I’m an Argentine audiovisual professional with over a decade of experience working across sound design, audio post-production, and film direction. Born and raised in Buenos Aires, I spent five transformative years traveling through South America, collaborating with local artists and cultural projects, and expanding my creative and technical approach to sound and storytelling. At 18, I also worked in the United States, gaining early exposure to international production standards and workflows that still shape my professional ethos today.
My career bridges multiple disciplines: I work as a sound editor, re-recording mixer, field recordist, and music composer, with a focus on projects that blend technical precision and emotional depth. I’ve collaborated on documentaries, films, podcasts, and live performances, handling both production and post-production audio workflows from recording to mastering.
Notably, I served as sound director, post-production editor, and composer for the award-winning documentary Q’eros, El Último Ayllu, which received the TCC Award. I’m also developing a new documentary on the devotees of Gauchito Gil, where I explore the intersection of faith, folklore, and identity in contemporary Argentina. Beyond film, I lead Ensamble Rítmico-Armónico (ERA) —a collective project that merges rhythm, improvisation, and Argentine roots— for which I also produce, record, and mix live sessions.
Technically, I’m fluent in a wide range of industry-standard tools, including Pro Tools, Logic Pro, Avid Media Composer, Premiere Pro, DaVinci Resolve, and iZotope RX, as well as FabFilter, Waves, and various sound restoration and mixing suites. I’m experienced in multi-bus routing, AAF workflows, ADR editing, and loudness-standard mastering for streaming platforms. My work seamlessly integrates audio with picture, always prioritizing narrative coherence and emotional resonance.
I’m passionate about storytelling through sound —about how rhythm, silence, and texture can shape emotion as much as image. My approach combines a musician’s sensitivity with an engineer’s precision, allowing me to move fluidly between creative and technical roles in any production environment.
Fluent in English and Portuguese, and native in Spanish, I’m continuously seeking collaborations with international studios and creative teams that value authenticity, experimentation, and a deep respect for sound as a storytelling force. videoeditor…I’m an Argentine audiovisual professional with over a decade of experience working across sound design, audio post-production, and film direction. Born and raised in Buenos Aires, I spent five transformative years traveling through South America, collaborating with local artists and cultural projects, and expanding my creative and technical approach to sound and storytelling. At 18, I also worked in the United States, gaining early exposure to international production standards and workflows that still shape my professional ethos today.
My career bridges multiple disciplines: I work as a sound editor, re-recording mixer, field recordist, and music composer, with a focus on projects that blend technical precision and emotional depth. I’ve collaborated on documentaries, films, podcasts, and live performances, handling both production and post-production audio workflows from recording to mastering.
Notably, I served as sound director, post-production editor, and composer for the award-winning documentary Q’eros, El Último Ayllu, which received the TCC Award. I’m also developing a new documentary on the devotees of Gauchito Gil, where I explore the intersection of faith, folklore, and identity in contemporary Argentina. Beyond film, I lead Ensamble Rítmico-Armónico (ERA) —a collective project that merges rhythm, improvisation, and Argentine roots— for which I also produce, record, and mix live sessions.
Technically, I’m fluent in a wide range of industry-standard tools, including Pro Tools, Logic Pro, Avid Media Composer, Premiere Pro, DaVinci Resolve, and iZotope RX, as well as FabFilter, Waves, and various sound restoration and mixing suites. I’m experienced in multi-bus routing, AAF workflows, ADR editing, and loudness-standard mastering for streaming platforms. My work seamlessly integrates audio with picture, always prioritizing narrative coherence and emotional resonance.
I’m passionate about storytelling through sound —about how rhythm, silence, and texture can shape emotion as much as image. My approach combines a musician’s sensitivity with an engineer’s precision, allowing me to move fluidly between creative and technical roles in any production environment.
Fluent in English and Portuguese, and native in Spanish, I’m continuously seeking collaborations with international studios and creative teams that value authenticity, experimentation, and a deep respect for sound as a storytelling force. videoeditorWW…