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I am a mixer and sound designer with a decade of experience composing, mixing and editing audio for television and film. I have run Pro Tools D-Command sessions at Firehouse Studio and produced music for NBC, FOX, WWE, and The CW, drawing on deep familiarity with Pro Tools, iZotope RX, and a range of plugins including Spitfire, Spectrasonics, Waves, and SoundToys. I am equally at home working independently or collaborating with a creative team in a fast-paced environment. I have a passion for all genres—hip hop today and jazz tomorrow—and I’m comfortable with DSP work, publishing and licensing workflows, and metadata, cue sheets, and asset management to ensure clean, market-ready releases.…I am a mixer and sound designer with a decade of experience composing, mixing and editing audio for television and film. I have run Pro Tools D-Command sessions at Firehouse Studio and produced music for NBC, FOX, WWE, and The CW, drawing on deep familiarity with Pro Tools, iZotope RX, and a range of plugins including Spitfire, Spectrasonics, Waves, and SoundToys. I am equally at home working independently or collaborating with a creative team in a fast-paced environment. I have a passion for all genres—hip hop today and jazz tomorrow—and I’m comfortable with DSP work, publishing and licensing workflows, and metadata, cue sheets, and asset management to ensure clean, market-ready releases.

Michael Chrysanthoumchrysanthou

Music Composer, Music Producer, Audio Engineer, +4

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I am a mixer and sound designer with a decade of experience composing, mixing and editing audio for television and film. I have run Pro Tools D-Command sessions at Firehouse Studio and produced music for NBC, FOX, WWE, and The CW, drawing on deep familiarity with Pro Tools, iZotope RX, and a range of plugins including Spitfire, Spectrasonics, Waves, and SoundToys. I am equally at home working independently or collaborating with a creative team in a fast-paced environment. I have a passion for all genres—hip hop today and jazz tomorrow—and I’m comfortable with DSP work, publishing and licensing workflows, and metadata, cue sheets, and asset management to ensure clean, market-ready releases.…I am a mixer and sound designer with a decade of experience composing, mixing and editing audio for television and film. I have run Pro Tools D-Command sessions at Firehouse Studio and produced music for NBC, FOX, WWE, and The CW, drawing on deep familiarity with Pro Tools, iZotope RX, and a range of plugins including Spitfire, Spectrasonics, Waves, and SoundToys. I am equally at home working independently or collaborating with a creative team in a fast-paced environment. I have a passion for all genres—hip hop today and jazz tomorrow—and I’m comfortable with DSP work, publishing and licensing workflows, and metadata, cue sheets, and asset management to ensure clean, market-ready releases.

Available to hire

I am a mixer and sound designer with a decade of experience composing, mixing and editing audio for television and film. I have run Pro Tools D-Command sessions at Firehouse Studio and produced music for NBC, FOX, WWE, and The CW, drawing on deep familiarity with Pro Tools, iZotope RX, and a range of plugins including Spitfire, Spectrasonics, Waves, and SoundToys. I am equally at home working independently or collaborating with a creative team in a fast-paced environment. I have a passion for all genres—hip hop today and jazz tomorrow—and I’m comfortable with DSP work, publishing and licensing workflows, and metadata, cue sheets, and asset management to ensure clean, market-ready releases.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

DaVinci Resolve Studio

Intermediate

Sibelius

Intermediate

Stem

Intermediate

Language

Work Experience

Composer and Mixer at Amplitude Music

January 1, 2020 - June 1, 2021

Created original music for briefs with quick turnaround; mixed scores using Pro Tools and Logic Pro; organized stems for music supervisors; delivered sync-ready assets with cue sheets and metadata tagging using DISCO; rewrote original scores in multiple styles to fit briefs; used synthesizers and computer-based composition to arrange, orchestrate and deliver projects.

Career Services Manager at Los Angeles College of Music

March 1, 2015 - Present

Oversees placement of musicians across songwriting, composing, performance and production programs; leverages industry contacts as an audio engineer to build opportunities for students; developed workshops with ASCAP and BMI; led a partnership with DISCO to provide free student accounts and tutorials on cataloging for sync licensing; teaches metadata and cue sheets, contributing to data-driven student support and career outcomes; collaborates across departments and manages CRM and data reporting to improve program impact; supervised a team of seven and led process improvements to increase efficiency and communications.

Lead Audio Engineer at Marty Davich

January 1, 2015 - January 1, 2020

Recorded and mixed orchestra and solo musicians; employed advanced microphone techniques (e.g., Decca Tree); mixed scores for various media; organized stems for music supervisors; heavy use of DISCO and metadata; guided musicians during rehearsals, performances, and sessions; rewrote scores in different styles and composed using computers and synthesizers.

Audio Engineer - Intern at Becker Mastering

March 1, 2013 - December 1, 2013

Applied analog and digital signal processing to master tracks for various listening environments; utilized signal processing tools including EQ, dynamics, reverb and delay; collected and documented mastering notes and settings for each song.

Audio Engineer at Firehouse Recording Studio

September 1, 2012 - June 1, 2015

Recorded and mixed projects for film and television on network television; performed sessions with bands, solo artists and voice actors; utilized Pro Tools and Logic Pro; managed stems and maintained studio equipment and patch bays; built strong client-facing relationships and delivered high-quality audio productions.