I am a music producer, composer, and multi-instrumentalist with a passion for creating music across genres such as jazz, rock, pop, and electronic music. My journey began with classical training, leading to a Bachelor of Music international experience. Over the years, I have worked on diverse projects, including sound design for video games, jazz ensembles, and award-winning performances, such as earning the Jazz Competition Prize. My technical expertise spans tools like Logic Pro X, iZotope Music Suite, FabFilter, and Soundtoys, enabling me to also produce tracks inspired by several artists if needed. I am dedicated to crafting music that combines emotional depth with radio-ready production. You can explore my work further at _Website not available. Sign in: https://www.twine.net/signup_

LT (Lawrence Timoni)

PRO
5.0 (3 reviews)

I am a music producer, composer, and multi-instrumentalist with a passion for creating music across genres such as jazz, rock, pop, and electronic music. My journey began with classical training, leading to a Bachelor of Music international experience. Over the years, I have worked on diverse projects, including sound design for video games, jazz ensembles, and award-winning performances, such as earning the Jazz Competition Prize. My technical expertise spans tools like Logic Pro X, iZotope Music Suite, FabFilter, and Soundtoys, enabling me to also produce tracks inspired by several artists if needed. I am dedicated to crafting music that combines emotional depth with radio-ready production. You can explore my work further at _Website not available. Sign in: https://www.twine.net/signup_

Available to hire

I am a music producer, composer, and multi-instrumentalist with a passion for creating music across genres such as jazz, rock, pop, and electronic music. My journey began with classical training, leading to a Bachelor of Music international experience.

Over the years, I have worked on diverse projects, including sound design for video games, jazz ensembles, and award-winning performances, such as earning the Jazz Competition Prize. My technical expertise spans tools like Logic Pro X, iZotope Music Suite, FabFilter, and Soundtoys, enabling me to also produce tracks inspired by several artists if needed.

I am dedicated to crafting music that combines emotional depth with radio-ready production. You can explore my work further at Website not available. Sign in: https://www.twine.net/signup

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Experience Level

Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
Intermediate
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Language

English
Fluent
German
Fluent
French
Intermediate
Spanish; Castilian
Beginner

Work Experience

Composer, Producer & Sound Designer at Independent
June 15, 2010 - Present
– Composition and production of original music across indie rock, chamber-psych, cinematic ambient and hybrid orchestral sound – Responsible for concept-driven single releases (e.g., Good Enough (Still I Try), Where the Wind Knows Me, Velvet Bite). – Achieved 50k+ streams in 119+ countries, playlist placements and international blog coverage – Full pipeline: writing, arrangement, recording, mixing, mastering consulting, release assets – Work featured in curated global playlists and editorial-based music media
Audio Production & Score Concept at Independent
January 1, 2015 - Present
– Audio-led film development including leitmotif system, score-map creation & sound design blueprints – Composition of hybrid score combining electronics, fuzz-textures, string writing & thematic transformation – Designed scene-based motifs tied to narrative devices – Delivered meeting-ready audio concepts for director, producer & production team
Lead Sound Engineer at Studio & Independent Productions
January 1, 2015 - Present
– Mixing and detailed sound-finishing for solo artists & small productions – Vocal Recordings – Vocal editing, detail-level arrangement assistance, granular atmospheres & tension-based textures – Balancing acoustic proximity with cinematic spatial depth – Multi-instrument overdubbing (bass, guitars, piano, strings simulations, textural synths)
Collaborative Production & Artist Development at Independent
December 8, 2025 - December 31, 2025
– Producing emerging artists (song structure, emotional positioning, lyric phrasing, sonic identity) – Development of hybrid mixes with modern low-end, intimate vocals & analog dynamics – Coaching for release concepts, playlist-integration, and narrative-based artist identity

Education

Bachelor Of Music at University Of Music & University Of Music and Performing Arts
October 1, 2014 - September 30, 2019

Qualifications

Bachelor in Music
September 1, 2014 - July 31, 2019
Focus areas: composition & performance, arrangement, ensemble-work, harmony, instrumental studies
Jazz Competition Performance Award
October 1, 2014 - October 31, 2019
For outstanding ensemble performance and original interpretation
Studio & Audio Specializations
January 1, 2010 - December 8, 2035
– Expert-level work in Logic Pro X – Advanced production workflows using FabFilter, Soundtoys, iZotope & Waves – Score structuring & leitmotif composition – Hybrid orchestration approaches ("acoustic closeness meets cinematic width") – Structural songwriting and lyrical narrative design
Technical Experience
January 1, 2010 - December 8, 2025
– Mixing & editing at broadcast-ready standard – Spatial design (room simulation, reflections, psychoacoustic placement) – Artistic-aligned mastering guidance – Foley-based audio layering for cinematic environments

Industry Experience

Professional Services, Gaming, Media & Entertainment, Travel & Hospitality, Education
    paper Where The Wind Knows Me - Cinematic Folk Production & Arrangement Direction

    “Where The Wind Knows Me” is a poetic indie-folk piece shaped by vocal intimacy, acoustic textures, and subtle cinematic development.
    I developed the emotional arc, refined the composition, and structured the dynamic movement from minimal beginnings into wide atmospheric space.

    Work Delivered
    – arrangement refinement (verse-bridge-resolution architecture)
    – vocal phrasing direction & tonal consistency
    – acoustic orchestration (piano layers, micro-harmonic pads, soft guitars)
    – spatial staging & mix-grain treatment
    – stem preparation for release and playlist submission

    Conceptual Narrative
    Minimal structure → emotional clarity → cinematic lift
    (“road-movie-like movement in sound”)

    Outcome
    A warm, immersive, emotionally direct indie-folk track positioned between songwriter intimacy and soundtrack aesthetics.

    Where The Wind Knows Me: https://www.twine.net/signin

    paper Good Enough (Still I Try) - Indie-Rock Build, Hybrid Cinematic Mix Direction

    “Good Enough” is an indie-rock production designed around emotional escalation, fuzz-bass tension and cinematic dynamic curves.
    I developed the sonic identity, structured the build sequence, and staged the full-band expansion for emotional contrast.

    Work Delivered
    – harmonic structure map & dramatic arc planning
    – bass-driven dynamic shaping
    – hybrid atmospheres (spectral swells, granular reverse pads)
    – vocal tone shaping, energy pacing & clarity control
    – final mix direction for width, weight & release impact

    Technical Highlights
    – fuzz-bass layers driving tension
    – tempo-aligned automation curves
    – parallel dynamics for emotional saturation

    Outcome
    A cinematic-leaning indie-rock record moving from vulnerability into assertive drive—clear emotional arc, playlist-ready stems, and strong identity.

    Good Enough (Still I Try): https://www.twine.net/signin
    Good Enough (Still I Try) ACOUSTIC: https://www.twine.net/signin

    paper Velvet Bite - Full Production & Cinematic Mix Direction

    “Velvet Bite” is a dark-cinematic indie-rock production built around emotional escalation, atmospheric guitars, and low-end tension.
    I developed the full sonic identity, structured the dramatic arc, and shaped the intimate-to-wide progression across vocals, arrangement, and mix.

    Work Delivered
    – arrangement architecture and harmonic contour
    – atmospheric layers (granular effects, reverse swells, distortion beds)
    – vocal phrasing direction, tone shaping & performance refinement
    – dynamic mix curves and parallel low-end buildup
    – spatial staging for emotional depth and cinematic clarity

    Creative Concept
    A slow-burn track that evolves from whispered proximity into widescreen intensity —
    aligned with an emotional storyline rather than a static structure.

    Outcome
    A cinematic-leaning indie-rock release with a psychological arc, deep mix width, strong thematic anchoring, and playlist-ready deliverables.

    Velvet Bite: https://www.twine.net/signin

    paper Album Arrangement Development & Sound Direction - Indie Concept Release

    Description
    I collaborated with an alternative band to refine their entire album arc, shaping transitions, track-to-track cohesion, and emotional pacing.
    The focus was on clarifying structure, strengthening vocal emphasis, and ensuring tonal consistency across multiple recordings.

    Work Delivered
    – harmonic refinement on early demos
    – arrangement mapping (instrument entrances, sectional growth, breakdown pacing)
    – vocal doubling, phrasing alignment & tone consistency
    – cross-track cohesion (shared motifs, consistent FX space, unified low-end profile)
    – early-stage mix balancing & release-ready stem preparation

    Creative Direction Approach
    A narrative-driven album flow where each track contributes to movement, progression, tension, and resolution — rather than existing as isolated singles.

    Outcome
    A cohesive indie record with defined emotional build, consistent sonic identity, and modern organic-cinematic direction suitable for release packaging and playlist inclusion.

    paper Film Score & Sound Design - Hybrid Emotional Framework

    Description
    For a psychological thriller project, I developed a full thematic audio map and hybrid score structure centered around character psychology, emotional pacing, and narrative escalation.
    The direction integrates symbolic motifs, granular atmospheres, and tension-driven harmonic clusters into a scene-aligned score architecture.

    Work Delivered
    – leitmotif system design tied to character shifts
    – emotional cue mapping across critical dialogue sequences
    – granular atmospheric beds & spectral tension layers
    – hybrid orchestration (strings, fuzz-bass, dissonant ambient pads)
    – structural breakdown documents for director + score team alignment

    Creative Strategy
    Sound elements were mapped as narrative functions — not abstract aesthetics — creating emotional dependencies between scenes, motifs, and turning points.

    Outcome
    A cohesive score language that supports psychological narrative depth, links scene transitions, and provides a modular framework for editing and final mix adaptation.