Editor at Walt Disney Imagineering

Department lead handling narrative and technical needs across multiple projects; editing for immersive experiences and unconventional environments.

Co-Lead Editor at DreamWorks Animation

Co-led editorial for four feature editors; oversaw editorial delivery and workflow; contributed to a fully cut 85-minute feature film within three months.

Associate Editor at Walt Disney Animation Studios

Edited 'Strange World' and supported editorial development; built animatics and sequences for immersive storytelling.

Associate Editor at WildBrain Studios

Worked on 'Strange World'; built animatics for action/drama/comedy/suspense scenes; collaborated with Layout on multiple sequences.

Associate Editor at Wink Animation Studios

2D animation comedy editing; demanded authenticity and consistency due to loyal fan base and iconic IP.

Editor at DreamWorks Animation TV

Edited Trolls: The Beat Goes On! (37 episodes), Kip and the Age of the Wonder Beasts (pilot), Archibald's Next Big Thing (pilot); multi-episode workload concurrently; collaborated with three directors to ensure cohesive pacing.

Assistant Editor at Original Force Animation

Supported three editors on two feature films; contributed to audio recording booths and audio engineering.

Assistant Editor at Lucasfilm Animation

Worked on 'Strange Magic,' a George Lucas musical; organized animation workflow and shot tracking.

Editorial & Development PA at Walt Disney Animation Studios

Provided editorial and development support; collaborated with editors, producers, writers, and audio engineers; assisted with shot tracking and data management.

Editor at Walt Disney Imagineering

Department lead handling both narrative and technical needs across multiple projects.

Lead Editor at DreamWorks Animation

Lead editing across four feature films, oversaw a team of editors; produced fully cut 85-minute feature in 3 months.

Associate Editor at Walt Disney Animation Studios

21 years of experience shaping narrative trailers and features; built a collaborative leadership style; worked on top studios.

Associate Editor at Wild Brain Studios

Built animatics for action / drama / comedy / suspense scenes; worked on 'Strange World' and 'Peanuts Special' segments; 2D animation editing.

2nd Assistant Editor at Lucasfilm Animation

Strange Magic (A George Lucas Musical); worked with George Lucas and Gary Rydstrom; managed outputs and technical handoffs with vendors.

1st Assistant Editor at Original Force Animation

Supported 3 editors on 2 separate films; constructed two audio recording booths and audio engineering.

Editorial and Development PA at Walt Disney Animation Studios

Editorial and development support; internal coordination with creative teams.

Editor at Walt Disney Imagineering

Department lead handling both narrative and technical needs across multiple immersive projects; editing for experiential spaces and non-traditional media; collaborating with design, production and engineering teams.

Co-Lead Editor at DreamWorks Animation

Department lead overseeing 4 feature film editors; collaborated with directors to shape pacing, tone and story; delivered a fully cut 85-minute feature within three months.

Associate Editor at Walt Disney Animation Studios

Built animatics for action, drama, comedy and suspense sequences; collaborated with Layout on multiple sequences; supported feature editors.

Associate Editor at WildBrain Studios

Worked on ‘Strange World’ and other projects; built animatics and edited scenes for multiple sequences; mentored by senior editors.

2nd Assistant Editor at Lucasfilm Animation

Worked on ‘Strange Magic’ (George Lucas Musical); collaborated with George Lucas and Gary Rydstrom; managed outputs and handoffs with vendors.

1st Assistant Editor at Original Force Animation

Led editorial sessions with Director; recorded engineering and directed actors for scratch dialogue; supported senior editors on animated features.

Editor at Walt Disney Animation Studios

Supported feature editors, producers, writers and audio engineers; contributed to the production workflow on title projects including ‘Meet the Robinsons’.

Editor at Walt Disney Imagineering

Department lead handling both narrative and technical needs across multiple projects; edited and supervised editorial workflow, coordinating with creative teams and vendors to maintain quality and schedules.

Co-Lead Editor at DreamWorks Animation

Department lead overseeing 4 feature film editors; collaborated with directors and producers; delivered a fully cut 85-minute feature in 3 months; coordinated with layout, VFX, and post teams.

Assistant Editor at WildBrain Studios

Edited 2D animation comedy editing; contributed to notable specials including 'To Mom (and Dad) with Love' and 'Peanuts Special – For Ald Lang Syne'; maintained authenticity and consistency for iconic IP; led editorial sessions with editors and vendors.

Associate Editor at Walt Disney Animation Studios

Built animatics for 'Strange World' across action/drama/comedy/suspense sequences; collaborated with Layout on multiple sequences; recognized for collaborative leadership and storytelling.

2nd Assistant Editor at Lucasfilm Animation

Supported editing on major projects including 'Strange Magic' (a George Lucas musical); collaborated with George Lucas and Gary Rydstrom; managed outputs and technical handoffs with vendors.

1st Assistant Editor at Original Force Animation

Supported four editors on two separate film projects; constructed two audio recording booths and oversaw audio engineering and asset handling.

Lead Editor at DreamWorks Animation TV

Led editorial on Trolls: The Beat Goes On! (37 episodes); prepared pilots for Kipo and the Age of Wonder Beasts and Archibald's Next Big Thing; oversaw multi-episode editorial pacing and cohesion across multiple directors.

2nd Assistant Editor at Lucasfilm Animation

Supported 2nd Assistant Editor on Lucasfilm Animation projects; contributed to Strange Magic (George Lucas Musical); managed outputs and hand-offs with vendors.

1st Assistant Editor at Original Force Animation

Supported three editors on two feature films; assisted with editorial setup and workflows; contributed to post-production pipelines.

Associate Editor at Wink Animation

Extinct project; led editorial sessions with Director; oversaw recording engineering and directed actors for scratch dialogue.

Associate Editor at Wild Brain Studios

Peanuts Special - ‘To Mom (and Dad) with Love’; Peanuts Special - ‘For Adult Lang Syne’; 2D animation comedy editing; ensured authenticity and consistency for iconic IP.