaries, short films, movies, series, and other formats strongly focused on storytelling. What I love most is telling stories and visually translating them, whether they are fictional or nonfictional. In nearly 7 years, I had the chance to see my illustrations exhibited in museums and galleries in London (Mall Gallery, Trinity Buoy Wharf), Paris (Les Arches Citoyennes), and Cincinnati (Manifest Creative Research Gallery and Drawing Center), and to be published in books and magazines. As a motion designer, I worked for the AFP, Arte, BBC, ITV, Netflix, RTBF, and Apple TV.

Next availability:
December 26, 2025

Hi, I’m Julie! I am an Emmy-nominated, multi-award-winning motion designer, illustrator, and art director currently working at the AFP. Before joining the AFP, I worked with Peter Anderson Studio in London, where I produced motion titles and in-show graphics. I also practiced as an animator for the publishing house Beta Publisher in Paris. My specialty is animation for documentaries, short films, movies, series, and other formats strongly focused on storytelling. What I love most is telling stories and visually translating them, whether they are fictional or nonfictional. In nearly 7 years, I had the chance to see my illustrations exhibited in museums and galleries in London (Mall Gallery, Trinity Buoy Wharf), Paris (Les Arches Citoyennes), and Cincinnati (Manifest Creative Research Gallery and Drawing Center), and to be published in books and magazines. As a motion designer, I worked for the AFP, Arte, BBC, ITV, Netflix, RTBF, and Apple TV.

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Language

English
Fluent
Portuguese
Intermediate
French
Fluent

Work Experience

Motion Designer, Illustrator, Art Director at Agence France-Presse
November 1, 2021 - Present
Art directed, designed, and animated impactful explainers and short-form videos across social and digital platforms. Collaborated on global events, creating optimized motion pieces for clarity and engagement in multiple languages, reaching audiences worldwide. Oversaw award submissions, resulting in several international accolades.
Motion Designer at Beta Publisher
September 1, 2020 - July 1, 2021
Art directed, illustrated, and animated multiple book trailers and digital communication campaigns, significantly enhancing visual storytelling for new releases.
Motion Designer at Peter Anderson Studio
June 1, 2019 - August 1, 2019
Proposed art direction, developed style frames, and created motion graphics for various series and films.
Internship - Motion Designer at Peter Anderson Studio
February 1, 2019 - May 1, 2019
Assisted in creating visual content and learned about motion design in a studio environment.

Education

Design Foundation Course at Lycée Paul Poiret
January 1, 2015 - January 1, 2016
Higher National Diploma in Design and Digital Media at École Estienne
January 1, 2016 - January 1, 2018
Postgraduate Degree in Design and Communication Strategies at École Estienne
January 1, 2018 - January 1, 2020
Bachelor of Interactive Design at Gobelins
January 1, 2020 - January 1, 2021
Master’s Degree in Design and Management of Interactive Innovation at Gobelins
January 1, 2021 - January 1, 2023

Qualifications

News and Documentary Emmy Awards
May 1, 2025 - May 1, 2030
Nomination as an illustrator, animator, and art director in the "Outstanding Graphic Design: News" category for my video on the ICDD

Industry Experience

Media & Entertainment, Professional Services, Education, Other
    paper uDiscover|Universal music website

    Illustrations made for the articles on the uDiscover website, specializing in music.

    paper The Indian Elections

    The legislative elections in India, a monumental event with 970 million eligible voters, or one human in eight, hold immense global significance. Agence France-Presse, a leading international press agency, covers this major event in text, video, photo, and videography.

    India is often associated with a vibrant atmosphere, but Indian parliamentary elections are marked with black ink. Each ballot is printed, and assessors apply a dark ink mark to one of the voter’s fingers. To avoid falling into stereotypes or even into a form of orientalism, I decided to dismiss an artistic direction focused on color in favor of a minimalist graphic, with a light background and elements in black and shades of gray that remind these inks. Several elements are textured to give the aesthetic a sensitive dimension. These graphic frames are delicate and meticulous, as realized with pencil: a discreet reminder of the complex engineering necessary for these elections of exceptional scale. ​​​​​​​

    The characters come to serve the dynamism of the animation. They are humanoid but unrealistic; they hop, wiggle, dance, and jump. Exaggeration is there to bring a form of humor and theatricality to the movement.

    paper The International Criminal Court

    Established in 2002 in The Hague, Netherlands, ICC’s mission is to investigate and bring to trial individuals charged with the gravest crimes when the countries involved did not have the commitment or capacity to bring them to justice themselves. This short animation film for the AFP, one of the world’s largest news wire agencies, aims to clarify ICC’s general functioning and is intended for use by its various clients.

    The animated format was chosen to represent abstract concepts, evoke scenes that would be unbearable otherwise, and make statistics and numbers more relatable. Given the gravity of the crimes judged by the ICC, the video used a contrasting aesthetic and a technique where frame-by-frame sequences alternate with the fluidity of keyframe animations. These artistic choices aim to juxtapose the severity of the subject matter with an element of delicacy and poetry, conveying its complexity without resorting to sensationalism.

    Particular attention was put into the character design, as the subject is political and centered on an institution and people legislating war. Therefore, humanity is the primary focus. Each character performs a recognizable function—aggressors, judges, civilians—without being identifiable individuals. Symbolism and metaphor play a crucial role. They are deliberately devoid of distinct features such as face, gender, age, or ethnicity, serving as blank slates onto which audiences can project their empathy. The depicted scenes are illustrated minimally or metaphorically.