I’m Kristine Bernabe, a multidisciplinary creative working at the intersection of film scoring, music production, multimedia, and creative operations. I partner with directors, editors, producers, and sound teams to turn artistic goals into practical production decisions through iterative feedback, clear workflows, and dependable delivery from concept through final mix. My background spans feature film scoring and supervision work, including end-to-end project management, as well as digital content production where I’ve handled editorial output, asset coordination, and multimedia storytelling. I also have formal training in music theory and composition with a focus on screen scoring, and I enjoy building scalable systems and collaborative processes that help teams move faster without losing creative intent.…

Kristine Bernabe

I’m Kristine Bernabe, a multidisciplinary creative working at the intersection of film scoring, music production, multimedia, and creative operations. I partner with directors, editors, producers, and sound teams to turn artistic goals into practical production decisions through iterative feedback, clear workflows, and dependable delivery from concept through final mix. My background spans feature film scoring and supervision work, including end-to-end project management, as well as digital content production where I’ve handled editorial output, asset coordination, and multimedia storytelling. I also have formal training in music theory and composition with a focus on screen scoring, and I enjoy building scalable systems and collaborative processes that help teams move faster without losing creative intent.…

Available to hire

I’m Kristine Bernabe, a multidisciplinary creative working at the intersection of film scoring, music production, multimedia, and creative operations. I partner with directors, editors, producers, and sound teams to turn artistic goals into practical production decisions through iterative feedback, clear workflows, and dependable delivery from concept through final mix.

My background spans feature film scoring and supervision work, including end-to-end project management, as well as digital content production where I’ve handled editorial output, asset coordination, and multimedia storytelling. I also have formal training in music theory and composition with a focus on screen scoring, and I enjoy building scalable systems and collaborative processes that help teams move faster without losing creative intent.

See more

Experience Level

Expert
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
See more

Work Experience

Summer Workshop Intern (Screen Scoring Department) at NYU Steinhardt Screen Scoring Department
May 1, 2022 - July 1, 2022
Supported students and faculty by troubleshooting technical workflows and preparing materials for recording sessions. Coordinated project assets across Logic Pro, Pro Tools, and recording workflows while providing one-on-one technical guidance.
Music Department Intern at Civil: Ben Crum p (Netflix) / Vampire Academy (Peacock) (as listed)
May 1, 2022 - October 1, 2022
Designed and implemented an internal cue-tracking system to improve organization and communication across the music department. Built scalable databases supporting music supervision and artist discovery. Managed large digital asset libraries while maintaining accuracy across fast-moving productions.
Film Composer & Score Producer at Yession Music / BkMkt (as listed)
September 1, 2021 - Present
Partner with directors, editors, producers, and sound designers to synthesize creative feedback across dozens of review cycles, translating abstract artistic goals into actionable production decisions. Design collaborative workflows that reduce ambiguity between creative stakeholders during post-production and improve communication across multidisciplinary teams. Lead iterative creative development from early concept through final delivery, balancing evolving user needs, technical constraints, and project deadlines. Independently manage the complete lifecycle of a feature film score produced in association with the University of Kansas, including project planning, stakeholder communication, budgeting, contracts, production, revisions, and delivery.
Multimedia Content Producer Intern at OC Weekly / NBC / Zócalo Public Square / The Hechinger Report (as listed)
July 1, 2013 - June 1, 2021
Wrote HTML and JavaScript code for OC Weekly’s first data journalism project, bridging editorial and technical production. Ideated and executed strategic digital content to drive social engagement and website traffic, including multiple first-place OC Press Club awards and viral campaigns. Managed high-volume editorial production: 3–4 original stories per week, 4 weekly newsletters, local event listings, video content, and photography—coordinating across editors, sources, and deadlines simultaneously. Created graphic design assets, photography, and multimedia content using Adobe Creative Suite and Final Cut Pro to enhance digital storytelling and media production.

Education

Master of Music — Music Theory & Composition: Screen Scoring at New York University
January 1, 2021 - January 1, 2023
Television Scoring Workshop at NYU / Broadcast Music, Inc.
January 1, 2020 - January 1, 2020
Screening to Picture at The Juilliard School — Evening Division
January 1, 2020 - January 1, 2020
ASCA P/Columbia University Film Scoring Composer Spotlight at ASCAP / Columbia University
January 1, 2023 - January 1, 2023
Game Audio Network Guild Scholars Program at Game Audio Network Guild
January 1, 2023 - January 1, 2023
Bachelor of Arts — History at University of California, Irvine
January 1, 2012 - September 25, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services