Maya Anderson published a book, C.L.A.W.S., the prequel, at the age of 13. They have participated in organizations like the African American Policy Forum (AAPF) 2021 Young Scholars Program: Art, Activism, and Advocacy!, and Black Writers Collective, which taught them how to write authentically using intersectionality. They collaborated with a group, We Too Art!, and researched how art in predominantly black schools is taught and how black femme artists identify their craft. They also collaborated with Tamara D. Anderson in a multimodal project, “The Erasure of Black Women”, an article in Beautiful Experiments! Vol. 3, Issue 1. They recently graduated from Susquehanna University, where they majored in Creative Writing and Studio Art and studied Africana Studies. Most of their works consisted of poetry, fiction novels, art pieces, and multimedia pieces inspired by a variety of genres. They also run a business called Portraits by Maya, which commissions portraits. They say that their inspirations lie in the knowledge deserts, areas of BIPOC femme experience they wish to know about. It also lies in their racing mind. They are currently working on a few projects, like My Black Shadows of Chicago, My Family of Women, a C.L.A.W.S. serial, Rasta Riddium, Nick and Nails, and Spoon, against Knife and Fork.

Maya Anderson

Maya Anderson published a book, C.L.A.W.S., the prequel, at the age of 13. They have participated in organizations like the African American Policy Forum (AAPF) 2021 Young Scholars Program: Art, Activism, and Advocacy!, and Black Writers Collective, which taught them how to write authentically using intersectionality. They collaborated with a group, We Too Art!, and researched how art in predominantly black schools is taught and how black femme artists identify their craft. They also collaborated with Tamara D. Anderson in a multimodal project, “The Erasure of Black Women”, an article in Beautiful Experiments! Vol. 3, Issue 1. They recently graduated from Susquehanna University, where they majored in Creative Writing and Studio Art and studied Africana Studies. Most of their works consisted of poetry, fiction novels, art pieces, and multimedia pieces inspired by a variety of genres. They also run a business called Portraits by Maya, which commissions portraits. They say that their inspirations lie in the knowledge deserts, areas of BIPOC femme experience they wish to know about. It also lies in their racing mind. They are currently working on a few projects, like My Black Shadows of Chicago, My Family of Women, a C.L.A.W.S. serial, Rasta Riddium, Nick and Nails, and Spoon, against Knife and Fork.

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Maya Anderson published a book, C.L.A.W.S., the prequel, at the age of 13. They have participated in organizations like the African American Policy Forum (AAPF) 2021 Young Scholars Program: Art, Activism, and Advocacy!, and Black Writers Collective, which taught them how to write authentically using intersectionality. They collaborated with a group, We Too Art!, and researched how art in predominantly black schools is taught and how black femme artists identify their craft. They also collaborated with Tamara D. Anderson in a multimodal project, “The Erasure of Black Women”, an article in Beautiful Experiments! Vol. 3, Issue 1. They recently graduated from Susquehanna University, where they majored in Creative Writing and Studio Art and studied Africana Studies. Most of their works consisted of poetry, fiction novels, art pieces, and multimedia pieces inspired by a variety of genres. They also run a business called Portraits by Maya, which commissions portraits. They say that their inspirations lie in the knowledge deserts, areas of BIPOC femme experience they wish to know about. It also lies in their racing mind.
They are currently working on a few projects, like My Black Shadows of Chicago, My Family of Women, a C.L.A.W.S. serial, Rasta Riddium, Nick and Nails, and Spoon, against Knife and Fork.

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Language

English
Fluent

Work Experience

Founder / CEO at Portrait by Maya
April 1, 2018 - Present
I create original commissioned artwork on a freelance basis.
Test Assessor/Grader at Pearson
July 1, 2024 - Present
I grade tests from the Texan School Districts through their online board, Connect.ED
Founder/CEO at Portrait by Maya
April 1, 2018 - Present
I create original commissioned artwork on a freelance basis.
Founder/ CEO at Portrait by Maya
April 1, 2018 - Present
Founder/CEO of a freelance portrait and artwork brand; oversees commissions, branding, and outreach; operates under the Maya Ebony Website.
Artist, Singer, and Music Composer at First Verse
January 1, 2016 - December 31, 2017
Student-led project producing an original CD album of poetry set to music.
Artist, Singer, and Music Composer at What’s Going On
January 1, 2017 - December 31, 2018
Year-long project compiling original student songs (and one cover) under HFWA’s Music Technology program.
Organizer at Maya's Workshop
January 1, 2018 - December 31, 2019
Writing workshop at Hill-Freedman World Academy guiding students in poetry, fiction, and essay writing for college and class assignments.

Education

Bachelor of Fine Arts at Susquehanna University
September 1, 2019 - May 1, 2023
Bachelor of Arts in Creative Writing and English with a concentration in Non-Fiction Writing; Africana Studies Minor at Susquehanna University
September 1, 2019 - May 1, 2023
Bachelor of Fine Arts; Bachelor of Arts in Creative Writing and English with a concentration in Non-Fiction Writing; Africana Studies Minor at Susquehanna University
September 1, 2019 - May 1, 2023
Bachelor of Fine Arts at Susquehanna University
September 1, 2019 - May 1, 2023
Bachelor of Arts in Creative Writing and English at Susquehanna University
September 1, 2019 - May 1, 2023
Africa Studies Minor at Susquehanna University
September 1, 2019 - May 1, 2023

Qualifications

Black Queer Writer and Artist
June 7, 2026 - June 7, 2026
C.L.A.W.S. the Prequel - Author and Illustrator
January 1, 2013 - December 31, 2013
The Erasure of Black Women - Co-author and Illustrator
January 1, 2021 - December 31, 2021

Industry Experience

Media & Entertainment, Education, Non-Profit Organization, Professional Services, Other
    Black Shadows of Chicago

    My memoir, My Black Shadows of Chicago, envisions the lives of my family of women: my mother, Tamara; my grandmother, Levita; my grandaunt, Della; my great-grandmother, Rose; and my great-great-grandmother, Lugenia. Each poem is based on my upbringing with them, the stories my family told me of their lives from Memphis, Tennessee, to Chicago, Illinois, including that of Rose and Lugenia (who preceded me), and Della’s investigation into our family genealogy from the Ancestry Website, and some leads from our extended family. Through hybrid poetic forms and prose, original paintings and photo portraits, they explore the overlapping complexities of black motherhood, the importance of holding onto family values of faith and love, living for Black Feminism, and overcoming many trials and tribulations. It also confronts the anxiety for safety and generational trauma from surviving Jim Crow, racial segregation, racial violence, erasure, colorism, miscarriages, and misogyny that continues to impact their descendants down the line. Overall, this is my family genealogy through the lens of the mother and her daughters.