I am a graduate from the Music Industry Arts program at Algonquin College, where I learned multiple skills for everything involving the music industry. From music creation, to the release of music, I have had hands on experience from industry professionals to help me in becoming one myself. My area of expertise is in producing and mixing, and I will share my portfolio upon request.…

Neve

I am a graduate from the Music Industry Arts program at Algonquin College, where I learned multiple skills for everything involving the music industry. From music creation, to the release of music, I have had hands on experience from industry professionals to help me in becoming one myself. My area of expertise is in producing and mixing, and I will share my portfolio upon request.…

Available to hire

I am a graduate from the Music Industry Arts program at Algonquin College, where I learned multiple skills for everything involving the music industry. From music creation, to the release of music, I have had hands on experience from industry professionals to help me in becoming one myself. My area of expertise is in producing and mixing, and I will share my portfolio upon request.

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Skills

Experience Level

Audio
Intermediate
Music Theory
Intermediate
Music Video
Beginner

Language

English
Fluent
French
Fluent

Work Experience

Add your work experience history here.

Education

Music Industry Arts at Algonquin College
September 3, 2024 - August 20, 2025

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Other
    paper Stereo mix

    This project is special to me because, not only is it my own song, but I had been working on it for almost two years when I recorded this version. This version makes the first almost unrecognizable as part of the progression of where the project is now. I struggled with finding what I thought sounded best in terms of the production, which is why I made a goal to make something I could confidently be proud of, and I did. I am quite happy with the outcome of this project, and the making of this project has taught me so many things, like how to dedicate myself to something I do not fully believe may sound good in the end just to do my very best to prove myself wrong. Since this was my personal project, I composed, produced, played every instrument, mixed and mastered everything. The only thing I did not do is do the engineering in the studio. For this, I owe credits to my friend and classmate from the Music Industry Arts program who helped me get good recordings to facilitate the mixing process.

    Here are the mics I used for all the recorded aspects of the song:
    Kick in: Sennheiser e602
    Kick out: WA-47 FET
    Snare top: AKG C414
    Snare bottom: SM57
    Hihat: Neumann KM184
    Toms: Sennheiser MD-421 Kompakt
    Ride: Rode NT-5
    Overheads: TLM 103
    Rooms (x2): Warm WA 14
    Bass: Sennheiser MD-421 (on axis) and SM57 (off axis)
    Piano: Warm WA 14 (room) and AKG C414 (vestibule)
    Electric guitar: AKG C414 (on axis) and SM57 (off axis)

    The process for the mixing was the same as I do for every project. I put all the faders down and go instrument by instrument to create a good mix within the stems. What I mean by this is, within a group of instrument (drums, bass, guitar, etc.), I bring the fader up to a reasonable level for one track, add any plugins that are necessary (gate, EQ, compressor, etc.), then I mute the track and bring up the fader for the next, then balance the levels for those tracks. Then I use routing folders to mix the instruments together. I use a pair of speakers to do most of the mixing, and I use headphones as another output to try to minimize the difference between the two outputs. In terms of the mastering, I mastered this mix to -14 LUFS, as those are the target specifications for streaming.