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Hi, I’m Marisa Escobedo, a sound designer and Foley artist focused on creating immersive audio for film and media. I’ve been shaping sound for the University of Texas at Dallas labs and independent productions, leading and contributing to recording sessions, Foley, and overall sound packages for short films and features. I’m passionate about building sonic worlds that feel real and emotionally engaging. I love layering dialogue, ambience, and effects to support storytelling, and I’m eager to bring my experience in dialogue editing, Foley, and mixing to new projects as a dedicated Sound Designer.…Hi, I’m Marisa Escobedo, a sound designer and Foley artist focused on creating immersive audio for film and media. I’ve been shaping sound for the University of Texas at Dallas labs and independent productions, leading and contributing to recording sessions, Foley, and overall sound packages for short films and features. I’m passionate about building sonic worlds that feel real and emotionally engaging. I love layering dialogue, ambience, and effects to support storytelling, and I’m eager to bring my experience in dialogue editing, Foley, and mixing to new projects as a dedicated Sound Designer.

Marisa Escobedo

Sound Editor, Mixing Engineer, Sound Designer, +1

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Hi, I’m Marisa Escobedo, a sound designer and Foley artist focused on creating immersive audio for film and media. I’ve been shaping sound for the University of Texas at Dallas labs and independent productions, leading and contributing to recording sessions, Foley, and overall sound packages for short films and features. I’m passionate about building sonic worlds that feel real and emotionally engaging. I love layering dialogue, ambience, and effects to support storytelling, and I’m eager to bring my experience in dialogue editing, Foley, and mixing to new projects as a dedicated Sound Designer.…Hi, I’m Marisa Escobedo, a sound designer and Foley artist focused on creating immersive audio for film and media. I’ve been shaping sound for the University of Texas at Dallas labs and independent productions, leading and contributing to recording sessions, Foley, and overall sound packages for short films and features. I’m passionate about building sonic worlds that feel real and emotionally engaging. I love layering dialogue, ambience, and effects to support storytelling, and I’m eager to bring my experience in dialogue editing, Foley, and mixing to new projects as a dedicated Sound Designer.

Available to hire

Hi, I’m Marisa Escobedo, a sound designer and Foley artist focused on creating immersive audio for film and media. I’ve been shaping sound for the University of Texas at Dallas labs and independent productions, leading and contributing to recording sessions, Foley, and overall sound packages for short films and features.

I’m passionate about building sonic worlds that feel real and emotionally engaging. I love layering dialogue, ambience, and effects to support storytelling, and I’m eager to bring my experience in dialogue editing, Foley, and mixing to new projects as a dedicated Sound Designer.

Skills

Experience Level

Expert

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

DaVinci Resolve Studio

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Language

English

Fluent

Work Experience

Foley Artist at UTD Experimental Lab

October 1, 2025 - December 1, 2025

Finished production for the lab's latest short film, Kinder Doll: A Kinder Transport Story, providing Foley artistry for scenes.

Sound Editor / Designer, Re-Recording Mixer, ADR Editor & Recorder, Foley Artist & Mixer, Sound Effects Editor & Mixer, Dialogue Editor & Mixer at Weddle Productions (Remote)

January 1, 2024 - Present

Assisted Jonah Weddle on an independent feature film project. Oversaw all sound editing and production for the film and trailers.

Recording Engineer and Foley Artist at UTD Animation Lab

January 1, 2025 - December 1, 2025

Part of the sound production team for an 8-minute animated short; led and set up recording sessions for dialogue and Foley; contributed as a Foley artist.

Supervising Sound Editor / Designer, Re-Recording Mixer, ADR Editor and Recorder, Foley Artist and Mixer, Sound Effects Editor and Mixer, Dialogue Editor and Mixer at Wedding Productions (Remote)

January 1, 2024 - Present

Remote work handling multiple sound roles across film projects; responsibilities included supervising sound editing, ADR, Foley, dialogue editing, and mixing.

Sound Editor / Supervising Sound Editor for Independent Feature Film (Predecessor of Phantoms) at Jonah Weddle Independent Film Project

January 1, 2024 - Present

Tasked to work on all sound-related elements; led supervising sound editing for the film with a small team (one composer, one ADR editor, two other editors).

Supervising Sound Editor / Designer, Re-Recording Mixer, ADR Editor & Recorder, Foley Artist & Mixer, Sound Effects Editor & Mixer, Dialogue Editor & Mixer at Weddle Productions (Remote)

January 1, 2024 - Present

Led and executed the sound edit for feature projects, including supervising editors, ADR, Foley, and dialogue work; contributed to the overall mix and sound design for independent films.

Sound Editor / Supervising Sound Editor at Independent Feature Film Project: Predecessor of Phantoms

January 1, 2024 - Present

Assisting Jonah Weddle on all sound-related elements as Supervising Sound Editor with a small team (one composer, one ADR editor, two other editors); involved in finalizing the film’s sound for festival submission.