Audio editor and post-production specialist with over 15 years’ experience in national-level broadcast and podcast production. I’ve edited and mixed high-profile shows such as Cortex and Hello Internet, as well as investigative and narrative series including Who Killed Emma and projects for the Innocence Project. My freelance work also includes regular editing and recording for national radio drama. I focus on creating clean, natural dialogue and a strong storytelling rhythm — ensuring every episode feels immersive, balanced, and broadcast-ready. Specialties: podcast editing · dialogue cleanup · sound design · loudness mastering · storytelling structure · multi-track post-production. Based in Scotland, available remotely worldwide.

Kris McConnachie

Audio editor and post-production specialist with over 15 years’ experience in national-level broadcast and podcast production. I’ve edited and mixed high-profile shows such as Cortex and Hello Internet, as well as investigative and narrative series including Who Killed Emma and projects for the Innocence Project. My freelance work also includes regular editing and recording for national radio drama. I focus on creating clean, natural dialogue and a strong storytelling rhythm — ensuring every episode feels immersive, balanced, and broadcast-ready. Specialties: podcast editing · dialogue cleanup · sound design · loudness mastering · storytelling structure · multi-track post-production. Based in Scotland, available remotely worldwide.

Available to hire

Audio editor and post-production specialist with over 15 years’ experience in national-level broadcast and podcast production.

I’ve edited and mixed high-profile shows such as Cortex and Hello Internet, as well as investigative and narrative series including Who Killed Emma and projects for the Innocence Project. My freelance work also includes regular editing and recording for national radio drama.

I focus on creating clean, natural dialogue and a strong storytelling rhythm — ensuring every episode feels immersive, balanced, and broadcast-ready.

Specialties: podcast editing · dialogue cleanup · sound design · loudness mastering · storytelling structure · multi-track post-production.

Based in Scotland, available remotely worldwide.

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Experience Level

Expert

Language

English
Fluent

Work Experience

Add your work experience history here.

Education

BMus(Hons) Tonmeister at University of Surrey
September 24, 2005 - September 24, 2009

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment
    paper The Innocence Project Podcast

    Host: Kylie Pentelow
    Role: Freelance Audio Editor / Post-Production Engineer

    Narrative editing and post-production for The Innocence Podcast, a documentary-style series highlighting wrongful convictions and the work of the Innocence Project. Each episode blended interviews, narration, and archival audio, requiring careful pacing and emotional sensitivity throughout the edit.

    • Performed noise reduction, EQ, and mastering to broadcast standards for a polished, empathetic listening experience.
    • Collaborated closely with the production team to enhance narrative tension and pacing while maintaining journalistic integrity.

    paper Hello Internet Podcast

    Hosts: CGP Grey & Brady Haran
    Role: Freelance Audio Editor / Post-Production Engineer

    Editing episodes of the acclaimed Hello Internet podcast — a conversational show featuring long-form discussions between two established online creators. The production required detailed editorial shaping to refine pacing, clarity, and overall listening flow while preserving the show’s relaxed and spontaneous tone.

    paper Cortex Podcast

    Hosts: CGP Grey & Myke Hurley
    Role: Freelance Audio Editor

    I provide full-service post-production for the long-running podcast Cortex, ensuring consistent pacing, clarity, and polish across each episode. The show features complex, unscripted conversations recorded on multiple setups, requiring careful editorial refinement and detailed sound balancing.

    • First-pass edit and tighten raw recordings (typically 1 hr 40 min) into a smooth, engaging narrative while preserving natural tone and humour.
    • Perform multi-track dialogue cleanup where required

    Focus: maintaining a conversational flow that feels natural yet polished, delivering a premium listening experience trusted by a global audience.

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