Luis Cáceres (Caracas, 1993) has been a photographer since the age of 19. He holds a diploma in Photographic Arts from the Venezuelan Photography Association (AFINES) and a certificate in Storytelling from National Geographic. He is currently based in Brussels, Belgium. A contributor to Getty Images, his work stems from a constant search that places human beings at the center: sports, protests, and street photography. Through collaborations with NGOs such as Sin Mordaza, Promote Ukraine, and Womanpreneur, he uses his camera as a tool to defend human rights. He believes that photography not only highlights conflicts, famines, and crises, but also reveals what is experienced on the margins, on the threshold between the personal and the social.

Luis Caceres

Luis Cáceres (Caracas, 1993) has been a photographer since the age of 19. He holds a diploma in Photographic Arts from the Venezuelan Photography Association (AFINES) and a certificate in Storytelling from National Geographic. He is currently based in Brussels, Belgium. A contributor to Getty Images, his work stems from a constant search that places human beings at the center: sports, protests, and street photography. Through collaborations with NGOs such as Sin Mordaza, Promote Ukraine, and Womanpreneur, he uses his camera as a tool to defend human rights. He believes that photography not only highlights conflicts, famines, and crises, but also reveals what is experienced on the margins, on the threshold between the personal and the social.

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Luis Cáceres (Caracas, 1993) has been a photographer since the age of 19. He holds a diploma in Photographic Arts from the Venezuelan Photography Association (AFINES) and a certificate in Storytelling from National Geographic. He is currently based in Brussels, Belgium.

A contributor to Getty Images, his work stems from a constant search that places human beings at the center: sports, protests, and street photography. Through collaborations with NGOs such as Sin Mordaza, Promote Ukraine, and Womanpreneur, he uses his camera as a tool to defend human rights. He believes that photography not only highlights conflicts, famines, and crises, but also reveals what is experienced on the margins, on the threshold between the personal and the social.

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