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I am an illustrator and researcher from Tehran, whose practice lies at the intersection of art, philosophy, and lived experience. My work explores the subtle dialogue between body, memory, and myth, translating inner perception into hand-drawn, tactile images rendered entirely in black and white. Each line becomes a trace of thought, a record of gesture, and a quiet reflection on how we inhabit the world through form and feeling. Rooted in both Persian storytelling and phenomenological thought, my visual language seeks to make the invisible visible: emotions, fragments, and memories that compose the texture of existence. Through drawing, I explore illustration not as representation, but as a way of knowing, a process of seeing, sensing, and becoming.…I am an illustrator and researcher from Tehran, whose practice lies at the intersection of art, philosophy, and lived experience. My work explores the subtle dialogue between body, memory, and myth, translating inner perception into hand-drawn, tactile images rendered entirely in black and white. Each line becomes a trace of thought, a record of gesture, and a quiet reflection on how we inhabit the world through form and feeling. Rooted in both Persian storytelling and phenomenological thought, my visual language seeks to make the invisible visible: emotions, fragments, and memories that compose the texture of existence. Through drawing, I explore illustration not as representation, but as a way of knowing, a process of seeing, sensing, and becoming.

Maryam Mesforush

Illustrator, Graphic Designer, Animator, +1

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I am an illustrator and researcher from Tehran, whose practice lies at the intersection of art, philosophy, and lived experience. My work explores the subtle dialogue between body, memory, and myth, translating inner perception into hand-drawn, tactile images rendered entirely in black and white. Each line becomes a trace of thought, a record of gesture, and a quiet reflection on how we inhabit the world through form and feeling. Rooted in both Persian storytelling and phenomenological thought, my visual language seeks to make the invisible visible: emotions, fragments, and memories that compose the texture of existence. Through drawing, I explore illustration not as representation, but as a way of knowing, a process of seeing, sensing, and becoming.…I am an illustrator and researcher from Tehran, whose practice lies at the intersection of art, philosophy, and lived experience. My work explores the subtle dialogue between body, memory, and myth, translating inner perception into hand-drawn, tactile images rendered entirely in black and white. Each line becomes a trace of thought, a record of gesture, and a quiet reflection on how we inhabit the world through form and feeling. Rooted in both Persian storytelling and phenomenological thought, my visual language seeks to make the invisible visible: emotions, fragments, and memories that compose the texture of existence. Through drawing, I explore illustration not as representation, but as a way of knowing, a process of seeing, sensing, and becoming.

Available to hire

I am an illustrator and researcher from Tehran, whose practice lies at the intersection of art, philosophy, and lived experience. My work explores the subtle dialogue between body, memory, and myth, translating inner perception into hand-drawn, tactile images rendered entirely in black and white. Each line becomes a trace of thought, a record of gesture, and a quiet reflection on how we inhabit the world through form and feeling.
Rooted in both Persian storytelling and phenomenological thought, my visual language seeks to make the invisible visible: emotions, fragments, and memories that compose the texture of existence. Through drawing, I explore illustration not as representation, but as a way of knowing, a process of seeing, sensing, and becoming.